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Period 18th century

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Work Type intaglio print

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Subject Terms dark

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1. Romeo and Juliet, Act IV, Scene V

Romeo and Juliet, Act IV, Scene V
Creator:
Print made by William Blake, 1757–1827, British
Date:
1799
Medium:
Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 5/16 × 16 9/16 inches (31.2 × 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2. Night

Night
Creator:
Print made by John Boydell, 1720–1804, British
Date:
1756
Medium:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 1/4 inches (39.7 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Wreck of the Nuestra Senora de los Remedios

The Wreck of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804, British
Date:
1753
Medium:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Medium:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Pretty Ballad Singer

The Pretty Ballad Singer
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1769
Medium:
Mezzotint on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:
Sheet: 16 3/4 x 11 1/2 inches (42.6 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Reading by a Paper-Bell Shade

Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1768
Medium:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. William Shakespeare

William Shakespeare
Creator:
Print made by Richard Earlom, 1743–1822, British
Date:
ca. 1770
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 6 1/2 inches (24.8 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Night and a Ship on Fire

Night and a Ship on Fire
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Date:
1745
Medium:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 21 7/16 inches (37.9 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Letter Woman

The Letter Woman
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
ca. 1769
Medium:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 1/8 inches (37.4 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Oyster Woman

The Oyster Woman
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1769
Medium:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 9 15/16 inches (36.9 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Pretty Maid with Her Apron Before the Candle

The Pretty Maid with Her Apron Before the Candle
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1770
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 x 11 1/16 inches (38.8 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Pretty Ballad Singer

The Pretty Ballad Singer
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1769
Medium:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 9/16 x 11 15/16 inches (42 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Unlucky Boy

The Unlucky Boy
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1772
Medium:
Mezzotint on moderately thick, slightly textured, greened white laid paper
Dimensions:
Sheet: 20 1/16 × 14 inches (51 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Fishery

The Fishery
Creator:
Print made by William Woollett, 1735–1785, British
Date:
1768
Medium:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 1/4 × 22 11/16 inches (46.4 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Night Watchman

Night Watchman
Creator:
Print made by John Bogle, 1746–1804, British
Date:
1776
Medium:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Reading by a Paper-Bell Shade

Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1768
Medium:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:
Sheet: 16 1/8 x 10 11/16 inches (41 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Schoolboy

No cover image available
Creator:
Print made by John Dean, 1754–1798, British
Date:
1777
Medium:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 11 7/8 inches (39.5 x 30.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund