Date: 1816 / Classification: Prints - YCBA Collections Search Search Results

1. Entrance of Calais Harbour

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink Engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 16 3/4 inches (30.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Entrance of Calais Harbour

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Norham Castle on the Tweed

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink; Engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Ville de Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tenth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Inverary Castle and Town, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Norham Castle on the Tweed

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink; Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Ville de Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Entrance of Calais Harbour

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Solway Moss

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink Third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Tenth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Norham Castle on the Tweed

Creator:: Etched by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: 1816
Medium:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. John, Earl of St. Vincent, Admiral of the Red

Creator:: Charles Turner, 1774–1857, British
Date:: 1816
Medium:: Mezzotint
Dimensions:: Sheet: 24 x 16in. (61 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. J. Richardson Dilworth

22. View of the Royal Artillery Barracks, Woolwich

Creator:: Robert Havell & Son, 1769–1832, British
Date:: 1816
Medium:: Colored aquatint
Dimensions:: Sheet: 11 1/2 x 19 1/2in. (29.2 x 49.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of the Royal Military Academy, Woolwich

Creator:: Print made by Robert Havell & Son, 1769–1832, British
Date:: 1816
Medium:: Colored aquatint
Dimensions:: Sheet: 11 1/2 x 19 1/2in. (29.2 x 49.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Great Cloister, Cassiobury

Creator:: Print made by John Hill, 1770–1850, British
Date:: 1816
Medium:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832, British
Date:: 1816
Medium:: Aquatint, 1st published state, printed in color, finished by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850, British
Date:: 1816
Medium:: Etching and aquatint; first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850, British
Date:: 1816
Medium:: Hand colored, aquatint, First published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Great Cloister, Cassiobury

Creator:: Print made by John Hill, 1770–1850, British
Date:: 1816
Medium:: aquatint, later state, 1837 edition plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850, British
Date:: 1816
Medium:: later state, 1837 edition plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850, British
Date:: 1816
Medium:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850, British
Date:: 1816
Medium:: later state, 1837 edition colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850, British
Date:: 1816
Medium:: aquatint, gray wash, 1st published state, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Cassiobury, Herfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832, British
Date:: 1816
Medium:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832, British
Date:: 1816
Medium:: Aquatint, hand colooring, later state, 1837 edition
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Gledhow

Creator:: Print made by George Cooke, 1781–1834, British
Date:: 1816
Medium:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816 to 1820
Medium:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq.

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 20 inches (33.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Vale of Heathfield, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 3/8 inches (34.6 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 7/8 inches (30.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Winchelsea

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816 to 1820
Medium:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 14 1/2 inches (53.3 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831, British
Date:: 1816
Medium:: Etching; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 3/4 inches (39.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Dartmoor; Source of the Tamar and the Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831, British
Date:: 1816
Medium:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 × 20 1/2 inches (35.6 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Portrait of Benjamin Robert Haydon

Creator:: Print made by Mary Dawson Turner, 1774–1850, British
Date:: 1816
Medium:: Etching
Dimensions:: Sheet: 12 7/16 × 9 1/2 inches (31.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A View of the Waterloo Bridge

Creator:: unknown artist
Date:: 1816
Medium:: Hand colored engraving
Dimensions:: Sheet: 13 1/8 x 18 1/8in. (33.3 x 46cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall

Creator:: Samuel Rawle, 1771–1860, British
Date:: 1816
Medium:: Engraving
Dimensions:: Sheet: 10 3/4 x 12 1/8in. (27.3 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. St. Leonard, Shoreditch

Creator:: S. Jenkins, active 1814–1818
Date:: 1816
Medium:: Engraving
Dimensions:: Sheet: 13 5/8 x 10 1/2in. (34.6 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Elevation of Part of the Interior of Crosby Hall (Council Room)

Creator:: Samuel Rawle, 1771–1860, British
Date:: 1816
Medium:: Engraving
Dimensions:: Sheet: 10 3/4 x 9in. (27.3 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Ceiling Plan of Crosby Hall

Creator:: unknown artist, ( Bourne )
Date:: 1816
Medium:: Engraving
Dimensions:: Sheet: 10 3/4 x 13 1/4in. (27.3 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Plan and View of the Vaults of Crosby Hall

Creator:: William Wise, Active 1823–1876, British
Date:: 1816
Medium:: Engraving
Dimensions:: Sheet: 10 5/8 x 14 5/8in. (27 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Northeast View of Crosby Hall

Creator:: William Wise, Active 1823–1876, British
Date:: 1816
Medium:: Engraving
Dimensions:: Sheet: 10 1/4 x 12 1/4in. (26 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. St. Botolph's Church, Bishopsgate

Creator:: unknown artist
Date:: 1816
Medium:: Engraving
Dimensions:: Sheet: 6 x 4in. (15.2 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. St. Botolphs

Creator:: John Chapman, active ca. 1792–1823, British
Date:: 1816
Medium:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 15in. (45.4 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The New Custom House

Creator:: unknown artist
Date:: 1816
Medium:: Aquatint, hand-colored
Dimensions:: Sheet: 6 1/4 x 9 3/4in. (15.9 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Gateway St. Stephen's Church, Coleman Street

Creator:: unknown artist, nineteenth century
Date:: 1816
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. An Interior View of the Porch of the Parish Church at St. Alphage

Creator:: unknown artist, nineteenth century
Date:: 1816
Medium:: Etching
Dimensions:: Sheet: 8 5/8 x 6 1/4in. (21.9 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A Perspective View of the Royal Hospital for Seamen at Greenwich

Creator:: Robert William Smart, active 1820–1834
Date:: 1816
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A View of the London Dock, from St. Georges in the East

Creator:: Daniel Havell, 1785–1826, British
Date:: 1816
Medium:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Interior of Part of Crosby Hall, Called the Council Room

Creator:: Samuel Rawle, 1771–1860, British
Date:: 1816
Medium:: Engraving
Dimensions:: Sheet: 11 1/4 x 9 3/4in. (28.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Flower Garden Porch at Farnley

Creator:: Print made by unknown artist, nineteenth century
Date:: 1816
Medium:: Line engraving, published state
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Engraving and etching , first published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Plymouth Dock, from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching and engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching and engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Little Devil's Bridge

Creator:: Print made by unknown artist, nineteenth century
Date:: between 1816 and 1820
Medium:: Open etching and line engraving, (touched) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching and line engraving; engraver's proof touched on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 inches (25.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Harewood House

Creator:: Print made by John Scott, 1774–1828, British
Date:: 1816
Medium:: Line engraving, engraver's proof
Dimensions:: Sheet: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Gledhow

Creator:: Print made by George Cooke, 1781–1834, British
Date:: 1816
Medium:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Harewood House

Creator:: Print made by John Scott, 1774–1828, British
Date:: 1816
Medium:: Line engraving, published state
Dimensions:: Sheet: 13 1/2 × 19 1/4 inches (34.3 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816 to 1820
Medium:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 1/2 inches (34.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855, British
Date:: 1816
Medium:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 15 3/4 inches (28.9 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Hylton Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860, British
Date:: 1816 to 1823
Medium:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/4 × 21 3/4 inches (40 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Carlo Maratti

Creator:: R. Page, active 1816–1825
Date:: 1816
Medium:: Stipple engraving with hand coloring
Dimensions:: Sheet: 6 1/4 x 4 1/2in. (15.9 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Fry Print Collection, transfer from the Yale University Art Gallery

78. Christ giving sight to the blind

Creator:: John Young, 1755–1825, British
Date:: 1816
Medium:: Etching, unfinished proof
Dimensions:: Sheet: 21 7/8 x 27 3/4in. (55.6 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. H.R.H. Prince Leopold, Queen Victoria's Uncle

Creator:: Sir George Hayter, 1792–1871, British
Date:: 1816
Medium:: Stipple engraving and soft-ground etching on thick, slightly textured, cream wove paper with gray chine collé
Dimensions:: Sheet: 14 15/16 x 11 7/16 inches (38 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn

80. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840, British
Date:: ca. 1821
Medium:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Longitudinal Section of Westminster Hall

Creator:: Print made by B. Winkles, active 1830–1840, British
Date:: ca. 1821
Medium:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Coaching [a pair]: 1. Stage Coach Setting Off

Creator:: Robert Havell, 1769–1832, British
Date:: 1816
Medium:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Mr. Thomas Bewick

Creator:: John Summerfield, active 1817?
Date:: 1816
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Shakespeare

Creator:: Print made by Richard Rhodes, 1765–1838, British
Date:: 1816
Medium:: Etching on laid paper
Dimensions:: Image: 4 13/16 x 2 3/4in. (12.2 x 7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Creator:: Charles Robert Cockerell, 1788–1863, British
Date:: 1816
Medium:: Etching on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 1/2 × 26 inches (54.6 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Coaching [a pair]: 2. Arrival of the Stage Coach

Creator:: Robert Havell, 1769–1832, British
Date:: 1816
Medium:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Tower of the Temple, State Prison at Paris, Exterior View

Creator:: Print made by unknown artist
Date:: 1816
Medium:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

88. History of Hartlepool (Durham, 1816)

Creator:: Sir Cuthbert Sharp, active 1816, British
Date:: 1816
Medium:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

89. History of Hartlepool (Durham, 1816)

Creator:: Sir Cuthbert Sharp, active 1816, British
Date:: 1816
Medium:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

