Date: 1816 / Work Type: intaglio print - YCBA Collections Search Search Results

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumblain Abbey, Scotland

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Ville de Thun, Switzerland

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Inverary Castle and Town, Scotland

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Bonneville, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Bonneville, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Bonneville, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Ville de Thun, Switzerland

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Solway Moss

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumblain Abbey, Scotland

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Charles Turner, 1774–1857, British

John, Earl of St. Vincent, Admiral of the Red

1816

Print made by John Hill, 1770–1850, British

The Great Cloister, Cassiobury

1816

Print made by Robert Havell, 1769–1832, British

Cassiobury, Hertfordshire, The Seat of the Earl of Essex

1816

Print made by John Hill, 1770–1850, British

West Front, Cassiobury

1816

Print made by John Hill, 1770–1850, British

North-West Front, Cassiobury

1816

Print made by John Hill, 1770–1850, British

The Great Cloister, Cassiobury

1816

Print made by John Hill, 1770–1850, British

North-West Front, Cassiobury

1816

Print made by John Hill, 1770–1850, British

North-West Front, Cassiobury

1816

Print made by Robert Havell, 1769–1832, British

Cassiobury, Herfordshire, The Seat of the Earl of Essex

1816

Print made by Robert Havell, 1769–1832, British

Cassiobury, Hertfordshire, The Seat of the Earl of Essex

1816

Print made by George Cooke, 1781–1834, British

Gledhow

1816

Print made by William Bernard Cooke, 1778–1855, British

The Spot where Harold Fell

1816 to 1820

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq

1816

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex

1816

Print made by William Bernard Cooke, 1778–1855, British

Vale of Heathfield, Sussex

1816

Print made by William Bernard Cooke, 1778–1855, British

The Vale of Ashburnham

1816

Print made by William Bernard Cooke, 1778–1855, British

The Vale of Ashburnham

1816

Print made by William Bernard Cooke, 1778–1855, British

Crowhurst, Sussex

1816

Print made by William Bernard Cooke, 1778–1855, British

Winchelsea

1816 to 1820

Print made by James C. Allen, active 1821–1831, British

The Ivy Bridge, Devonshire

1816

Print made by William Bernard Cooke, 1778–1855, British

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by James C. Allen, active 1821–1831, British

Ivy Bridge, Devonshire

1816

Print made by Mary Dawson Turner, 1774–1850, British

Portrait of Benjamin Robert Haydon

1816

Print made by unknown artist, nineteenth century

Flower Garden Porch at Farnley

1816

Print made by William Bernard Cooke, 1778–1855, British

Falmouth, Cornwall

1816

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock, from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock from Mount Edgecumbe

1816

Print made by unknown artist, nineteenth century

The Little Devil's Bridge

between 1816 and 1820

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex

1816

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex

1816

Print made by John Scott, 1774–1828, British

Harewood House

1816

Print made by George Cooke, 1781–1834, British

Gledhow

1816

Print made by John Scott, 1774–1828, British

Harewood House

1816

Print made by William Bernard Cooke, 1778–1855, British

The Spot where Harold Fell

1816

Print made by William Bernard Cooke, 1778–1855, British

Crowhurst, Sussex

1816 to 1820

Print made by William Bernard Cooke, 1778–1855, British

Crowhurst, Sussex

1816

Print made by Samuel Rawle, 1771–1860, British

Hylton Castle, County of Durham

1816 to 1823

Sir George Hayter, 1792–1871, British

H.R.H. Prince Leopold, Queen Victoria's Uncle

1816

Print made by B. Winkles, active 1830–1840, British

Interior of Westminster Hall as Prepared for the Banquet

ca. 1821

Print made by B. Winkles, active 1830–1840, British

Longitudinal Section of Westminster Hall

ca. 1821

Charles Robert Cockerell Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Charles Robert Cockerell, 1788–1863, British

Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

1816

Print made by unknown artist

The Tower of the Temple, State Prison at Paris, Exterior View

1816

Print made by Anker Smith, 1759–1819, British

Attempt to Assassinate Prince Edward in Palestine

1816

Print made by William Bromley, 1769–1842, British

Death of Henry IV

1816

Print made by Anker Smith, 1759–1819, British

Lady Elizabeth Grey's Interview with Edward IV

1816

Print made by unknown artist, nineteenth century

Caractacus before Claudius

1816

Print made by Anker Smith, 1759–1819, British

Vortigern & Rowena

1816

Print made by Anker Smith, 1759–1819, British

Alfred in the Danish Camp

1816

Print made by John Byrne, 1786–1847, British

A View of Hall-head Sugar Plantation, Jamaica

1816

Print made by George Cruikshank, 1792–1878, British

Count Bertram's Shipwreck

1816

Print made by John Greig, active 1803–1853, British

St. Cuthbert's Church, Wells, Somersetshire

1816

Print made by William Bernard Cooke, 1778–1855, British

Crowhurst, Sussex

1816

Print made by James C. Allen, active 1821–1831, British

Ivy Bridge, Devonshire

1816

Print made by James C. Allen, active 1821–1831, British

Ivy Bridge, Devonshire

1816

Print made by William Bernard Cooke, 1778–1855, British

Source of the Tamar and Torridge

1816

Print made by William Bernard Cooke, 1778–1855, British

Battle Abbey, The spot where Harold Fell

1816

Print made by William Bernard Cooke, 1778–1855, British

Brightling Observatory

1816

Print made by William Bernard Cooke, 1778–1855, British

Bodiham Castle, Sussex

1816

Print made by John Martin, 1789–1854, British

A Classical City

1816

Print made by William Say, 1768–1834, British

Cupid and Psyche

1816

Print made by John Young, 1755–1825, British

A Woman Swearing her Child to a Grave Citizen

1816

William Say, 1768–1834, British

Mrs. Litchfield

1816

Print made by Charles Turner, 1774–1857, British

Field Marshal, The Duke of Wellington

1816

Print made by Henry Dawe, 1790–1848, British

Mill near the Grand Chartreuse, Dauphiny

1816

Attributed to Henry Dawe, 1790–1848, British

Raglan Castle

1816

unknown artist

Buckingham Stairs Water Gate

1816

Daniel Havell, 1785–1826, British

A View of the Bank of England

1816

Print made by John Scott, 1774–1828, British

Harewood House

1816

Print made by Henry Dawe, 1790–1848, British

Mill near the Grand Chartreuse, Dauphiny

1816

William Alfred Delamotte, 1775–1863, British

[A set of] Twenty etchings, Ten etchings, Sandhurst, 1816, 1817

1816 to 1817

Edward W. Trendall, active 1816–1848

Grandstand on the Race Ground at Epsom

undated

Print made by Charles Turner, 1774–1857, British

Thomas William Coke Esq, MP for Norfolk

1816

Print made by unknown artist, nineteenth century

The Three Swords

ca. 1821

Engraved by Samuel Cousins, 1801–1887, British

The Right Reverend Charles Richard Sumner

between 1816 and 1850

Print made by Samuel Cousins, 1801–1887, British

Mrs. Braddyll

undated

Print made by Samuel Cousins, 1801–1887, British

Mrs. Braddyll

undated

J. Kennerley

Mr. John Hunter

1816

Charles Turner, 1774–1857, British

John, Earl of St. Vincent

1816

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Date 1816

Work Type intaglio print

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