A Rake's Progress, Plate VII: In Fleet Street Prison
1735
2
Giovanni Battista Borra, 1713–1770, Italian
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
3
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
4
Giovanni Battista Borra, 1713–1770, Italian
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
5
Giovanni Battista Borra, 1713–1770, Italian
An Altar at Delos
1751
6
Giovanni Battista Borra, 1713–1770, Italian
Posizione delle Piramidi di Sachara
ca. 1750
7
Giovanni Battista Borra, 1713–1770, Italian
Plan and View of a Cave, Temple, or Tomb
ca. 1750
8
Giovanni Battista Borra, 1713–1770, Italian
Sepolcro di Zagaria
ca. 1750
9
Giovanni Battista Borra, 1713–1770, Italian
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
10
Giovanni Battista Borra, 1713–1770, Italian
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
11
Giovanni Battista Borra, 1713–1770, Italian
Topographical View of the Pyramids at Giza
ca. 1750
12
Giovanni Battista Borra, 1713–1770, Italian
Plan of Jerusalem
ca. 1750
13
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
14
Giovanni Battista Borra, 1713–1770, Italian
View of a Passage Cut into a Hillside
ca. 1750
15
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Plan for Servant's Quarters
ca. 1790
16
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Plan of West End of South Wing
ca. 1790
17
James Bruce, 1730–1794, British
Plan of the Temple at Baalbec
undated
18
James Bruce, 1730–1794, British
Quadrifrontal Arch, Tripoli
undated
19
James Bruce, 1730–1794, British
Triumphal Arch of Hieron of Temples Sheitla
undated
20
Job Bulman, active 1767
Chilham Castle, Kent
undated
21
Jonathan Skelton, active 1754, died 1758, British
The Refectory, St. Augustine's Monastery, Canterbury
1757
22
James Bruce, 1730–1794, British
Aquaduct of Julia Ceasarea
undated
23
Samuel Buck, 1696–1779, British
Herstmonceux Castle, Sussex
undated
24
Attributed to Thomas Harrison, 1744–1829, British
Variant Ceiling Plan for Clifton Castle
ca. 1780-1790
25
Attributed to Thomas Harrison, 1744–1829, British
Ceiling Plan for Clifton Castle
ca. 1780-1790
26
unknown artist, eighteenth century
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
27
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Front Elevation
ca. 1790
28
Sir John Soane, 1753–1837, British
Hinton St. George, Somerset: View of the Saloon
1797
29
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
30
Robert Nixon, 1759–1837, British
Allington Castle, Kent
ca. 1790
31
unknown artist
Norton Hall, Cheshire: Ground Plan with Designs for a Canal
between 1760 and 1776
32
unknown artist, ( Italian School )
Design for a Riding School
undated
33
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Plan of the Water Closets Adjoining to the North West Tower
ca. 1790
34
Giovanni Battista Borra, 1713–1770, Italian
Frieze and Capitals (from Priene?)
ca. 1750
35
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
36
unknown artist
Design for the Plasterwork Decoration of a Circular Rotunda
undated
37
James Bruce, 1730–1794, British
Aquaduct of Julia Ceasarea
undated
38
James Bruce, 1730–1794, British
Plate II Tombe de la Chretienne
undated
39
James Bruce, 1730–1794, British
Tomb of Juba II near Algiers
undated
40
Print made by Samuel Rawle, 1771–1860, British
South West View of Dunster Castle, Somersetshire
1800
41
William Kent, ca.1686–1748, British
Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
ca. 1733
42
Print made by William Byrne, 1743–1805, British
The Ruins of the College of Lincluden
1782
43
James Bruce, 1730–1794, British
Sketches of architectural detail of temple at Baalbec
undated
44
James Bruce, 1730–1794, British
Elevation and plan of part of Temples at Baalbec
undated
45
James Bruce, 1730–1794, British
Plan of the most entire temple at Baalbec
undated
46
G. W. Gent, active 1804–1822
Boldre Church and Bridge
1800
47
John Chessell Buckler, 1793–1894, British
Northumberland House, Charing Cross, London
1828
48
Edward Edwards, 1738–1806, British
Leicester, St. Mary's Church
1778
49
Edward Eyre, active 1771–1792, British
The Fair at Cheltenham
1775
50
James Gandon, 1742–1823, British
Elevation for the West Front of Parliament House, Dublin
ca. 1787
51
Print made by James Basire, 1730–1802, British
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
52
William Henry Toms, ca. 1700–ca. 1750, British
The South - West View of the Parish Church of Ecton in Northamptonshire
1749
53
John Melchior Barralet, active 1750–1787
The Old Stables, Petworth
1778
54
Morton, active 1767
Elevation of the Front for the Register Offices in Scotland
1767
55
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
56
Willey Reveley, 1760–1799, British
Views in the Levant: Rome with Ruins seen Through an Archway
ca. 1785
57
Charles Turner, 1774–1857, British
Captain John Schank
1799
58
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
1785
59
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
60
Michael "Angelo" Rooker, 1746–1801, British
The Gate at Blenheim
1787
61
William Henry Pyne, 1769–1843, British
A Boy Playing a Drum in the Garden of a Country House
1793
62
Print made by John Robert Cozens, 1752–1797, British
Bath: The Circus
1773
63
Print made by John Robert Cozens, 1752–1797, British
Bath: Queen Square
1773
64
Print made by John Robert Cozens, 1752–1797, British
Bath: The New Bridge
1773
65
Print made by John Robert Cozens, 1752–1797, British
Bath: The Crescent
1773
66
Print made by John Robert Cozens, 1752–1797, British
Bath: The North Parade
1773
67
Print made by John Robert Cozens, 1752–1797, British
South View of Bath
1773
68
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
69
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
70
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
1785
71
Charles Grignion, 1717–1810, British
A View of the Bridge at Walton-on-Thames in Surrey
1752
72
unknown artist
South Front of the Bank
1798
73
unknown artist
The North View of Battersea
undated
74
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order at Geramo
ca. 1750
75
Giovanni Battista Borra, 1713–1770, Italian
A Doorway from Geramo
ca. 1750
76
Giovanni Battista Borra, 1713–1770, Italian
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
77
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Temple of Artemis at Ephesus
ca. 1750
78
Giovanni Battista Borra, 1713–1770, Italian
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
79
Giovanni Battista Borra, 1713–1770, Italian
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
80
Giovanni Battista Borra, 1713–1770, Italian
Members of an Ionic Temple at Teos
ca. 1750
81
Giovanni Battista Borra, 1713–1770, Italian
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
82
Giovanni Battista Borra, 1713–1770, Italian
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
83
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
84
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
85
Giovanni Battista Borra, 1713–1770, Italian
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
86
Giovanni Battista Borra, 1713–1770, Italian
Details of the Doric Order from the Athenian Temple of Apollo at Delos
1751
87
Giovanni Battista Borra, 1713–1770, Italian
Part of the Portico of Philip at Delos
1751
88
Giovanni Battista Borra, 1713–1770, Italian
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
89
Giovanni Battista Borra, 1713–1770, Italian
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
90
Giovanni Battista Borra, 1713–1770, Italian
Sepolcro di Absalon
ca. 1750
91
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Grotto of Gethsemene
ca. 1750
92
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
93
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
94
Giovanni Battista Borra, 1713–1770, Italian
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
95
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
96
Giovanni Battista Borra, 1713–1770, Italian
Details of a Doric Order from Toreh
ca. 1750
97
Giovanni Battista Borra, 1713–1770, Italian
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
98
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
99
Giovanni Battista Borra, 1713–1770, Italian
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)