Pieter van Bleeck, 1700–1764, Dutch, active in Britain (from 1723)
Mrs. Cibber as Cordelia
ca. 1755
Not on view
6
Josiah Wedgwood, 1730–1795, British
Horse Frightened by a Lion (Episode A)
modeled 1780
Not on view
7
George Stubbs, 1724–1806, British
Tygers at Play
1780
8
William Hogarth, 1697–1764, British
The Bruiser
1763
9
William Hogarth, 1697–1764, British
Gulielmus Hogarth
1749
10
William Hogarth, 1697–1764, British
And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
1752
11
William Hogarth, 1697–1764, British
And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
1752
12
George Romney, 1734–1802, British
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
13
George Romney, 1734–1802, British
Lear Awakened by Cordelia
ca. 1774
14
George Romney, 1734–1802, British
Children with a Goat and a Dog
undated
15
George Romney, 1734–1802, British
Mother and Son
undated
16
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
17
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
18
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 2, Title Page
1794
19
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
20
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
21
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
22
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
23
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
24
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
25
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
26
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
27
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
28
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
29
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
30
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
31
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
32
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
33
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
34
Giovanni Battista Borra, 1713–1770, Italian
View of a Valley with Ruins at Sardis
ca. 1750
35
Giovanni Battista Borra, 1713–1770, Italian
View of the Modern City of Pergamon
ca. 1750
36
Giovanni Battista Borra, 1713–1770, Italian
Monte delle Beatitudini
ca. 1750
37
Giovanni Battista Borra, 1713–1770, Italian
Plan of Lake Tiberias
ca. 1750
38
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
39
Giovanni Battista Borra, 1713–1770, Italian
View of the Source of the Lycus River (Nahr el-Kelb)
ca. 1751
40
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Laodicea
ca. 1750
41
Giovanni Battista Borra, 1713–1770, Italian
Is'Tmo di Cizico unito al Continente
ca. 1750
42
Giovanni Battista Borra, 1713–1770, Italian
Unfinished View of the Palatine in Rome
ca. 1750
43
Giovanni Battista Borra, 1713–1770, Italian
View of Ruins at Tivoli
ca. 1750
44
Giovanni Battista Borra, 1713–1770, Italian
Reggio di Calabria
ca. 1750
45
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
46
James Watson, 1740–1790, British
George Bridges Rodney Esqr
1762
47
Samuel Buck, 1696–1779, British
The South West View of Melton Constable in the County of Norfolk, Seat of Sir Jacob Astley
ca. 1741
48
Francis Jukes, 1747–1812, British
Canterbury
ca. 1790
49
Print made by William Henry Toms, ca. 1700–ca. 1750, British
A Perspective View of the Chapel adjoining to Wakefield Bridge, in the County of York, which was built by King Edward the fourth in Memory of his Father Richard, Duke of York
1743
50
Samuel De Wilde, 1748–1832, British
A Lady, full length, Wearing a Blue Sash and Holding a Fan
1795
51
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Section of a Room
ca. 1790
52
James Bruce, 1730–1794, British
No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
undated
53
James Bruce, 1730–1794, British
No. 8 Architecture of the Temple of Ceres Legitera
undated
54
James Bruce, 1730–1794, British
No. 9 architecture of the temple of Neptune the King
undated
55
James Bruce, 1730–1794, British
No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
undated
56
James Bruce, 1730–1794, British
No. 26 drawings of temple remains at Baalbec or Palmyra
undated
57
James Bruce, 1730–1794, British
Finished Drawing of Unidentified Palladian Mansion
undated
58
James Bruce, 1730–1794, British
Veduta di Tunga
undated
59
James Bruce, 1730–1794, British
Sketches of Temple Columns
ca. 1768
60
Richard Westall, 1765–1836, British
The Seven Bishops Going To Trial
1790
61
James Bruce, 1730–1794, British
Euphorbia helioscopia L. (Sun Spurge): finished drawing of flowering plant with details of flowers and leaf and fruit
undated
62
Francis Jukes, 1747–1812, British
The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields
ca. 1784
63
John Jones, ca. 1745–1797, British
Lady Caroline Price
1788
64
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Rocky Landscape with Waterfalls
undated
65
Charles Gore, 1729–1807, British
Ruins du Château du Heidelberg
1793
66
Nicholas Pocock, 1740–1821, British
The Ranger, Private Ship of War, with her Prizes
1780
67
Paul Sandby, 1731–1809, British
Italianate Landscape with Travelers, No. 1
ca. 1765
68
Benjamin Cole, 1697–1783, British
The S.W. Prospect of the Church of St. Leonard, Shoreditch
undated
69
Benjamin Cole, 1697–1783, British
The N. W. Prospect of the Parish Church of St. Magnus the Martyr
undated
70
Jacob van Schley, 1715–1779, Dutch
The Monument of King Henry III, in Westminster Abbey
1735
71
unknown artist
St. Paul's from Ludgate Hill
1797
72
unknown artist
St. Paul's Cathedral from the West Entrance
1797
73
George Vertue, 1684–1756, British
The Monument in Westminster Abbey of King Henry V
between 1699-1756
74
Benjamin Cole, 1697–1783, British
The Northeast Prospect of the Parish Church of St. Botolph, without Bishopsgate
undated
75
Claude Du Bosc, c.1711–1740
The Monument of King Edward III in Westminster Abbey
undated, ca. 1726-1740
76
unknown artist
West Front of St. Paul's
1798
77
George Barret, ca. 1728/32–1784, Irish
Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
ca. 1775
78
Giovanni Battista Borra, 1713–1770, Italian
View of Ruins of the Asclepium at Pergamon
ca. 1750
79
Giovanni Battista Borra, 1713–1770, Italian
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
80
James Bruce, 1730–1794, British
Triumphal Arch Thamugas
undated
81
James Bruce, 1730–1794, British
Vulture
ca. 1768
82
Print made by John Landseer, 1769–1852, British
Alum Bay, Isle of Wight
1799
83
James Bruce, 1730–1794, British
Plan of Temple at Baalbec
undated
84
William Pars, 1742–1782, British
A View of Rome Taken from the Pincio
1776
85
John Webber, 1752–1793, British
Rocks in Derbyshire
1789
86
Charles Heathcote Tatham, 1772–1842, British
Final Design for a Naval Monument: Plan and Elevation
1799
87
William Kent, ca.1686–1748, British
Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration
between 1728 and 1732
88
style of Paul Sandby, 1731–1809, British
Landscape with a man playing a pipe under an old tree
undated
89
Paul Sandby, 1731–1809, British
Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
90
attributed to Michael "Angelo" Rooker, 1746–1801, British
Carisbrooke Castle, Isle of Wight
undated
91
Paul Sandby, 1731–1809, British
Romantic Landscape - Peasants at the Foot of a Castle on a Crag
undated
92
unknown artist
Unidentified Country House
between 1700 and 1715
93
Attributed to office of Robert Adam, 1728–1792, British
Design for a Door-knocker
undated
94
James Bruce, 1730–1794, British
Elevation of the Front of the 1st temple fronting the sea