pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
2
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
3
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
4
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
5
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
6
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
7
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
8
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
9
William Blake, 1757–1827, British
Illustrations to Dante's "Divine Comedy"
1827
10
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
11
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
12
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
13
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
14
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
15
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
16
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
17
Print made by Thomas Goff Lupton, 1791–1873, British
Dover
1827
18
Print made by Thomas Goff Lupton, 1791–1873, British
Dover
1827
19
Print made by Thomas Goff Lupton, 1791–1873, British
Calais Pier - the English Packet Arriving
1827
20
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
21
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
22
Print made by Thomas Goff Lupton, 1791–1873, British
Ramsgate
1827
23
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
24
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
25
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
26
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
27
Charles J. Hullmandel, 1789–1850, British
Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
1827
28
Print made by Edward Goodall, 1795–1870, British
Old London Bridge and Vicinity
1827
29
Print made by James T. Willmore, 1800–1863, British
Kilgarren Castle, Pembroke
1827-1838
30
Print made by Edward Francis Finden, 1791–1857, British
Temple of Minerva, Cape Colonna
ca. 1832
31
Print made by Robert Wallis, 1794–1878, British
Buckfastleigh Abbey, Devonshire
1827
32
Print made by Thomas Jeavons, ca. 1800–1867, British
Vesuvius in Eruption
1827
33
Print made by William Tombleson, ca.1795–1835, British
City of London, Arch of Waterloo Bridge
1827
34
George Cooke, 1781–1834, British
Wilsdon Church, Middlesex
1827
35
T. Levens
Ancient Sculpture on the Walls of St. Dunstans Stebenlethe
1827
36
William Deeble, active 1814–1849, British
The London Institution, Funsbury Circus
1827
37
unknown artist, ( J. Cleghorn )
Ticket for a Performance of Sacred Music on 1st March 1827
1827
38
George Cooke, 1781–1834, British
Enfield, Outer Suburb North
1827
39
John Goddard, active 1811–1842
This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell..
1827
40
Print made by Thomas Jeavons, ca. 1800–1867, British
Exeter
1827-1838
41
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
42
Print made by Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Gothic Candle Sticks and Branches
undated
43
Print made by Augustus Welby Northmore Pugin, 1812–1852, British
Bishop's Chapel Bishop Eton (built c. 1845-1850)
undated
44
Print made by Edward Goodall, 1795–1870, British
Aldborough, Suffolk
1827-1838
45
Print made by Edward Goodall, 1795–1870, British
Aldborough, Suffolk
1827-1838
46
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827-1838
47
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827-1838
48
Print made by Edward Goodall, 1795–1870, British
Prudoe Castle, Northumberland
1827-1838
49
Print made by William Miller, 1796–1882, British
Straits of Dover
1827-1838
50
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
51
Print made by Robert Wallis, 1794–1878, British
Buckfastleigh Abbey, Devonshire
1827-1838
52
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
53
Print made by Robert Brandard, 1805–1862, British
Lancaster Sands
1827-1838
54
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
55
Print made by Robert Brandard, 1805–1862, British
Lancaster Sands
1827-1838
56
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
57
Print made by Robert Brandard, 1805–1862, British
Lancaster Sands
1827-1838
58
Print made by Thomas Jeavons, ca. 1800–1867, British
Knaresborough, Yorkshire
1827-1838
59
Print made by Thomas Jeavons, ca. 1800–1867, British
Knaresborough, Yorkshire
1827-1838
60
Print made by William Radclyffe, 1780–1855, British
Louth, Lincolnshire
1827-1838
61
Print made by William Radclyffe, 1780–1855, British
Louth, Lincolnshire
1827-1838
62
Print made by William Radclyffe, 1780–1855, British
Louth, Lincolnshire
1827-1838
63
Print made by William Radclyffe, 1780–1855, British
Louth, Lincolnshire
1827-1838
64
Print made by William Miller, 1796–1882, British
Great Yarmouth, Norfolk
1827-1838
65
Print made by William Miller, 1796–1882, British
Great Yarmouth, Norfolk
1827-1838
66
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
67
Print made by Thomas Jeavons, ca. 1800–1867, British
Devonport and Dockyard, Devonshire
1827-1838
68
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
69
Print made by Robert Brandard, 1805–1862, British
Dunstanborough Castle, Northumberland
1827-1838
70
Print made by Charles Westwood, active 1819–1838
Carisbrook Castle, Isle of Wight
1827-1838
71
Print made by Robert Brandard, 1805–1862, British
Dunstanborough Castle, Northumberland
1827-1838
72
Print made by Robert Wallis, 1794–1878, British
Cowes, Isle of Wight
1827-1838
73
Print made by Charles Westwood, active 1819–1838
Carisbrook Castle, Isle of Wight
1827-1838
74
Print made by William Miller, 1796–1882, British
Stamford, Lincolnshire
1827-1838
75
Print made by William Miller, 1796–1882, British
Stamford, Lincolnshire
1827-1838
76
Print made by James T. Willmore, 1800–1863, British
Alnwick Castle, Northumberland
1827-1838
77
Print made by James T. Willmore, 1800–1863, British
Alnwick Castle, Northumberland
1827-1838
78
Print made by James T. Willmore, 1800–1863, British
Alnwick Castle, Northumberland
1827-1838
79
Print made by William Miller, 1796–1882, British
Stamford, Lincolnshire
1827-1838
80
Print made by James H. Kernot, active early 19th century
St. Mawes, Cornwall
1827-1838
81
Print made by James H. Kernot, active early 19th century