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Sir Robert Smirke the younger An Official Building

Sir Robert Smirke the younger, 1781–1867, British

An Official Building

1802-1804

Sir Robert Smirke the younger Sketch of the Finished Part of One of the Public Buildings

Sir Robert Smirke the younger, 1781–1867, British

Sketch of the Finished Part of One of the Public Buildings

1802-1804

Sir Robert Smirke the younger Sketch of an Ornamental Arched Entry

Sir Robert Smirke the younger, 1781–1867, British

Sketch of an Ornamental Arched Entry

1802-1804

Sir Robert Smirke the younger Interior of a Church

Sir Robert Smirke the younger, 1781–1867, British

Interior of a Church

1802-1804

Sir Robert Smirke the younger Sketch of a Mausoleum

Sir Robert Smirke the younger, 1781–1867, British

Sketch of a Mausoleum

1802-1804

Sir Robert Smirke the younger Sketch of a Tombstone

Sir Robert Smirke the younger, 1781–1867, British

Sketch of a Tombstone

1802-1804

Sir Robert Smirke the younger Sketch of a Carved Female Figure on Top of a Gravestone

Sir Robert Smirke the younger, 1781–1867, British

Sketch of a Carved Female Figure on Top of a Gravestone

1802-1804

Sir Robert Smirke the younger Study of a Tombstone

Sir Robert Smirke the younger, 1781–1867, British

Study of a Tombstone

1802-1804

Sir Robert Smirke the younger Tombstone

Sir Robert Smirke the younger, 1781–1867, British

Tombstone

1802-1804

Sir Robert Smirke the younger Tombstone

Sir Robert Smirke the younger, 1781–1867, British

Tombstone

1802-1804

Sir Robert Smirke the younger Sketch of Three Standing Gravestones

Sir Robert Smirke the younger, 1781–1867, British

Sketch of Three Standing Gravestones

1802-1804

Sir Robert Smirke the younger Sketch of an Ornate Tombstone

Sir Robert Smirke the younger, 1781–1867, British

Sketch of an Ornate Tombstone

1802-1804

Sir Robert Smirke the younger Study of a Chandelier

Sir Robert Smirke the younger, 1781–1867, British

Study of a Chandelier

1802-1804

Sir Robert Smirke the younger Study of an Ornate Candle Stick

Sir Robert Smirke the younger, 1781–1867, British

Study of an Ornate Candle Stick

1802-1804

Sir Robert Smirke the younger Threee Ornate Tombstones

Sir Robert Smirke the younger, 1781–1867, British

Threee Ornate Tombstones

1802-1804

Sir Robert Smirke the younger Tombstone

Sir Robert Smirke the younger, 1781–1867, British

Tombstone

1802-1804

Sir Robert Smirke the younger Study of an Ornamental Chair

Sir Robert Smirke the younger, 1781–1867, British

Study of an Ornamental Chair

1802-1804

Sir Robert Smirke the younger Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

Sir Robert Smirke the younger, 1781–1867, British

Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

1802-1804

Sir Robert Smirke the younger Study of a Portion of a Decorative Canopy in Litchfield Cathedral

Sir Robert Smirke the younger, 1781–1867, British

Study of a Portion of a Decorative Canopy in Litchfield Cathedral

1802-1804

Sir Robert Smirke the younger Raby Castle

Sir Robert Smirke the younger, 1781–1867, British

Raby Castle

1802-1804

Sir Robert Smirke the younger Raby Castle

Sir Robert Smirke the younger, 1781–1867, British

Raby Castle

1802-1804

Sir Robert Smirke the younger Sketch of a Sculpture of the Face of a Mythical Creature

Sir Robert Smirke the younger, 1781–1867, British

Sketch of a Sculpture of the Face of a Mythical Creature

1802-1804

Sir Robert Smirke the younger Study of a Chandelier

Sir Robert Smirke the younger, 1781–1867, British

Study of a Chandelier

1802-1804

Sir Robert Smirke the younger Sketches of St. George's Chapel and Square

Sir Robert Smirke the younger, 1781–1867, British

Sketches of St. George's Chapel and Square

1802-1804

Sir Robert Smirke the younger Temple of Olympian Zeus, Athens and the Parthenon

Sir Robert Smirke the younger, 1781–1867, British

Temple of Olympian Zeus, Athens and the Parthenon

1802-1804

Thomas Stothard [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

Thomas Stothard, 1755–1834, British

[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

1802 - 1825

unknown artist Returning from a Review...Paris

unknown artist, ( Lewis )

Returning from a Review...Paris

1802

Francesco Bartolozzi Peasants Going to Market

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Peasants Going to Market

1802

Henry Fuseli O Evening thou Bringest All

Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)

