Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester
ca. 1839
Not on view
2
James Pollard, 1792–1867, British
Outside the Pike and Anchor Inn at Ponders End, Middlesex
1834
Not on view
3
James Pollard, 1792–1867, British
Epsom Races: The Race Over
1834 to 1835
Not on view
4
Sir Edwin Henry Landseer, 1802–1873, British
Favourites, the Property of H.R.H. Prince George of Cambridge
1834 to 1835
Not on view
5
James Pollard, 1792–1867, British
Epsom Races: Settling Day at Tattersalls
1834 to 1835
Not on view
6
James Pollard, 1792–1867, British
Epsom Races: Preparing to Start
1834 to 1835
Not on view
7
James Pollard, 1792–1867, British
Epsom Races: The Betting Post
1834 to 1835
Not on view
8
John Constable, 1776–1837, British
View near Arundel
between 1834 and 1835
9
John Constable, 1776–1837, British
Stoke Poges Church
1834
10
Edward Lear, 1812–1888, British
Burpham Oct.4.1834
1834
11
Edward Lear, 1812–1888, British
North Stoke. Oct. 21.1834
1834
12
Edward Lear, 1812–1888, British
At Knowsley?
1834
13
Edward Lear, 1812–1888, British
Parham, Sept. 30, 1834
1834
14
Edward Lear, 1812–1888, British
Peppering, Oct. 3. 1834
1834
15
Edward Lear, 1812–1888, British
Peppering, Oct. 3-1834
1834
16
Edward Lear, 1812–1888, British
Parham, October.13.1834
1834
17
Edward Lear, 1812–1888, British
Peppering. 20 October. 1834
1834
18
Print made by David Lucas, 1802–1881, British
Stratford Mill, The Young Waltonians
1834 to 1840
19
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
20
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
21
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
22
Print made by Edward Goodall, 1795–1870, British
The Boy of Egremond
1834
23
Print made by Edward Goodall, 1795–1870, British
The Boy of Egremond
1834
24
Print made by William Miller, 1796–1882, British
Norham Castle - Moonrise
1834
25
Print made by Joseph C. Bentley, 1809–1851, British
Rievaulx Abbey
1834-1856
26
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
27
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
28
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
29
Print made by William Miller, 1796–1882, British
Berwick on Tweed
1834
30
Print made by Thomas Jeavons, ca. 1800–1867, British
Arundel Castle and Town, Sussex
1834
31
Print made by Thomas Jeavons, ca. 1800–1867, British
Arundel Castle and Town, Sussex
1834
32
Print made by Thomas Jeavons, ca. 1800–1867, British
Arundel Castle and Town, Sussex
1834
33
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
34
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
35
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
36
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
37
Print made by Joseph C. Bentley, 1809–1851, British
Rievaulx Abbey
1834-1836
38
Print made by Thomas Jeavons, ca. 1800–1867, British
Arundel Castle and Town, Sussex
1834
39
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
40
unknown artist, nineteenth century
St. Stephen's Chapel, Speaker's House, &c. from the River
ca. 1835
41
unknown artist, nineteenth century
Mr. Lee's House After the Fire, House of Lords
ca. 1835
42
George Harley, 1791–1871, British
Ruins of Westminster Palace
1834
43
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
44
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
45
Print made by Joseph C. Bentley, 1809–1851, British
Rievaulx Abbey
1834-1856
46
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
47
Print made by Andrew Picken, 1815–1845, British
St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
ca. 1835
48
Print made by Henry Melville, active 1826–1841, British
The House of Commons
1834
49
Print made by Henry Melville, active 1826–1841, British
The Kind Proroguing Parliament
1834
50
Print made by unknown artist
Chance. The London Firemen's Dog
1834
51
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
52
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
53
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
54
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London
1834
55
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
56
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
57
Print made by Thomas Jeavons, ca. 1800–1867, British
Arundel Castle and Town, Sussex
1834
58
Print made by James Redway, active 1827–1838
Christ Church College, Oxford
1834
59
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
60
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
61
Print made by Joseph C. Bentley, 1809–1851, British
Rievaulx Abbey - from LIII - 'The Gallery of Modern British Artists' 1834-1836
1834-1836
62
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
63
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
64
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
65
Print made by J. Blore
Window in St. Dunstan's in the West, London
1834
66
Print made by Joseph C. Bentley, 1809–1851, British
Rievaulx Abbey
1834-1836
67
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
68
unknown artist, (J.D.)
St Stephen's Cloisters
1834
69
unknown artist, (J.D.)
View Leading from St Stephen's Chapel to Speaker's Room &c
1834
70
unknown artist, (J.D.)
St Stephen's Chapel
1834
71
unknown artist, (J.D.)
Ruins at Westminster
1834
72
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Plan for Rebuilding the South Front
1834
73
Print made by David Lucas, 1802–1881, British
The Lock
1834
74
Print made by David Lucas, 1802–1881, British
The Lock
1834
75
James Pollard, 1792–1867, British
Doncaster Racecourse
ca. 1839
76
Great Britain. Ordnance Survey
[Old series Ordnance Survey maps of England and Wales]
1805-1834 [i.e. 1834-1835?]
77
Christie, Manson, & Christie
A catalogue of the very important, and highly interesting collection of manuscripts, state papers and autograph letters, received by Sir Robert Southwell, while Clerk of the Privy Council ... his son, the Hon. Edward Southwell, and William Blathwayt, Secretary at War; the property of Lord de Clifford, deceased, and removed from his Lordship's Seat, King's Weston, near Bristol
[1834]
78
Christie, Manson, & Christie
A catalogue of the valuable and highly interesting collection of studies in oils and water-colours made by Joseph West, Esq. during a visit to the Continent
[1834]
79
Phillips, H., -1840
A catalogue of a valuable and extensive collection of ancient and modern prints, the property of a nobleman of high rank, part the second, consisting of the works of Wenceslaus Hollar .... : etchings by Rembrandt and his scholars ... : specimens of the German School, among which will be found the works of Albert Durer, Lucas Van Leyden, and the Little Masters : a continuation of the series of foreign portraits, engravings after French painters, works of Wille, &c. : which, together will the portfolios which contained this collection, will be sold by auction by Mr. Phillips at his Great Rooms, 73, Bond Street, on Monday, the 9th day of June, 1834, and nine following days ..
[1834]
80
C. & J. Greenwood
Atlas of the counties of England
April 1st, 1834
81
Cooke, William Bernard, 1778-1855
Eight implemental heads in colours
[1834]
82
Evans, R. H. (Robert Harding), 1777-1857
Catalogue of the fifth and concluding portion of the valuable and extensive library of P.A. Hanrott, Esq. ...
[1834]
83
Maidstone Grammar School (Maidstone, England)
[Two double-sided program cards of recitations that took place at the Maidstone Grammar school dated Dec. 22, 1834 and Dec. 20, 1836]
1834-1836
84
London and North Eastern Railway
London & North Eastern Railway
[approximately 1934?]
85
Stanley, George (Auctioneer)
A catalogue of the superb and truly valuable collection of antique and modern gems, in cameo and intaglio, on a variety of precious stones, chiefly in gold setting as rings
[1834]
86
North, Frederick, Earl of Guilford, 1766-1827
Catalogus manuscriptorum Frederici, Comitis de Guilford ... Mss. ex bibliotheca Mattei
1834?]
87
E. Foster & Son
A catalogue of the elite portion of the superb cabinet of Italian, Spanish, Dutch, and Flemish pictures
[1834]
88
Portraits of distinguished personages of the court of Louis XIV
[1834]
89
Evans, R. H. (Robert Harding), 1777-1857
Catalogue of the splendid, choice, and curious library of P.A. Hanrott, Esq
[1834]
90
Mr. Stanley (Firm)
Catalogue of drawings and prints, in the portfolio
[1834]
91
Landseer, John, 1769-1852
A descriptive, explanatory, and critical, catalogue
1834
92
Evans, R. H. (Robert Harding), 1777-1857
Catalogue of the splendid, choice, and curious library of P.A. Hanrott, Esq
[[1834]
93
Carey, William, 1759-1839
Lorenzo's critical letters (second series)
1834-1835
94
Phillips, H., -1840
A catalogue of a valuable and extensive collection of ancient and modern prints, the property of a nobleman of high rank
[1834]
95
Evans, R. H. (Robert Harding), 1777-1857
Catalogue of the valuable library of the late Benjamin Way, Esq. of Denham. ...
[1834]
96
National Gallery (Great Britain)
A catalogue of the pictures in the National Gallery, Pall-Mall, 1834
1834
97
Smirke, Sydney, 1798-1877
Suggestions for the architectural improvement of the western part of London
1834
98
De Ville, James, 1776-1846
A catalogue of antique, ancient and Italian works of art in bronze, on view and sale at Mr. Deville's rooms, No. 367, Strand
1834
99
Harding, James Duffield, 1798-1863
Elementary art, or, The use of the lead pencil advocated and explained
MDCCCXXXIV[1834]
100
Christie, Manson, & Christie
A catalogue of the collection of pictures, reserved after the death of that celebrated and elegant painter, Romney, as some of the most capital of his productions