Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
2
Balthazar Nebot, active 1730–1762, Spanish, active in Britain (from 1729)
Fishmonger's stall
1737
Not on view
3
George Morland, 1763–1804, British
Portrait of a Girl in a Garden
between 1786 and 1788
Not on view
4
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
5
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
6
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Planter and his Wife, with a Servant
ca. 1780
Not on view
7
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
8
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
9
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
10
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Falstaff with the Body of Hotspur
ca. 1786
Not on view
11
unknown artist, eighteenth century
A View of Lambeth
ca. 1770
Not on view
12
Joseph Francis Nollekens, 1702–1748, Flemish, active in Britain (1708; from 1733)
Portrait of Two Boys, probably Joseph and John Joseph Nollekens
ca. 1745
Not on view
13
George Morland, 1763–1804, British
Foxhunting in Hilly Country
1792
Not on view
14
James Seymour, 1702–1752, British
A Bay Racehorse with Jockey Up
ca. 1730
Not on view
15
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
16
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
17
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
18
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
19
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Gentlemen Fishing
1794
Not on view
20
Peter Gaspar Scheemakers, 1691–1781, Flemish, active in Britain (from ca. 1720)
Cleopatra
ca. 1723
Not on view
21
George Stubbs, 1724–1806, British
Study for the Self-portrait in Enamel
ca. 1781
22
William Hogarth, 1697–1764, British
Lewis Theobald: Detail of the Poet
23
William Hogarth, 1697–1764, British
A Rake's Progress, Plate II: His Levee
1735
24
William Hogarth, 1697–1764, British
A Rake's Progress, Plate III: He Revels
1735
25
William Hogarth, 1697–1764, British
A Rake's Progress, Plate IV: Goes to Court
1735
26
Print made by William Hogarth, 1697–1764, British
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
27
William Hogarth, 1697–1764, British
A Rake's Progress, Plate VI: He Gambles
1735
28
William Hogarth, 1697–1764, British
The Distrest(ed) Poet
1740
29
William Hogarth, 1697–1764, British
A Rake's Progress, Plate VIII: In Bedlam
1735
30
William Hogarth, 1697–1764, British
The Bench
1758
31
Joseph Mallord William Turner, 1775–1851, British
Newark - upon - Trent
ca. 1796
32
George Romney, 1734–1802, British
The Accusation of Susanna by the Elders
undated
33
George Romney, 1734–1802, British
The Accusation of Susanna
ca. 1773
34
George Romney, 1734–1802, British
Figures Mourning at the Bier of a Woman
undated
35
George Romney, 1734–1802, British
Lear Awakened by Cordelia
between 1774 and 1775
36
Print made by William Blake, 1757–1827, British
Romeo and Juliet, Act IV, Scene V
1799
37
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
38
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
39
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
40
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
41
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
42
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
43
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
44
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
45
Giovanni Battista Borra, 1713–1770, Italian
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
46
Giovanni Battista Borra, 1713–1770, Italian
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
47
Giovanni Battista Borra, 1713–1770, Italian
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
48
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
49
Giovanni Battista Borra, 1713–1770, Italian
Posizione delle Piramidi di Sachara
ca. 1750
50
