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Date 1808

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Subject Terms horse (animal)

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Landscape with a Lake
Creator:
Paul Sandby, 1731–1809, British
Date:
1808
Medium:
Oil on canvas
Dimensions:
10 1/2 x 13 3/8 inches (26.7 x 34 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fording the Stream in a Mountain Valley
Creator:
James Duffield Harding, 1798–1863, British
Date:
undated
Medium:
Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 2 11/16 x 6 7/8 inches (6.8 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906
View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire the younger, 1769–1822, British
Date:
1808
Medium:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/4 × 17 7/8 inches (36.2 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire the younger, 1769–1822, British
Date:
1808
Medium:
Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peggy and Patie
Creator:
Print made by David Allan, 1744–1796, British, born in Scotland
Date:
1808
Medium:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Studies of Tradesmen and Grooms
Creator:
Edmund Thomas Parris, 1793–1873, British
Date:
undated
Medium:
Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 × 8 3/4 inches (10.2 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection