Period: 18th century / Work Type: intaglio print / Subject Terms: wings

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

Print made by William Hogarth, 1697–1764, British

Paul Before Felix Burlesqued

1751

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

Print made by William Blake, 1757–1827, British

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

Print made by William Blake, 1757–1827, British

Aged Ignorance; Plate 13

1793

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Sir Godfrey Kneller

1735

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Samuel William Reynolds, 1773–1835, British

Vulture and Lamb

1799

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

before 1797

Print made by John Dixon, ca. 1740–1811, Irish

The Oracle, Representing Britannia, Hibernia, Scotia and America

1774

Charles Grignion, 1717–1810, British

Britannia Allegory

between 1743 and 1747

Edward Fisher, 1722–1785, British

Hope Nursing Love

1771

Print made by John Smith, 1652–1743, British

The Triumph of Galatea

1701

Print made by Johann Philip Koch, ca. 1716–1796, German

Le Ete - Der Sommer

undated

Print made by Johann Jacobé, 1733–1797, Austrian

Hebe

1780

Print made by John Dean, 1754–1798, British

Cupid in the Character of a Link Boy

1777

Print made by John Dean, 1754–1798, British

Cupid in the Character of a Link Boy

1777

Print made by Charles Howard Hodges, 1764–1837, British

Guardian Angels

1786

Print made by Valentine Green, 1739–1813, British

Cupid and Psyche

1784

Print made by Charles Phillips, 1737– after 1783

Venus and Cupid

1766

Print made by John Watts, active 1766–1786

Van Dyke in the Character of Icarus

1778

Print made by John Watts, active 1766–1786

Van Dyke in the Character of Icarus

1778

Print made by Johann Jacobus Haid, 1704–1767

Vertumnus et Pomona

undated

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross

1785

Print made by James McArdell, ca. 1729–1765, Irish

Miss Frances Greville and her Brother as 'Hebe' and 'Cupid'

1762

Print made by Richard Earlom, 1743–1822, British

The Enchantress

1786

Print made by Richard Earlom, 1743–1822, British

The Enchantress

1786

Print made by James Watson, 1740–1790, British

Duchess of Manchester with Her Son George, Viscount Mandeville, as 'Diana and Cupid'

1769

Print made by Edward Fisher, 1722–1785, British

Miss Morris as 'Hope Nursing Love'

1771

Print made by William Dickinson, 1746–1823, British

Mrs. Sheridan as 'St. Cecilia'

1776

Print made by John Dean, 1754–1798, British

Mercury

1777

Print made by Thomas Cheesman, 1760–1834/35, British

Marchioness of Townshend and Child

1792

Print made by John Greenwood, 1727–1792, American, active in Britain (from 1763)

Venus and Cupid

ca. 1768

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by James Gillray, 1756–1815, British

Shakespeare Sacrificed; or, The Offering to Avarice

1789

James Gillray, 1756–1815, British

Presages of the Millenium

1795

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lovelace in Prison

1788

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Venus Childing Cupid

1784

Print made by Simon Gribelin, 1662–1733, French, active in Britain

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Print made by Simon Gribelin, 1662–1733, French, active in Britain

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Venus Chiding Cupid

1784

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Walker's Lectures

1794

George Bickham the Elder One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758, British

One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Virgin

1778

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salomon

1794

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Mr. Cox's Museum

1772

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At Rome

undated

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At the City of Albano

undated

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At the Minerva at Rome

undated

Print made by James McArdell, ca. 1729–1765, Irish

Time Clipping the Wings of Cupid

undated

Print made by John Dean, 1754–1798, British

Cupid in the Character of a Link Boy

1777

Print made by John Dean, 1754–1798, British

Mercury

1777

Print made by Valentine Green, 1739–1813, British

The Salutation

1778

Print made by James McArdell, ca. 1729–1765, Irish

Tobias and the Angel

undated

James Watson, 1740–1790, British

Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville

1770

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Period 18th century

Work Type intaglio print

Subject Terms wings

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Period 18th century

Work Type intaglio print

Subject Terms wings

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