Plan of Westminster Showing the Coronation Route of George II
ca. 1727
2
Print made by Charles J. Hullmandel, 1789–1850, British
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
3
unknown artist, eighteenth century
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
4
Print made by James Basire the younger, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
5
Print made by James Basire, 1730–1802, British
Plate IX: St Stephen's Chapel
1795
6
Print made by John Thomas Smith, 1766–1833, British
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
7
Print made by James Basire, 1730–1802, British
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
8
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
9
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
10
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
11
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
12
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
13
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
14
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
15
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
16
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
17
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
18
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
19
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
20
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
21
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
22
Print made by William Henry Toms, ca. 1700–ca. 1750, British
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
23
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
24
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
25
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
26
Print made by James Basire, 1730–1802, British
Plate VIII: St Stephen's Chapel
1795
27
Print made by James Basire, 1730–1802, British
Plate X: St Stephen's Chapel
1795
28
Print made by James Basire, 1730–1802, British
Plate XIII: St Stephen's Chapel
1795
29
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
30
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
31
George Johann Scharf, 1788–1860, British
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
32
Print made by Charles Grignion, 1717–1810, British
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
33
Attributed to William Capon, 1757–1827, British
Entrance to the House of Lords
1796
34
Print made by unknown artist, (A Smith)
Entrance of the House of Lords with the Office of Ordnance
undated
35
Attributed to John Carter, 1748–1817, British
Plan of Painted Chamber
between 1793 and 1799
36
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
37
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
38
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
39
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
40
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
41
Attributed to John Carter, 1748–1817, British
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
42
Print made by Edward Rooker, 1724–1774, British
Henry the Seventh's Chapel
undated
43
Attributed to John Carter, 1748–1817, British
Continuation of the Preceeding Ornaments
1793
44
William Capon, 1757–1827, British
Henry VII Chapel
ca. 1793
45
John Carter, 1748–1817, British
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
46
Attributed to John Carter, 1748–1817, British
Door-way in Wall of South Precints of Westminster Abbey
undated
47
Print made by John Carter, 1748–1817, British
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
48
Attributed to John Carter, 1748–1817, British
Window, Dean's Yard
between 1806 and 1815
49
Attributed to John Carter, 1748–1817, British
Figure study, Henry VII Chapel
ca. 1793
50
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
51
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
52
Attributed to John Carter, 1748–1817, British
Paintings on the Wall by H in Plan
between 1793 and 1799
53
Print made by James Basire, 1730–1802, British
Plate XII: St Stephen's Chapel
1795
54
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
55
Attributed to John Carter, 1748–1817, British
Details of one of the Figures
ca. 1795
56
Print made by George Barret Jr., 1767–1842, British
Marriage of Henry the seventh
1796
57
Attributed to John Carter, 1748–1817, British
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
58
Attributed to John Carter, 1748–1817, British
South View of the Abbey Church, Westminster, Taken from Dean's Yard