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Shooting [set of six]: 2. Pheasant Shooting
Creator:
James Pollard, 1792–1867, British
Date:
1822
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shooting [set of six]: 3. Grouse Shooting
Creator:
James Pollard, 1792–1867, British
Date:
1822
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shooting [set of six]: 6. Packing up
Creator:
James Pollard, 1792–1867, British
Date:
1822
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shooting [a pair]: 2. Evening of the First of September
Creator:
James Pollard, 1792–1867, British
Date:
1822
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 14 1/16 x 18in. (35.7 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shooting [a pair]: 1. Morning of the first of September
Creator:
James Pollard, 1792–1867, British
Date:
1822
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 14 1/16 x 18in. (35.7 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shooting [set of six]: 1. Partridge Shooting
Creator:
James Pollard, 1792–1867, British
Date:
1822
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838, British
Date:
1822
Medium:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret