Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
2
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
3
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
4
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
5
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
6
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
7
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
8
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
9
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
10
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
11
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
12
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
13
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
14
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
15
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
16
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
17
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
18
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
19
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
20
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
21
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
22
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
23
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
24
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
25
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
26
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
27
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
28
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
29
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
30
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
31
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
1794
32
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
33
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
34
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
36
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
37
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
38
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
39
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
40
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
41
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
42
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
43
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
1794
44
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
45
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
46
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
47
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
48
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
49
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
50
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
51
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
52
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
53
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
54
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
1794
55
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
56
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
1794
57
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
1794
58
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
1794
59
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
60
Simon François Ravenet, 1706–1774, French, active in Britain
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet