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Date 1818

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1. The Kila Kona Masjid, Purana Qila, Delhi

The Kila Kona Masjid, Purana Qila, Delhi
Creator:
Robert Smith, 1787–1873, British
Date:
ca. 1823
Medium:
Oil on canvas
Dimensions:
29 1/2 x 41 3/4 inches (74.9 x 106 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell

Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
Creator:
James Pollard, 1792–1867, British
Date:
1818
Medium:
Oil on canvas
Dimensions:
17 x 13 inches (43.2 x 33 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Street Scene at Stratford by Bow

Street Scene at Stratford by Bow
Creator:
Thomas Shotter Boys, 1803–1874, British
Date:
undated
Medium:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Fountain in the Gardens, Paris: Evening

Fountain in the Gardens, Paris: Evening
Creator:
Thomas Shotter Boys, 1803–1874, British
Date:
undated
Medium:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 8 1/4 inches (14.3 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Weeke's Museum, Coventry Street, London

Weeke's Museum, Coventry Street, London
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Date:
undated
Medium:
Watercolor and graphite with pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 × 5 1/8 inches (12.7 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Supreme Bon Ton of Tenerife

Supreme Bon Ton of Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
undated
Medium:
Graphite, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Stone Mason

Stone Mason
Creator:
Edward Duncan, 1803–1882, British
Date:
undated
Medium:
Graphite and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 7 3/8 × 5 inches (18.7 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 9 1/8 inches (19.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 13/16 inches (17 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Hay Wagon Drawn by Four Horses

A Hay Wagon Drawn by Four Horses
Creator:
Charles Cooper Henderson, 1803–1877, British
Date:
undated
Medium:
Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A French Diligence of 1830

A French Diligence of 1830
Creator:
Charles Cooper Henderson, 1803–1877, British
Date:
undated
Medium:
Watercolor, pen and brown ink, red ink, and graphite on gray card
Dimensions:
Sheet: 7 1/2 × 14 15/16 inches (19.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Unloading the Luggage From The Exeter Coach

Unloading the Luggage From The Exeter Coach
Creator:
Charles Cooper Henderson, 1803–1877, British
Date:
undated
Medium:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A Charging Mameluke Firing a Pistol

A Charging Mameluke Firing a Pistol
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
ca. 1823
Medium:
Graphite with traces of red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 10 1/16 inches (16.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome

Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. La Palma

La Palma
Creator:
Alfred Diston, active 1818–1829
Date:
undated
Medium:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 7/8 inches (22.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Young Woodcutter

Young Woodcutter
Creator:
Joshua Cristall, 1768–1847, British
Date:
1818
Medium:
Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper, laid on thick, slightly textured, beige card
Dimensions:
Mount: 15 3/8 x 14 3/16 inches (39 x 36.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Wooded Landscape with Cottages and Countrywomen, Hurley, Berkshire

Wooded Landscape with Cottages and Countrywomen, Hurley, Berkshire
Creator:
Joshua Cristall, 1768–1847, British
Date:
1818
Medium:
Watercolor and graphite, with scraping on thick, slightly textured, beige card
Dimensions:
Sheet: 11 3/8 × 18 1/8 inches (28.9 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Ratisbonne

Ratisbonne
Creator:
Print made by François-Séraphin Delpech, 1778–1825, French
Date:
between 1818 and 1825
Medium:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 13 x 9 5/16 inches (33 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

26. Quayside, Notre Dame in Distance

Quayside, Notre Dame in Distance
Creator:
Print made by Thomas Shotter Boys, 1803–1874, British
Date:
undated
Medium:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/16 x 19 15/16 inches (34.2 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Music Has Charms

Music Has Charms
Creator:
Print made by James Johnson, 1803–1834, British
Date:
undated
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. Traveling in France -or, -Le départ de la diligence

Traveling in France -or, -Le départ de la diligence
Creator:
Print made by George Cruikshank, 1792–1878, British
Date:
1818
Medium:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/8 inches (29.9 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Funeral Procession at Rome

Funeral Procession at Rome
Creator:
Isaac Weld, 1774–1856, Irish
Date:
1818
Medium:
Watercolor, pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 14 13/16 inches (25.2 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 11 5/8 inches (23 × 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

34. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. The Interior of Pitlessie Mill with a Man Sieving Corn

The Interior of Pitlessie Mill with a Man Sieving Corn
Creator:
Sir David Wilkie, 1785–1841, British
Date:
1818
Medium:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 11 1/2 inches (19 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841, British
Date:
between 1818 and 1828
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Dandies Having a Treat

Dandies Having a Treat
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856, British
Date:
1818
Medium:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/8 x 15 11/16 inches (25.7 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Clifton Spring and Woods near Maidenhead

Clifton Spring and Woods near Maidenhead
Creator:
Robert Havell, 1769–1832, British
Date:
1818
Medium:
Aquatint, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 × 19 1/2 inches (35.6 × 49.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection