Period: 18th century / Work Type: intaglio print / Height [cm]: 45 - YCBA Collections Search Search Results

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Period 18th century

Work Type intaglio print

Height [cm] 45

William Hogarth Strolling Actresses Dressing in a Barn

Print made by William Hogarth, 1697–1764, British

Strolling Actresses Dressing in a Barn

1738

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Ward The Romps

William Ward, 1766–1826, British

The Romps

1796

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811, Irish

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

John Raphael Smith Bellsane and Parcival under the Enchantment of Urma

John Raphael Smith, 1752–1812, British

Bellsane and Parcival under the Enchantment of Urma

1782

Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"

Robert Dodd, 1748–1816, British

"The Indian Emperor" or "The Conquest of Mexico"

1792

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Robert Blyth John Hamilton Mortimer

Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

John Raphael Smith A Wife - Une Femme Mariee

John Raphael Smith, 1752–1812, British

A Wife - Une Femme Mariee

1791

John Raphael Smith What You Will - Ce Qui Vous Plaira

John Raphael Smith, 1752–1812, British

What You Will - Ce Qui Vous Plaira

1791

Richard Earlom James McArdell

Print made by Richard Earlom, 1743–1822, British

James McArdell

1771

George Vertue Procession of Queen Elizabeth

George Vertue, 1684–1756, British

Procession of Queen Elizabeth

1742

John Collins The North Prospect of Westminster Abbey

Print made by John Collins, active ca. 1682

The North Prospect of Westminster Abbey

between 1680 and 1710

Morton Elevation of the Front for the Register Offices in Scotland

Morton, active 1767

Elevation of the Front for the Register Offices in Scotland

1767

Thomas Gaugain Turnips & Carrots ho

Print made by Thomas Gaugain, 1748–1812, French

Turnips & Carrots ho

1797

unknown artist Peter Oliver, A Celebrated Painter in the Reign of James I and Charles I

unknown artist

Peter Oliver, A Celebrated Painter in the Reign of James I and Charles I

ca. 1765

Robert Pollard View of London Bloomsbury Square

Print made by Robert Pollard, 1755–1838, British

View of London Bloomsbury Square

1787

Robert Pollard View of Grosvenor Square

Robert Pollard, 1755–1838, British

View of Grosvenor Square

1789

William Elliot A View of the Great Cohoes Falls, on the Mohawk River

Print made by William Elliot, active 1774, died 1792, British

A View of the Great Cohoes Falls, on the Mohawk River

1768

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812, French

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796

George Vertue Francis Earl of Bedford

Print made by George Vertue, 1684–1756, British

Francis Earl of Bedford

1737

George Vertue The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

George Vertue, 1684–1756, British

The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

1742

Valentine Green Sir Joshua Reynolds

Valentine Green, 1739–1813, British

Sir Joshua Reynolds

1780

William Doughty The Rev. William Mason, M. A.

Print made by William Doughty, 1757–1782, British

The Rev. William Mason, M. A

1779

John Raphael Smith Mrs. Stables and Two Daughters, Harriet & Maria

John Raphael Smith, 1752–1812, British

Mrs. Stables and Two Daughters, Harriet & Maria

1781

Francesco Bartolozzi Venus Attired By The Graces

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Venus Attired By The Graces

1784

James Walker Bridgenorth

Print made by James Walker, 1748–1808, British

Bridgenorth

1795

James S. Storer Birmingham

Print made by James S. Storer, 1771–1853, British

Birmingham

1795

John Blackmore Samuel Foote Esq.

Print made by John Blackmore, active 1740–1780

Samuel Foote Esq

1771

Edward Fisher Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey

Edward Fisher, 1722–1785, British

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey

1762

John Finlayson The Right Honorable Elizabeth Lady Melbourne

John Finlayson, 1730–1776, British

The Right Honorable Elizabeth Lady Melbourne

1771

Johann Gottfried Haid Absalom's Submission to his Father, King David

Print made by Johann Gottfried Haid, 1704–1767, German, active in Britain

Absalom's Submission to his Father, King David

1766

John Simon Her Royal Highness, the Princess Amelia

Print made by John Simon, 1675–1755, French

Her Royal Highness, the Princess Amelia

undated

Valentin Daniel Preissler Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!

Print made by Valentin Daniel Preissler, 1717–1765, German

Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!

undated

Francesco Bartolozzi The Cottagers

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Cottagers

1794

John Raphael Smith Mrs. Montagu

Print made by John Raphael Smith, 1752–1812, British

Mrs. Montagu

1776

James Watson James Paine and his Son

Print made by James Watson, 1740–1790, British

James Paine and his Son

1767

John Raphael Smith Miss Theophila Palmer

Print made by John Raphael Smith, 1752–1812, British

Miss Theophila Palmer

1777

William Dickinson Elizabeth Godden (née Houghton), Lady Taylor

Print made by William Dickinson, 1746–1823, British

Elizabeth Godden (née Houghton), Lady Taylor

ca. 1775

John Finlayson Miss Wynyard

Print made by John Finlayson, 1730–1776, British

Miss Wynyard

1771

Joseph Grozer St. John

Print made by Joseph Grozer, ca. 1755–1798, British

St. John

c.1799

James Walker Caroline, Countess of Carlisle

Print made by James Walker, 1748–1808, British

Caroline, Countess of Carlisle

1781

Joseph Grozer Lady Charlotte Legge

Print made by Joseph Grozer, ca. 1755–1798, British

Lady Charlotte Legge

1794

John Raphael Smith Mrs. Stables and Two Daughters Harriet & Maria

Print made by John Raphael Smith, 1752–1812, British

Mrs. Stables and Two Daughters Harriet & Maria

1781

Richard Earlom Mordecai

Print made by Richard Earlom, 1743–1822, British

Mordecai

1787

Richard Earlom A Brewhouse Yard

Print made by Richard Earlom, 1743–1822, British

A Brewhouse Yard

1791

John Raphael Smith Lady Elizabeth Compton

Print made by John Raphael Smith, 1752–1812, British

Lady Elizabeth Compton

1780

James McArdell The Holy Family at Night

Print made by James McArdell, ca. 1729–1765, Irish

The Holy Family at Night

ca. 1750

Richard Earlom Rubens' Son and Nurse

Print made by Richard Earlom, 1743–1822, British

Rubens' Son and Nurse

1785

John Raphael Smith Children of Walter Synnot

Print made by John Raphael Smith, 1752–1812, British

Children of Walter Synnot

1782

Valentine Green Miss Sarah Campbell

Valentine Green, 1739–1813, British

Miss Sarah Campbell

1779

Andrew Miller Oliver Cromwell and General Lambert

Andrew Miller, Died 1763, British

Oliver Cromwell and General Lambert

1745

John Jones George James Cholmondeley, 1st Marquess of Cholmondeley

John Jones, ca. 1745–1797, British

George James Cholmondeley, 1st Marquess of Cholmondeley

1790

John Blackmore Samuel Foote

John Blackmore, active 1740–1780

Samuel Foote

1771

William Ward Alleyne Fitzherbert, 1st Baron St. Helens

William Ward, 1766–1826, British

Alleyne Fitzherbert, 1st Baron St. Helens

1795

George Vertue The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots

after George Vertue, 1684–1756, British

The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots

1738

James McArdell Lady Grammont

James McArdell, ca. 1729–1765, Irish

Lady Grammont

undated

Robert Dunkarton Mrs. Mary Gwyn (née Horneck)

Robert Dunkarton, 1744–1811, British

Mrs. Mary Gwyn (née Horneck)

1778

Thomas Watson Henrietta, Countess of Rochester

Thomas Watson, 1743–1781, British

Henrietta, Countess of Rochester

1779

Scawen Honourable George, Lord Pigot

Scawen, active 1770s

Honourable George, Lord Pigot

undated