Cemetery Gate of St. Augustine's Monastery at Canterbury
1782
35
Paul Sandby, 1731–1809, British
93 Etchings of Landscape and Genre Scenes
1750-1752
36
Paul Sandby, 1731–1809, British
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of Pakepsey and the Catts-Kill Mountains, From Sopos Island in Hudson's River
1761
37
Peter P. Benazech, 1767–1794
Scenographia Americana: A View of Miramichi, a French Settlement in the Gulf of St. Lawrence, destroyed by Brigadier Murray detached by General Wolfe for that purpose, from the Bay of Gaspe
1760
38
Paul Sandby, 1731–1809, British
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Falls on the Passaick, or Second River, in the Province of New Jersey. The height of the Fall between Eighty and Ninety feet..
1761
39
Paul Sandby, 1731–1809, British
Views in the River and Gulph of St. Lawrence: A View of Miramichi, in the Gulf of St. Lawrence
1760
40
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
41
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
42
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
43
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
44
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
45
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
46
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
47
Peter P. Benazech, 1767–1794
Scenographia Americana: A View of Hudson's River of the Entrance of what is called the Topan Sea
1758-1760
48
Paul Sandby, 1731–1809, British
Scenographia Americana: A View of the Falls on the Passaick, or second River, in the Province of New Jersey
1758-1760
49
James Peak, 1703–1782, British
Scenographia Americana: A Design to represent the beginning and completion of an American Settlement or Farm
1758-1760
50
Print made by William Walker, active 1782–1808
A Perspective View of the Royal Academy in the Strand, where Somerset House Formerly Stood
1779
51
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
52
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
53
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
54
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
55
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
56
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
57
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
58
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
59
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
60
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
61
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
62
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
63
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
64
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
65
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
66
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
67
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
68
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
69
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
70
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
71
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
72
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
73
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
74
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
75
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
76
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
77
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
78
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
79
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
80
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
81
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
82
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
83
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
84
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
85
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
86
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
87
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
88
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
89
Edward Rooker, 1724–1774, British
Scotland Yard with Part of the Banqueting House
1777
90
Edward Rooker, 1724–1774, British
Scotland Yard with Part of the Banqueting-House
1777
91
Paul Sandby, 1731–1809, British
All on Fire, or the Doctor's Disappointed
1784
92
Paul Sandby, 1731–1809, British
Encampment in the Museum Garden
1758
93
Paul Sandby, 1731–1809, British
The Entrance of Warwick Castle from the Lower Court
1776
94
Paul Sandby, 1731–1809, British
Great Gate of St. Augustine's Monastery at Canterbury
1789
95
Paul Sandby, 1731–1809, British
Southeast View of Remains of King John's Palace at Eltham in Kent
1778
96
Paul Sandby, 1731–1809, British
Warwick Castle from the Lodge Hill
1776
97
Paul Sandby, 1731–1809, British
The Great Bridge over the Virginia River
1772
98
Paul Sandby, 1731–1809, British
Cascade and Grotto
1772
99
Paul Sandby, 1731–1809, British
View of the North Side of the Virginia River, near the Manour Lodge
1772
100
unknown artist
South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)