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Date 1841

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Woodland Scene with a Path Across a Stream
Creator:
attributed to John Middleton, 1826–1856, British
Date:
undated
Medium:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 13 15/16in. (25.2 x 35.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Black Stream Bridge, Gap of Dunlow, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1841
Medium:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Looking South From the Black Stream Bridge, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1841
Medium:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Black Stream Bridge, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1841
Medium:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Looking North from Black Stream Bridge, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1841
Medium:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Reflected Trees, Lacock
Creator:
William Henry Fox Talbot, 1800–1877, British
Date:
1841 to 1842
Medium:
Salted paper print from paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 9 3/4 inches (19.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund