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John Sell Cotman Cader Idris
Print made by John Sell Cotman, 1782–1842, British
Cader Idris
between 1824 and 1830
Charles Turner More Park, near Watford, on the River Colne
Print made by Charles Turner, 1774–1857, British
More Park, near Watford, on the River Colne
1824
Charles Turner More Park, near Watford, on the River Colne
Print made by Charles Turner, 1774–1857, British
More Park, near Watford, on the River Colne
1824
Charles Turner Norham Castle, on the River Tweed
Print made by Charles Turner, 1774–1857, British
Norham Castle, on the River Tweed
1824
unknown artist May Day
unknown artist
May Day
1824
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
William Miller Clovelly Bay and Lundy Island
Print made by William Miller, 1796–1882, British
Clovelly Bay and Lundy Island
1824
George Cooke Hythe, Kent
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
George Cooke Hythe, Kent
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
John Horsburgh Bell Rock Lighthouse
Print made by John Horsburgh, 1791–1869, British
Bell Rock Lighthouse
1824
unknown artist Fulham Church (Middlesex)
unknown artist, nineteenth century
Fulham Church (Middlesex)
1824
unknown artist St. James Pentonville (Middlesex)
unknown artist
St. James Pentonville (Middlesex)
1824
Richard Parkes Bonington Rue du Gros-Horloge, Rouen
Print made by Richard Parkes Bonington, 1802–1828, British
Rue du Gros-Horloge, Rouen
1824
George Cooke Hythe, Kent
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
James C. Allen Dunbar
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
James C. Allen Dunbar
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
John Horsburgh Bell Rock Lighthouse
Print made by John Horsburgh, 1791–1869, British
Bell Rock Lighthouse
1824
Edward Radclyffe Deepdene near Dorking
Edward Radclyffe, 1809–1863, British
Deepdene near Dorking
undated
Charles Turner More Park from Rivers of England
Print made by Charles Turner, 1774–1857, British
More Park from Rivers of England
1824
James C. Allen Ehrenbreitstein
Print made by James C. Allen, active 1821–1831, British
Ehrenbreitstein
1824
James C. Allen Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Print made by James C. Allen, active 1821–1831, British
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
Edward Goodall Cologne
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
Edward Goodall Cologne
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
Edward Goodall Cologne
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
Edward Goodall Cologne
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
James Thompson W. Sharp
Print made by James Thompson, 1790–1850, British
W. Sharp
1824
Henry Thomson Martin Archer Shee
Henry Thomson, 1773–1843, British
Martin Archer Shee
1824
James C. Allen Dunbar
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
1824
unknown artist Elevations and Plans of the Court of Kings Bench
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
George Maile [Shooting] The Sportsman (four lines of verse by J. Emery)
George Maile, active 1824–1840
[Shooting] The Sportsman (four lines of verse by J. Emery)
1824
George Hunt The Toast
George Hunt, active 1820–1840, British
The Toast
1824
Frederick Christian Lewis the Elder H. Bone, Esqr., R.A.
Frederick Christian Lewis the Elder, 1779–1856, British
H. Bone, Esqr., R.A
1824
Frederick Christian Lewis the Elder James Northcote
Frederick Christian Lewis the Elder, 1779–1856, British
James Northcote
1824
unknown artist Wilson Lowry
unknown artist, ( Thomson )
Wilson Lowry
1824
Henry Heath An Irish Tilting Match, or the Poissardes against the Poignards
Henry Heath, active 1824–1835, British
An Irish Tilting Match, or the Poissardes against the Poignards
1824
Henry Walter Untitled Images of Livestock, Plate 13
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 13
1824
Henry Walter Untitled Images of Livestock, Plate 12
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 12
1824
Henry Walter Untitled Images of Livestock, Plate 6
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 6
1824
Henry Walter Untitled Images of Livestock, Plate 14
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 14
1824
Henry Walter Untitled Images of Livestock, Plate 3
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 3
1824
Robert Scott View from the Cowgate of the Buildings on the South of the Parliament Close
Print made by Robert Scott, 1771–1841, British
View from the Cowgate of the Buildings on the South of the Parliament Close
1824
James C. Allen Covent Garden Market
Print made by James C. Allen, active 1821–1831, British
Covent Garden Market
1824
John Young Cuyp
Print made by John Young, 1755–1825, British
Cuyp
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
1824
J. W. Wageman Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
J. W. Wageman, active 1824
Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
1824
Henry Adlard The Gothic Bridge of Eudes, Tours
Print made by Henry Adlard, active 19th century, British
The Gothic Bridge of Eudes, Tours
between 1824 and 1848
unknown artist Sydney, New South Wales, S. View
Print made by unknown artist
Sydney, New South Wales, S. View
1824
Henry Walter Untitled Images of Livestock, Plate 15
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 15
1824
Henry Walter Untitled Images of Livestock, Plate 16
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 16
1824
Henry Walter Untitled Images of Livestock, Plate 5
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 5
1824
Henry Walter Untitled Images of Livestock, Plate 9
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 9
1824
Henry Walter Untitled Images of Livestock, Plate 8
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 8
1824
Henry Walter Untitled Images of Livestock
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock
1824
John Gendall Mausoleum, at Trentham (the Seat of the Marquis of Stratford)
Print made by John Gendall, 1790–1865, British
Mausoleum, at Trentham (the Seat of the Marquis of Stratford)
1824
James Fahey Shakspeare's Desk
James Fahey, 1804–1885, British
Shakspeare's Desk
1824
Joseph Stannard The Footbridge
Joseph Stannard, 1797–1830, British
The Footbridge
1824 to 1827
Joseph Stannard Thatched Cottage with a Gable End
Joseph Stannard, 1797–1830, British
Thatched Cottage with a Gable End
1824
Joseph Stannard Old Whittlingham Church
Joseph Stannard, 1797–1830, British
Old Whittlingham Church
1824
unknown artist Hammersmith Church (Middlesex)
unknown artist
Hammersmith Church (Middlesex)
1824
Frederick Christian Lewis the Elder The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
Frederick Christian Lewis the Elder, 1779–1856, British
The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
1824
Robert Havell II The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
Robert Havell II, 1793–1878, American
The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
1824
William James Bennett The Royal Banquet - 19th July 1821
William James Bennett, 1787–1844, British
The Royal Banquet - 19th July 1821
1824
unknown artist Church at Highgate, Middlesex
unknown artist
Church at Highgate, Middlesex
1824
Richard Parkes Bonington L'Eglise de St. Gervais et St. Protais
Print made by Richard Parkes Bonington, 1802–1828, British
L'Eglise de St. Gervais et St. Protais
1824
Henry Thomas Alken The Lover
Print made by Henry Thomas Alken, 1785–1851, British
The Lover
1824
Henry Thomas Alken The School-Boy
Print made by Henry Thomas Alken, 1785–1851, British
The School-Boy
1824
Henry Thomas Alken The Justice
Print made by Henry Thomas Alken, 1785–1851, British
The Justice
1824
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851, British
The Infant
1824
Charles Heath Stratford-on-Avon
Charles Heath, 1785–1848, British
Stratford-on-Avon
1824
Henry Heath Miss-Ann-Thropy
Print made by Henry Heath, active 1824–1835, British
Miss-Ann-Thropy
undated
Charles Heath Stratford-on-Avon
Charles Heath, 1785–1848, British
Stratford-on-Avon
1824
William Heath Dust O.
William Heath, 1795–1840, British
Dust O
1824
Edward Radclyffe Peat-Gatherers
Print made by Edward Radclyffe, 1809–1863, British
Peat-Gatherers
undated
Henry Thomas Alken Set of Seven: Shakespeare's Seven Ages of Man
Henry Thomas Alken, 1785–1851, British
Set of Seven: Shakespeare's Seven Ages of Man
1824
Edward Radclyffe Changing Pasture
Print made by Edward Radclyffe, 1809–1863, British
Changing Pasture
undated
Edward Radclyffe Lancaster Sands
Print made by Edward Radclyffe, 1809–1863, British
Lancaster Sands
undated
Edward Radclyffe Outskirts of the Forest
Print made by Edward Radclyffe, 1809–1863, British
Outskirts of the Forest
undated
Edward Radclyffe A Welsh Funeral
Print made by Edward Radclyffe, 1809–1863, British
A Welsh Funeral
undated
Peter Pasquin One of a set of 6: A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6: A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (2): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (2): A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (4): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (4): A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (5): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (5): A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (6): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (6): A Day's Journal of a Sponge
1824
Daniel Thomas Egerton Fashionable Bores, or Coolers in High Life
Daniel Thomas Egerton, c.1800–1842, British
Fashionable Bores, or Coolers in High Life
1824