Print made by John Sell Cotman, 1782–1842, British
Cader Idris
between 1824 and 1830
2
Print made by Charles Turner, 1774–1857, British
More Park, near Watford, on the River Colne
1824
3
Print made by Charles Turner, 1774–1857, British
More Park, near Watford, on the River Colne
1824
4
Print made by Charles Turner, 1774–1857, British
Norham Castle, on the River Tweed
1824
5
unknown artist
May Day
1824
6
Print made by James Clark, 19th century
Cowdray Ruins
1824
7
Print made by William Miller, 1796–1882, British
Clovelly Bay and Lundy Island
1824
8
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
9
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
10
Print made by John Horsburgh, 1791–1869, British
Bell Rock Lighthouse
1824
11
unknown artist, nineteenth century
Fulham Church (Middlesex)
1824
12
unknown artist
St. James Pentonville (Middlesex)
1824
13
Print made by Richard Parkes Bonington, 1802–1828, British
Rue du Gros-Horloge, Rouen
1824
14
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
15
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
16
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
17
Print made by John Horsburgh, 1791–1869, British
Bell Rock Lighthouse
1824
18
Edward Radclyffe, 1809–1863, British
Deepdene near Dorking
undated
19
Print made by Charles Turner, 1774–1857, British
More Park from Rivers of England
1824
20
Print made by James C. Allen, active 1821–1831, British
Ehrenbreitstein
1824
21
Print made by James C. Allen, active 1821–1831, British
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
22
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
23
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
24
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
25
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
26
Print made by James Thompson, 1790–1850, British
W. Sharp
1824
27
Henry Thomson, 1773–1843, British
Martin Archer Shee
1824
28
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
29
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
1824
30
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
31
George Maile, active 1824–1840
[Shooting] The Sportsman (four lines of verse by J. Emery)
1824
32
George Hunt, active 1820–1840, British
The Toast
1824
33
Frederick Christian Lewis the Elder, 1779–1856, British
H. Bone, Esqr., R.A
1824
34
Frederick Christian Lewis the Elder, 1779–1856, British
James Northcote
1824
35
unknown artist, ( Thomson )
Wilson Lowry
1824
36
Henry Heath, active 1824–1835, British
An Irish Tilting Match, or the Poissardes against the Poignards
1824
37
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 13
1824
38
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 12
1824
39
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 6
1824
40
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 14
1824
41
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 3
1824
42
Print made by Robert Scott, 1771–1841, British
View from the Cowgate of the Buildings on the South of the Parliament Close
1824
43
Print made by James C. Allen, active 1821–1831, British
Covent Garden Market
1824
44
Print made by John Young, 1755–1825, British
Cuyp
1824
45
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
1824
46
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
1824
47
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
1824
48
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
1824
49
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
1824
50
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
1824
51
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
1824
52
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
1824
53
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
1824
54
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
1824
55
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
1824
56
J. W. Wageman, active 1824
Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
1824
57
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
1824
58
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
1824
59
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
1824
60
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
1824
61
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
1824
62
Print made by Henry Adlard, active 19th century, British
The Gothic Bridge of Eudes, Tours
between 1824 and 1848
63
Print made by unknown artist
Sydney, New South Wales, S. View
1824
64
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 15
1824
65
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 16
1824
66
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 5
1824
67
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 9
1824
68
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 8
1824
69
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock
1824
70
Print made by John Gendall, 1790–1865, British
Mausoleum, at Trentham (the Seat of the Marquis of Stratford)
1824
71
James Fahey, 1804–1885, British
Shakspeare's Desk
1824
72
Joseph Stannard, 1797–1830, British
The Footbridge
1824 to 1827
73
Joseph Stannard, 1797–1830, British
Thatched Cottage with a Gable End
1824
74
Joseph Stannard, 1797–1830, British
Old Whittlingham Church
1824
75
unknown artist
Hammersmith Church (Middlesex)
1824
76
Frederick Christian Lewis the Elder, 1779–1856, British
The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
1824
77
Robert Havell II, 1793–1878, American
The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
1824
78
William James Bennett, 1787–1844, British
The Royal Banquet - 19th July 1821
1824
79
unknown artist
Church at Highgate, Middlesex
1824
80
Print made by Richard Parkes Bonington, 1802–1828, British
L'Eglise de St. Gervais et St. Protais
1824
81
Print made by Henry Thomas Alken, 1785–1851, British
The Lover
1824
82
Print made by Henry Thomas Alken, 1785–1851, British
The School-Boy
1824
83
Print made by Henry Thomas Alken, 1785–1851, British
The Justice
1824
84
Print made by Henry Thomas Alken, 1785–1851, British
The Infant
1824
85
Charles Heath, 1785–1848, British
Stratford-on-Avon
1824
86
Print made by Henry Heath, active 1824–1835, British
Miss-Ann-Thropy
undated
87
Charles Heath, 1785–1848, British
Stratford-on-Avon
1824
88
William Heath, 1795–1840, British
Dust O
1824
89
Print made by Edward Radclyffe, 1809–1863, British
Peat-Gatherers
undated
90
Henry Thomas Alken, 1785–1851, British
Set of Seven: Shakespeare's Seven Ages of Man
1824
91
Print made by Edward Radclyffe, 1809–1863, British
Changing Pasture
undated
92
Print made by Edward Radclyffe, 1809–1863, British
Lancaster Sands
undated
93
Print made by Edward Radclyffe, 1809–1863, British
Outskirts of the Forest
undated
94
Print made by Edward Radclyffe, 1809–1863, British
A Welsh Funeral
undated
95
Peter Pasquin, active 1824–1826
One of a set of 6: A Day's Journal of a Sponge
1824
96
Peter Pasquin, active 1824–1826
One of a set of 6 (2): A Day's Journal of a Sponge
1824
97
Peter Pasquin, active 1824–1826
One of a set of 6 (4): A Day's Journal of a Sponge
1824
98
Peter Pasquin, active 1824–1826
One of a set of 6 (5): A Day's Journal of a Sponge
1824
99
Peter Pasquin, active 1824–1826
One of a set of 6 (6): A Day's Journal of a Sponge