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Date 1882

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Study for "Arabian Nights"
Creator:
Sir Frank William Brangwyn, 1867–1956, British
Date:
undated
Medium:
Gouache on very thick, moderately textured, brown board
Dimensions:
Sheet: 21 5/16 x 14 7/8 inches (54.1 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Judgement Day at the RA
Creator:
Sir Walter Westley Russell, 1867–1949, British
Date:
undated
Medium:
Pen and brown ink and graphite; verso: graphite and pen and brown ink. on thin, smooth, beige wove paper
Dimensions:
Sheet: 7 × 9 5/8 inches (17.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
Fishing Boats at Hastings
Creator:
Print made by James Dobie, 1849–1911, British
Date:
1882
Medium:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 16 11/16 inches (31.4 x 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Study of Furnace Workers
Creator:
Sir Frank William Brangwyn, 1867–1956, British
Date:
undated
Medium:
Graphite and chalk on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 15 × 9 1/2 inches (38.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Vive la Politesse! Ladies First!
Creator:
Leonard Raven-Hill, 1867–1942, British
Date:
undated
Medium:
Pen and black ink with white gouache on very thick, smooth, cream wove card
Dimensions:
Sheet: 7 1/8 × 7 3/4 inches (18.1 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Philip L. Goodwin, R.A. 1907
No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956, British
Date:
undated
Medium:
Black chalk on moderately thick, moderately textured, brown laid paper
Dimensions:
Sheet: 19 × 11 3/4 inches (48.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund