Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
2
Etched by Joseph Mallord William Turner, 1775–1851, British
Dumblain Abbey, Scotland
1816
3
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
4
Etched by Joseph Mallord William Turner, 1775–1851, British
Norham Castle on the Tweed
1816
5
Etched by Joseph Mallord William Turner, 1775–1851, British
Ville de Thun, Switzerland
1816
6
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
7
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
8
Etched by Joseph Mallord William Turner, 1775–1851, British
Tenth Plague of Egypt
1816
9
Etched by Joseph Mallord William Turner, 1775–1851, British
Inverary Castle and Town, Scotland
1816
10
Etched by Joseph Mallord William Turner, 1775–1851, British
Norham Castle on the Tweed
1816
11
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
12
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851, British
Bonneville, Savoy
1816
14
Etched by Joseph Mallord William Turner, 1775–1851, British
Ville de Thun, Switzerland
1816
15
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
16
Etched by Joseph Mallord William Turner, 1775–1851, British
Solway Moss
1816
17
Etched by Joseph Mallord William Turner, 1775–1851, British
Dumblain Abbey, Scotland
1816
18
Etched by Joseph Mallord William Turner, 1775–1851, British
Tenth Plague of Egypt
1816
19
Etched by Joseph Mallord William Turner, 1775–1851, British
Norham Castle on the Tweed
1816
20
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
21
Charles Turner, 1774–1857, British
John, Earl of St. Vincent, Admiral of the Red
1816
22
Robert Havell & Son, 1769–1832, British
View of the Royal Artillery Barracks, Woolwich
1816
23
Print made by Robert Havell & Son, 1769–1832, British
View of the Royal Military Academy, Woolwich
1816
24
Print made by John Hill, 1770–1850, British
The Great Cloister, Cassiobury
1816
25
Print made by Robert Havell, 1769–1832, British
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
26
Print made by John Hill, 1770–1850, British
West Front, Cassiobury
1816
27
Print made by John Hill, 1770–1850, British
North-West Front, Cassiobury
1816
28
Print made by John Hill, 1770–1850, British
The Great Cloister, Cassiobury
1816
29
Print made by John Hill, 1770–1850, British
West Front, Cassiobury
1816
30
Print made by John Hill, 1770–1850, British
North-West Front, Cassiobury
1816
31
Print made by John Hill, 1770–1850, British
West Front, Cassiobury
1816
32
Print made by John Hill, 1770–1850, British
North-West Front, Cassiobury
1816
33
Print made by Robert Havell, 1769–1832, British
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
34
Print made by Robert Havell, 1769–1832, British
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
35
Print made by George Cooke, 1781–1834, British
Gledhow
1816
36
Print made by William Bernard Cooke, 1778–1855, British
The Spot where Harold Fell
1816 to 1820
37
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq
1816
38
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex
1816
39
Print made by William Bernard Cooke, 1778–1855, British
Vale of Heathfield, Sussex
1816
40
Print made by William Bernard Cooke, 1778–1855, British
The Vale of Ashburnham
1816
41
Print made by William Bernard Cooke, 1778–1855, British
The Vale of Ashburnham
1816
42
Print made by William Bernard Cooke, 1778–1855, British
Crowhurst, Sussex
1816
43
Print made by William Bernard Cooke, 1778–1855, British
Winchelsea
1816 to 1820
44
Print made by James C. Allen, active 1821–1831, British
The Ivy Bridge, Devonshire
1816
45
Print made by William Bernard Cooke, 1778–1855, British
Dartmoor; Source of the Tamar and the Torridge
1816
46
Print made by James C. Allen, active 1821–1831, British
Ivy Bridge, Devonshire
1816
47
Print made by Mary Dawson Turner, 1774–1850, British
Portrait of Benjamin Robert Haydon
1816
48
unknown artist
A View of the Waterloo Bridge
1816
49
Samuel Rawle, 1771–1860, British
A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall
1816
50
S. Jenkins, active 1814–1818
St. Leonard, Shoreditch
1816
51
Samuel Rawle, 1771–1860, British
Elevation of Part of the Interior of Crosby Hall (Council Room)
1816
52
unknown artist, ( Bourne )
Ceiling Plan of Crosby Hall
1816
53
William Wise, Active 1823–1876, British
Plan and View of the Vaults of Crosby Hall
1816
54
William Wise, Active 1823–1876, British
Northeast View of Crosby Hall
1816
55
unknown artist
St. Botolph's Church, Bishopsgate
1816
56
John Chapman, active ca. 1792–1823, British
St. Botolphs
1816
57
unknown artist
The New Custom House
1816
58
unknown artist, nineteenth century
Gateway St. Stephen's Church, Coleman Street
1816
59
unknown artist, nineteenth century
An Interior View of the Porch of the Parish Church at St. Alphage
1816
60
Robert William Smart, active 1820–1834
A Perspective View of the Royal Hospital for Seamen at Greenwich
1816
61
Daniel Havell, 1785–1826, British
A View of the London Dock, from St. Georges in the East
1816
62
Samuel Rawle, 1771–1860, British
Interior of Part of Crosby Hall, Called the Council Room
1816
63
Print made by unknown artist, nineteenth century
Flower Garden Porch at Farnley
1816
64
Print made by William Bernard Cooke, 1778–1855, British
Falmouth, Cornwall
1816
65
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Dock, from Mount Edgecumbe
1816
66
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Dock from Mount Edgecumbe
1816
67
Print made by unknown artist, nineteenth century
The Little Devil's Bridge
between 1816 and 1820
68
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex
1816
69
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex
1816
70
Print made by John Scott, 1774–1828, British
Harewood House
1816
71
Print made by George Cooke, 1781–1834, British
Gledhow
1816
72
Print made by John Scott, 1774–1828, British
Harewood House
1816
73
Print made by William Bernard Cooke, 1778–1855, British
The Spot where Harold Fell
1816
74
Print made by William Bernard Cooke, 1778–1855, British
Crowhurst, Sussex
1816 to 1820
75
Print made by William Bernard Cooke, 1778–1855, British
Crowhurst, Sussex
1816
76
Print made by Samuel Rawle, 1771–1860, British
Hylton Castle, County of Durham
1816 to 1823
77
R. Page, active 1816–1825
Carlo Maratti
1816
78
John Young, 1755–1825, British
Christ giving sight to the blind
1816
79
Sir George Hayter, 1792–1871, British
H.R.H. Prince Leopold, Queen Victoria's Uncle
1816
80
Print made by B. Winkles, active 1830–1840, British
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
81
Print made by B. Winkles, active 1830–1840, British
Longitudinal Section of Westminster Hall
ca. 1821
82
Robert Havell, 1769–1832, British
Coaching [a pair]: 1. Stage Coach Setting Off
1816
83
John Summerfield, active 1817?
Mr. Thomas Bewick
1816
84
Print made by Richard Rhodes, 1765–1838, British
Shakespeare
1816
85
Charles Robert Cockerell, 1788–1863, British
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
86
Robert Havell, 1769–1832, British
Coaching [a pair]: 2. Arrival of the Stage Coach
1816
87
Print made by unknown artist
The Tower of the Temple, State Prison at Paris, Exterior View
1816
88
Sir Cuthbert Sharp, active 1816, British
History of Hartlepool (Durham, 1816)
1816
89
Sir Cuthbert Sharp, active 1816, British
History of Hartlepool (Durham, 1816)
1816
90
Print made by Anker Smith, 1759–1819, British
Attempt to Assassinate Prince Edward in Palestine
1816
91
Print made by William Bromley, 1769–1842, British
Death of Henry IV
1816
92
Print made by Anker Smith, 1759–1819, British
Lady Elizabeth Grey's Interview with Edward IV
1816
93
Print made by unknown artist, nineteenth century
Caractacus before Claudius
1816
94
Print made by Anker Smith, 1759–1819, British
Vortigern & Rowena
1816
95
Print made by Anker Smith, 1759–1819, British
Alfred in the Danish Camp
1816
96
Print made by John Byrne, 1786–1847, British
A View of Hall-head Sugar Plantation, Jamaica
1816
97
Print made by George Cruikshank, 1792–1878, British
Count Bertram's Shipwreck
1816
98
Print made by John Greig, active 1803–1853, British
St. Cuthbert's Church, Wells, Somersetshire
1816
99
Henry R. Cook, active 1802–1849, British, active in Britain and France
Proscenium of the Opera House
1816
100
Henry R. Cook, active 1802–1849, British, active in Britain and France
Interior and Exterior Views of the Olympic Theatre near Drury Lane