90. Attempt to Assassinate Prince Edward in Palestine

Creator:: Print made by Anker Smith, 1759–1819, British
Date:: 1816
Medium:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

91. Death of Henry IV

Creator:: Print made by William Bromley, 1769–1842, British
Date:: 1816
Medium:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

92. Lady Elizabeth Grey's Interview with Edward IV

Creator:: Print made by Anker Smith, 1759–1819, British
Date:: 1816
Medium:: Line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

93. Caractacus before Claudius

Creator:: Print made by unknown artist, nineteenth century
Date:: 1816
Medium:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

94. Vortigern & Rowena

Creator:: Print made by Anker Smith, 1759–1819, British
Date:: 1816
Medium:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

95. Alfred in the Danish Camp

Creator:: Print made by Anker Smith, 1759–1819, British
Date:: 1816
Medium:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

96. A View of Hall-head Sugar Plantation, Jamaica

Creator:: Print made by John Byrne, 1786–1847, British
Date:: 1816
Medium:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 5/8 inches (21.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Langhorne

97. Count Bertram's Shipwreck

Creator:: Print made by George Cruikshank, 1792–1878, British
Date:: 1816
Medium:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

98. St. Cuthbert's Church, Wells, Somersetshire

Creator:: Print made by John Greig, active 1803–1853, British
Date:: 1816
Medium:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

99. Proscenium of the Opera House

Creator:: Henry R. Cook, active 1802–1849, British, active in Britain and France
Date:: 1816
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Interior and Exterior Views of the Olympic Theatre near Drury Lane

Creator:: Henry R. Cook, active 1802–1849, British, active in Britain and France
Date:: 1816
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1816

Classification Prints

Search Results

1. Entrance of Calais Harbour

2. Dumblain Abbey, Scotland

3. Entrance of Calais Harbour

4. Norham Castle on the Tweed

5. Ville de Thun, Switzerland

6. The Source of the Arveron in the Valley of Chamouni, Savoy

7. The Source of the Arveron in the Valley of Chamouni, Savoy

8. Tenth Plague of Egypt

9. Inverary Castle and Town, Scotland

10. Norham Castle on the Tweed

11. Bonneville, Savoy

12. Bonneville, Savoy

13. Bonneville, Savoy

14. Ville de Thun, Switzerland

15. Entrance of Calais Harbour

16. Solway Moss

17. Dumblain Abbey, Scotland

18. Tenth Plague of Egypt

19. Norham Castle on the Tweed

20. The Source of the Arveron in the Valley of Chamouni, Savoy

21. John, Earl of St. Vincent, Admiral of the Red

22. View of the Royal Artillery Barracks, Woolwich

23. View of the Royal Military Academy, Woolwich

24. The Great Cloister, Cassiobury

25. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

26. West Front, Cassiobury

27. North-West Front, Cassiobury

28. The Great Cloister, Cassiobury

29. West Front, Cassiobury

30. North-West Front, Cassiobury

31. West Front, Cassiobury

32. North-West Front, Cassiobury

33. Cassiobury, Herfordshire, The Seat of the Earl of Essex

34. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

35. Gledhow

36. The Spot where Harold Fell

37. The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq.

38. The Observatory at Rosehill, Sussex

39. Vale of Heathfield, Sussex

40. The Vale of Ashburnham

41. The Vale of Ashburnham

42. Crowhurst, Sussex

43. Winchelsea

44. The Ivy Bridge, Devonshire

45. Dartmoor; Source of the Tamar and the Torridge

46. Ivy Bridge, Devonshire

47. Portrait of Benjamin Robert Haydon

48. A View of the Waterloo Bridge

49. A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall

50. St. Leonard, Shoreditch

51. Elevation of Part of the Interior of Crosby Hall (Council Room)

52. Ceiling Plan of Crosby Hall

53. Plan and View of the Vaults of Crosby Hall

54. Northeast View of Crosby Hall

55. St. Botolph's Church, Bishopsgate

56. St. Botolphs

57. The New Custom House

58. Gateway St. Stephen's Church, Coleman Street

59. An Interior View of the Porch of the Parish Church at St. Alphage

60. A Perspective View of the Royal Hospital for Seamen at Greenwich

61. A View of the London Dock, from St. Georges in the East

62. Interior of Part of Crosby Hall, Called the Council Room

63. Flower Garden Porch at Farnley

64. Falmouth, Cornwall

65. Plymouth Dock, from Mount Edgecumbe

66. Plymouth Dock from Mount Edgecumbe

67. The Little Devil's Bridge

68. The Observatory at Rosehill, Sussex

69. The Observatory at Rosehill, Sussex

70. Harewood House

71. Gledhow

72. Harewood House

73. The Spot where Harold Fell

74. Crowhurst, Sussex