Giovanni Battista Borra, 1713–1770, Italian
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
51
Luigi Balugani, 1737–1770, Italian
Beidelsar (Asclepias procera)
undated
52
Luigi Balugani, 1737–1770, Italian
Aije (Diospyros mespiliformis)
undated
53
Luigi Balugani, 1737–1770, Italian
Valkoffa (Dombeya torrida)
undated
54
Luigi Balugani, 1737–1770, Italian
Lillahu (Pittosporum viridiflorum)
undated
55
Luigi Balugani, 1737–1770, Italian
Cantaffa (Pterolobium stellatum)
undated
56
Luigi Balugani, 1737–1770, Italian
Ha (Salix subserrata); Crotalaria Pallida
undated
57
Luigi Balugani, 1737–1770, Italian
Astragalus Atropilosulus and Gomphocarpus Fruticosus
undated
58
Luigi Balugani, 1737–1770, Italian
Jauira (Olea africana)
undated
59
Luigi Balugani, 1737–1770, Italian
Brucea antidysenterica
undated
60
Luigi Balugani, 1737–1770, Italian
Juniperus Procera
undated
61
Luigi Balugani, 1737–1770, Italian
Cordia Abyssinica
undated
62
Luigi Balugani, 1737–1770, Italian
Effarazengh (Kniphofia foliosa)
1770
63
Luigi Balugani, 1737–1770, Italian
Ensete ventricosum
undated
64
Luigi Balugani, 1737–1770, Italian
Crinum Schimperi
undated
65
Luigi Balugani, 1737–1770, Italian
Erythrina Abyssinica
undated
66
Luigi Balugani, 1737–1770, Italian
Gardenia Ternifolia
undated
67
Luigi Balugani, 1737–1770, Italian
Protea Gaguedi
undated
68
Print made by James Bretherton, ca. 1730–1806, British
The Damnation of Obadiah
1773
69
Print made by Charles Bretherton, ca. 1760–1783, British
Lady Pointing with a Stick
1782
70
James Watson, 1740–1790, British
Anne Lascelles
71
James McArdell, ca. 1729–1765, Irish
Mrs. Sandby
72
Luigi Balugani, 1737–1770, Italian
Fiore di Berberra
undated
73
Luigi Balugani, 1737–1770, Italian
Cosciscilla and Dembelal
1770
74
Luigi Balugani, 1737–1770, Italian
[One of] Miscellaneous Sketches in Wrapper
1770
75
Luigi Balugani, 1737–1770, Italian
Menghi (Rhus glutinosa)
undated
76
Luigi Balugani, 1737–1770, Italian
Attath (Maytenus arguta)
undated
77
Luigi Balugani, 1737–1770, Italian
Four Fish
undated
78
Luigi Balugani, 1737–1770, Italian
Arundinaria alpina
undated
79
Luigi Balugani, 1737–1770, Italian
Angua (Boswellia papyrifera)
undated
80
Luigi Balugani, 1737–1770, Italian
Netchilo (Abutilon longicuspe)
undated
81
Luigi Balugani, 1737–1770, Italian
Brucea antidysenterica
1769–71
82
James Bruce, 1730–1794, British
Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
undated
83
James Bruce, 1730–1794, British
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
84
James Bruce, 1730–1794, British
Sketch of Arches in Perspective
ca. 1768
85
Luigi Balugani, 1737–1770, Italian
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch
undated
86
Luigi Balugani, 1737–1770, Italian
Avicennia marina (Forssk.) Vierh. (White Mangrove): finished drawing of flowering shoot with details of flowers
undated
87
James Bruce, 1730–1794, British
Treron waalia (Bruce's Green Pigeon)
undated
88
Luigi Balugani, 1737–1770, Italian
Binney: number one (a fish)
undated
89
James Bruce, 1730–1794, British
The Ruins of Carthage
ca. 1769
90
James Bruce, 1730–1794, British
Gypaetus barbatus (Bearded Vulture)
ca. 1768
91
Hugh Douglas Hamilton, 1739–1808, British
Henry Reveley
1770
92
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Landscape with Rainbow, View near Chesterfield
undated
93
Michael "Angelo" Rooker, 1746–1801, British
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
94
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
95
James Bruce, 1730–1794, British
Coracias abyssinicus (Abyssinian Roller)
undated
96
James Bruce, 1730–1794, British
Unidentified Fish
undated
97
William Taverner, 1703–1772, British
Landscape, Trees and a Distant View of Rome
undated
98
Giles Hussey, 1710–1788, British
Study of classical scultpure of Laocoon
between 1730 and 1768
99
Gavin Hamilton, 1723–1798, British, active in Italy (1744–48 and 1756 on)