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1. Hannibal passing the Alps (vignette)

Hannibal passing the Alps (vignette)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Medium:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 5 1/4 inches (11.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Aosta (vignette)

Aosta (vignette)
Creator:
Print made by Henry Le Keux, 1787–1868, British
Date:
1830
Medium:
Etching and line engraving with graphite; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 8 3/8 inches (11.4 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Reverend Paul Returns with Despatches

The Reverend Paul Returns with Despatches
Creator:
Hablot Knight Browne, 1815–1882, British
Date:
undated
Medium:
Graphite and black chalk
Dimensions:
Sheet: 4 5/16 × 6 15/16 inches (10.9 × 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Mr. Hawks thinks he had Better Turn Back

Mr. Hawks thinks he had Better Turn Back
Creator:
Hablot Knight Browne, 1815–1882, British
Date:
undated
Medium:
Graphite and black chalk
Dimensions:
Sheet: 4 1/4 x 7in. (10.8 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Lincoln's Inn Fields, coming in from St. Queen Street

Lincoln's Inn Fields, coming in from St. Queen Street
Creator:
unknown artist
Date:
1830
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 4 3/8 x 6 5/8in. (11.1 x 16.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Eastnor Castle

Eastnor Castle
Creator:
Print made by James Charles Armytage, 1802–1897, British
Date:
ca. 1835
Medium:
Engraving on smooth, thin, cream wove paper with cream chine-collé
Dimensions:
Image: 4 5/16 × 6 3/4 inches (11 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection