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1. Study for The Wedding Feast of Sir Degrevaunt

Study for The Wedding Feast of Sir Degrevaunt
Creator:
Edward Burne-Jones, 1833–1898, British
Date:
undated
Medium:
Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:
Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1848
Medium:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/16 inches (30.4 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Common Sense Versus Precedent

Common Sense Versus Precedent
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1848
Medium:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 17 15/16 inches (30.4 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. An Old Coast Guard, Looking Out... A Strange Sail on the Horizon

An Old Coast Guard, Looking Out... A Strange Sail on the Horizon
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1848
Medium:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/8 inches (30.3 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Strong Case for Shortening the Hours of Labour

A Strong Case for Shortening the Hours of Labour
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1848
Medium:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection