Period: 18th century / Work Type: watercolor / Subject Terms: birds

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake, 1757–1827, British

The Shepherd, from Songs of Innocence

ca. 1795

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

1793

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

1794

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 2, Title Page

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)

1794

William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

1794

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 2, Title Page

1789

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

1793

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

1794

Richard Brookes, 1721–1763

Woodpecker and Two Birds

1760

Richard Brookes, 1721–1763

Crowned Eagle and Two Birds

1760

Paul Sandby, 1731–1809, British

Bothwell Castle, from the South

ca. 1777

Thomas Hearne, 1744–1817, British

The Cheesecake House, Hyde Park

ca. 1795

John Bewick, 1760–1795, British

A Magpie

undated

James Wyatt, 1746–1813, British

Cobham Hall, Kent: Section of the drawing room

ca. 1790

Richard Bentley, 1708–1782, British

A Prospect of Vapourland

1759

Thomas Gainsborough, 1727–1788, British

Travellers on Horseback Approaching a Village with a Spire

between 1765 and 1770

Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Country Cart and Figures Walking down a Lane

ca. 1760

imitator of Thomas Gainsborough, 1727–1788, British

Landscape with Cows

undated

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

The Sporting Lady

undated

John Collet, ca. 1725–1780, British

Stable Boy Holding a Horse in a Landscape

undated

John Cleveley the younger, 1747–1786, British

An English Frigate and Other Shipping in the Solent off Calshot Castle

undated

Francis Swaine, 1730–1782, British

A Naval Squadron Lying at Spithead

between 1745 and 1783

John Collet, ca. 1725–1780, British

Ecclesiastical Ruins beside the Thames (?)

undated

John Warwick Smith, 1749–1831, British

Llyn Geirionedd not Far from Trefriew, on the River Conway, Carnarvonshire

undated

John Warwick Smith, 1749–1831, British

Castle Point

undated

John Warwick Smith, 1749–1831, British

Saint Michael's Mount, Cornwall

undated

William Alexander, 1767–1816, British

Natives of Cochin Playing Shuttlecock in China

1792 to 1794

unknown artist

Villa Pliniana on the Lake of Como

ca. 1828

Jean B. C. Chatelain, 1710–1771, French

Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer

undated

Alexander Cozens, 1717–1786, British

Landscape with a Ruined Temple

between 1746 and 1750

John Warwick Smith, 1749–1831, British

Village of Stonethwaite and Eagle Cragg, Borrowdale

1792

John Cleveley the younger, 1747–1786, British

A Calm Day in the Anchorage

undated

James Lambert of Lewes, 1725–1788, British

South View of a House at Ringmer with Gardeners at Work

1787

unknown artist

A Black and White Indian Bird, (one of a pair)

undated

Rev. William Gilpin, 1724–1804, British

Landscape with Large Cruciform

1769

Rev. William Gilpin, 1724–1804, British

Landscape with Road Leading to Abbey

1762

unknown artist

An Asian Openbill Stork (Anastomus oscitans)

undated

James Lambert of Lewes, 1725–1788, British

North East View of a House at Ringmer with Cattle and Sheep by a Pond

1787

unknown artist

The Purple Heron

Undated

unknown artist

An Egyptian Vulture

Undated

Paul Sandby, 1731–1809, British

The North Terrace, Windsor Castle, Looking West

ca. 1765

Jean B. C. Chatelain, 1710–1771, French

Landscape Composition

undated