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1. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Medium:
Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A View of Oxford from the Abingdon Road

A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874, British
Date:
1818
Medium:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Study of Fishermen and Gear

Study of Fishermen and Gear
Creator:
Edward Duncan, 1803–1882, British
Date:
undated
Medium:
Pen and brown ink, brown wash, graphite, and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 5/16 inches (30.3 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Capitals in the Abbey Church of St. Georges de Bocherville, near Rouen, Normandy

Capitals in the Abbey Church of St. Georges de Bocherville, near Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842, British
Date:
1818
Medium:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 inches (29.8 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Church of St. Wulfran, Abbeville: The North Door of the West Front

The Church of St. Wulfran, Abbeville: The North Door of the West Front
Creator:
Richard Parkes Bonington, 1802–1828, British
Date:
ca. 1823
Medium:
Graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 15 7/8 x 9 7/8 inches (40.3 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund