Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
ca. 1745
Not on view
4
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
Westminster Bridge, with the Lord Mayor's Procession on the Thames
1747
Not on view
5
Edward Edwards, 1738–1806, British
Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
ca. 1790
Not on view
6
Samuel Scott, 1701/2–1772, British
Arches of Westminster Bridge
ca. 1750
Not on view
7
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
8
Unknown artist, mid-eighteenth century
An Imaginary View of Westminster Bridge
mid-18th century
Not on view
9
Samuel Scott, 1701/2–1772, British
The Building of Westminster Bridge
ca. 1742
Not on view
10
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
11
George Morland, 1763–1804, British
St. James's Park
between 1788 and 1790
Not on view
12
unknown artist, eighteenth century
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
13
unknown artist, eighteenth century
The Interior of Westminster Abbey
ca. 1714
Not on view
14
Paul Sandby, 1731–1809, British
The Gunpowder Magazine, Hyde Park
ca. 1793
15
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
The City of Westminster from Near the York Water Gate
between 1746 and 1747
16
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
17
Print made by Paul Angier, active 1749, French (active in London)
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
18
attributed to Michael "Angelo" Rooker, 1746–1801, British
Scenery, Haymarket Theatre
undated
19
Thomas Malton the Younger, 1748–1804, British
York Water Gate
1795
20
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
21
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
22
Thomas Rowlandson, 1756–1827, British
Skating on the Serpentine
before 1790
23
Samuel Scott, 1701/2–1772, British
Westminster Bridge under Construction
undated
24
unknown artist, eighteenth century
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
25
Print made by Charles J. Hullmandel, 1789–1850, British
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
26
unknown artist, eighteenth century
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
27
Print made by James Basire the younger, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
28
Print made by James Basire, 1730–1802, British
Plate IX: St Stephen's Chapel
1795
29
Print made by John Thomas Smith, 1766–1833, British
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
30
Print made by James Basire, 1730–1802, British
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
31
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
32
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
33
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
34
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
35
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
36
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
37
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
38
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
39
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
40
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
41
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
42
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
43
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
44
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
45
Print made by William Henry Toms, ca. 1700–ca. 1750, British
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
46
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
47
John Maurer, active 1713–1761
A Perspective View of Whitehall
48
unknown artist
The Royal Palace of St. James's next the Park
49
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
50
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
51
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
52
John Warwick Smith, 1749–1831, British
A View of St. James's Park, taken near the Stable Yard
53
Michael "Angelo" Rooker, 1746–1801, British
The Admiralty Building from Whitehall
1782
54
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
55
John Boydell, 1720–1804, British
St. Clement Danes
1751
56
Thomas Bowles, ca. 1712–died 1753, British
The Inside of St. Martin's Church in the Fields
57
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
58
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
59
Thomas Bowles, ca. 1712–died 1753, British
A South View of Westminster Abby & St. Margarets Church
60
Julius Caesar Ibbetson, 1759–1817, British
Skating in Hyde Park
ca. 1785
61
unknown artist, eighteenth century
A view of the inside of Westminster Hall
ca. 1700
62
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
63
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
64
Print made by James Basire, 1730–1802, British
Plate VIII: St Stephen's Chapel
1795
65
Print made by James Basire, 1730–1802, British
Plate X: St Stephen's Chapel
1795
66
Print made by James Basire, 1730–1802, British
Plate XIII: St Stephen's Chapel
1795
67
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
68
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
69
George Johann Scharf, 1788–1860, British
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
70
Print made by Charles Grignion, 1717–1810, British
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
71
Attributed to William Capon, 1757–1827, British
Entrance to the House of Lords
1796
72
Print made by unknown artist, (A Smith)
Entrance of the House of Lords with the Office of Ordnance
undated
73
Attributed to John Carter, 1748–1817, British
Plan of Painted Chamber
between 1793 and 1799
74
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
75
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
76
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
77
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
78
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
79
Attributed to John Carter, 1748–1817, British
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
80
Print made by Edward Rooker, 1724–1774, British
Henry the Seventh's Chapel
undated
81
Attributed to John Carter, 1748–1817, British
Continuation of the Preceeding Ornaments
1793
82
William Capon, 1757–1827, British
Henry VII Chapel
ca. 1793
83
John Carter, 1748–1817, British
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
84
Attributed to John Carter, 1748–1817, British
Door-way in Wall of South Precints of Westminster Abbey
undated
85
Print made by John Carter, 1748–1817, British
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
86
Attributed to John Carter, 1748–1817, British
Window, Dean's Yard
between 1806 and 1815
87
Attributed to John Carter, 1748–1817, British
Figure study, Henry VII Chapel
ca. 1793
88
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
89
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
90
Attributed to John Carter, 1748–1817, British
Paintings on the Wall by H in Plan
between 1793 and 1799
91
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to Westminster Abbey
before 1791
92
Thomas Bowles, ca. 1712–died 1753, British
The Inside of Westminster Abby
93
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
94
Print made by James Basire, 1730–1802, British
Plate XII: St Stephen's Chapel
1795
95
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
96
Attributed to John Carter, 1748–1817, British
Details of one of the Figures
ca. 1795
97
Print made by George Barret Jr., 1767–1842, British
Marriage of Henry the seventh
1796
98
Attributed to John Carter, 1748–1817, British
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
99
Attributed to John Carter, 1748–1817, British
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
100
Samuel Scott, 1701/2–1772, British
The Thames with Montagu House and Westminster Bridge