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Period 18th century

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Creator Bowles, Carington, 1724–1793

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Subject Terms dark

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Search Results

The Pretty Ballad Singer
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1769
Medium:
Mezzotint on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:
Sheet: 16 3/4 x 11 1/2 inches (42.6 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1768
Medium:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Oyster Woman
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1769
Medium:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 9 15/16 inches (36.9 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pretty Maid with Her Apron Before the Candle
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1770
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 x 11 1/16 inches (38.8 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pretty Ballad Singer
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1769
Medium:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 9/16 x 11 15/16 inches (42 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1745–ca.1809, British
Date:
1768
Medium:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:
Sheet: 16 1/8 x 10 11/16 inches (41 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection