Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
2
Etched by Joseph Mallord William Turner, 1775–1851, British
Dumblain Abbey, Scotland
1816
3
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
4
Etched by Joseph Mallord William Turner, 1775–1851, British
Norham Castle on the Tweed
1816
5
Etched by Joseph Mallord William Turner, 1775–1851, British
Ville de Thun, Switzerland
1816
6
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
7
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
8
Etched by Joseph Mallord William Turner, 1775–1851, British
Tenth Plague of Egypt
1816
9
Etched by Joseph Mallord William Turner, 1775–1851, British
Inverary Castle and Town, Scotland
1816
10
Etched by Joseph Mallord William Turner, 1775–1851, British
Norham Castle on the Tweed
1816
11
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
12
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
14
Etched by Joseph Mallord William Turner, 1775–1851, British
Ville de Thun, Switzerland
1816
15
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
16
Etched by Joseph Mallord William Turner, 1775–1851, British
Solway Moss
1816
17
Etched by Joseph Mallord William Turner, 1775–1851, British
Dumblain Abbey, Scotland
1816
18
Etched by Joseph Mallord William Turner, 1775–1851, British
Tenth Plague of Egypt
1816
19
Etched by Joseph Mallord William Turner, 1775–1851, British
Norham Castle on the Tweed
1816
20
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
21
Charles Turner, 1774–1857, British
John, Earl of St. Vincent, Admiral of the Red
1816
22
Print made by John Hill, 1770–1850, British
The Great Cloister, Cassiobury
1816
23
Print made by Robert Havell, 1769–1832, British
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
24
Print made by John Hill, 1770–1850, British
West Front, Cassiobury
1816
25
Print made by John Hill, 1770–1850, British
North-West Front, Cassiobury
1816
26
Print made by John Hill, 1770–1850, British
The Great Cloister, Cassiobury
1816
27
Print made by John Hill, 1770–1850, British
North-West Front, Cassiobury
1816
28
Print made by John Hill, 1770–1850, British
North-West Front, Cassiobury
1816
29
Print made by Robert Havell, 1769–1832, British
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
30
Print made by Robert Havell, 1769–1832, British
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
31
Print made by George Cooke, 1781–1834, British
Gledhow
1816
32
Print made by William Bernard Cooke, 1778–1855, British
The Spot where Harold Fell
1816 to 1820
33
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq
1816
34
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex
1816
35
Print made by William Bernard Cooke, 1778–1855, British
Vale of Heathfield, Sussex
1816
36
Print made by William Bernard Cooke, 1778–1855, British
The Vale of Ashburnham
1816
37
Print made by William Bernard Cooke, 1778–1855, British
The Vale of Ashburnham
1816
38
Print made by William Bernard Cooke, 1778–1855, British
Crowhurst, Sussex
1816
39
Print made by William Bernard Cooke, 1778–1855, British
Winchelsea
1816 to 1820
40
Print made by James C. Allen, active 1821–1831, British
The Ivy Bridge, Devonshire
1816
41
Print made by William Bernard Cooke, 1778–1855, British
Dartmoor; Source of the Tamar and the Torridge
1816
42
Print made by James C. Allen, active 1821–1831, British
Ivy Bridge, Devonshire
1816
43
Print made by Mary Dawson Turner, 1774–1850, British
Portrait of Benjamin Robert Haydon
1816
44
Print made by unknown artist, nineteenth century
Flower Garden Porch at Farnley
1816
45
Print made by William Bernard Cooke, 1778–1855, British
Falmouth, Cornwall
1816
46
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Dock, from Mount Edgecumbe
1816
47
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Dock from Mount Edgecumbe
1816
48
Print made by unknown artist, nineteenth century
The Little Devil's Bridge
between 1816 and 1820
49
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex
1816
50
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex
1816
51
Print made by John Scott, 1774–1828, British
Harewood House
1816
52
Print made by George Cooke, 1781–1834, British
Gledhow
1816
53
Print made by John Scott, 1774–1828, British
Harewood House
1816
54
Print made by William Bernard Cooke, 1778–1855, British
The Spot where Harold Fell
1816
55
Print made by William Bernard Cooke, 1778–1855, British
Crowhurst, Sussex
1816 to 1820
56
Print made by William Bernard Cooke, 1778–1855, British
Crowhurst, Sussex
1816
57
Print made by Samuel Rawle, 1771–1860, British
Hylton Castle, County of Durham
1816 to 1823
58
Sir George Hayter, 1792–1871, British
H.R.H. Prince Leopold, Queen Victoria's Uncle
1816
59
Print made by B. Winkles, active 1830–1840, British
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
60
Print made by B. Winkles, active 1830–1840, British
Longitudinal Section of Westminster Hall
ca. 1821
61
Charles Robert Cockerell, 1788–1863, British
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
62
Print made by unknown artist
The Tower of the Temple, State Prison at Paris, Exterior View
1816
63
Print made by Anker Smith, 1759–1819, British
Attempt to Assassinate Prince Edward in Palestine
1816
64
Print made by William Bromley, 1769–1842, British
Death of Henry IV
1816
65
Print made by Anker Smith, 1759–1819, British
Lady Elizabeth Grey's Interview with Edward IV
1816
66
Print made by unknown artist, nineteenth century
Caractacus before Claudius
1816
67
Print made by Anker Smith, 1759–1819, British
Vortigern & Rowena
1816
68
Print made by Anker Smith, 1759–1819, British
Alfred in the Danish Camp
1816
69
Print made by John Byrne, 1786–1847, British
A View of Hall-head Sugar Plantation, Jamaica
1816
70
Print made by George Cruikshank, 1792–1878, British
Count Bertram's Shipwreck
1816
71
Print made by John Greig, active 1803–1853, British
St. Cuthbert's Church, Wells, Somersetshire
1816
72
Print made by William Bernard Cooke, 1778–1855, British
Crowhurst, Sussex
1816
73
Print made by James C. Allen, active 1821–1831, British
Ivy Bridge, Devonshire
1816
74
Print made by James C. Allen, active 1821–1831, British
Ivy Bridge, Devonshire
1816
75
Print made by William Bernard Cooke, 1778–1855, British
Source of the Tamar and Torridge
1816
76
Print made by William Bernard Cooke, 1778–1855, British
Battle Abbey, The spot where Harold Fell
1816
77
Print made by William Bernard Cooke, 1778–1855, British
Brightling Observatory
1816
78
Print made by William Bernard Cooke, 1778–1855, British
Bodiham Castle, Sussex
1816
79
Print made by John Martin, 1789–1854, British
A Classical City
1816
80
Print made by William Say, 1768–1834, British
Cupid and Psyche
1816
81
Print made by John Young, 1755–1825, British
A Woman Swearing her Child to a Grave Citizen
1816
82
William Say, 1768–1834, British
Mrs. Litchfield
1816
83
Print made by Charles Turner, 1774–1857, British
Field Marshal, The Duke of Wellington
1816
84
Print made by Henry Dawe, 1790–1848, British
Mill near the Grand Chartreuse, Dauphiny
1816
85
Attributed to Henry Dawe, 1790–1848, British
Raglan Castle
1816
86
unknown artist
Buckingham Stairs Water Gate
1816
87
Daniel Havell, 1785–1826, British
A View of the Bank of England
1816
88
Print made by John Scott, 1774–1828, British
Harewood House
1816
89
Print made by Henry Dawe, 1790–1848, British
Mill near the Grand Chartreuse, Dauphiny
1816
90
William Alfred Delamotte, 1775–1863, British
[A set of] Twenty etchings, Ten etchings, Sandhurst, 1816, 1817