O Evening thou Bringest All

1802

Sir George Howland Beaumont seventh Baronet Lane with Figures, May 1802

Sir George Howland Beaumont seventh Baronet, 1753–1827, British

Lane with Figures, May 1802

1802

John Glover The Thames at Isleworth

John Glover, 1767–1849, British

The Thames at Isleworth

ca. 1807

James Hook A Regency Pair

James Hook, ca. 1772–1828, British

A Regency Pair

1802

Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

Samuel De Wilde, 1748–1832, British

Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

1802

Thomas Hearne The Poor House, Hadley, Hertfordshire

Thomas Hearne, 1744–1817, British

The Poor House, Hadley, Hertfordshire

1802

Thomas Girtin The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

Thomas Girtin, 1775–1802, British

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

1802

James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

James Malton, 1761–1803, British

Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

1802

James Malton Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

1802

James Malton Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

1802

James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

1802

James Hook A Regency Pair: Man with Walking Stick

James Hook, ca. 1772–1828, British

A Regency Pair: Man with Walking Stick

1802

James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

1802

Paul Sandby A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

Paul Sandby, 1731–1809, British

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

1802

James Basire the younger Inside View of the East End of Merton College Chapel

Print made by James Basire the younger, 1769–1822, British

Inside View of the East End of Merton College Chapel

1802

S. Porter Durham Cathedral

Print made by S. Porter, active 1802

Durham Cathedral

1802

Thomas Girtin View of the Pantheon, Paris

Thomas Girtin, 1775–1802, British

View of the Pantheon, Paris

1802

John Varley View of Chepstow Castle, Monmouthshire, from Under the Bridge

John Varley, 1778–1842, British

View of Chepstow Castle, Monmouthshire, from Under the Bridge

1802

Thomas Girtin View of the Pantheon from the Arsenal

Thomas Girtin, 1775–1802, British

View of the Pantheon from the Arsenal

1802

John William Upham The Abbey Barn, Abbotsbury

John William Upham, 1772–1828

The Abbey Barn, Abbotsbury

1802

Cornelius Varley Tygwyn Ferry

Cornelius Varley, 1781–1873, British

Tygwyn Ferry

1802

James Malton Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803, British

Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

1802

Patrick Nasmyth Netley Abbey

Patrick Nasmyth, 1787–1831, British

Netley Abbey

undated

Patrick Nasmyth Battersea Fields, Painted for Charles Matthews, Esq.

Patrick Nasmyth, 1787–1831, British

Battersea Fields, Painted for Charles Matthews, Esq

undated

James de Carle Sowerby A Crane

James de Carle Sowerby, 1787–1871, British

A Crane

undated

James de Carle Sowerby Zebra

James de Carle Sowerby, 1787–1871, British

Zebra

undated

James de Carle Sowerby Three Toucans

James de Carle Sowerby, 1787–1871, British

Three Toucans

undated

James de Carle Sowerby A Parrot

James de Carle Sowerby, 1787–1871, British

A Parrot

undated

James de Carle Sowerby Heads of Two Proboscis Monkeys

James de Carle Sowerby, 1787–1871, British

Heads of Two Proboscis Monkeys

undated

James de Carle Sowerby A Parrot

James de Carle Sowerby, 1787–1871, British

A Parrot

undated

James de Carle Sowerby A Parrot

James de Carle Sowerby, 1787–1871, British

A Parrot

undated

James de Carle Sowerby A Cockatoo

James de Carle Sowerby, 1787–1871, British

A Cockatoo

undated

Edward Francis Burney Farmhouse

Edward Francis Burney, 1760–1848, British

Farmhouse

1802

Amos Green Views in England, Scotland and Wales: Landscape with Stream

Amos Green, 1735–1807, British

Views in England, Scotland and Wales: Landscape with Stream

1802

Cornelius Varley Carnarvon Castle

Cornelius Varley, 1781–1873, British

Carnarvon Castle

1802

Pierre-Joseph Redouté Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816

Pierre-Joseph Redouté, 1759–1840, French of Flemish birth

Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816

between 1802 and 1816

Joseph Constantine Stadler Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Joseph Constantine Stadler, active 1780–1812, British

Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

1802

George Chinnery Henry Tresham, Esq, R.A.

Print made by George Chinnery, 1774–1852, British

Henry Tresham, Esq, R.A

1802

Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve

Thomas Girtin, 1775–1802, British

View of St. Cloud and Mount Calvary taken from Pont de Seve

1802

Thomas Rowlandson The Monstrous Craw; or a New Discovered Animal

Print made by Thomas Rowlandson, 1756–1827, British

The Monstrous Craw; or a New Discovered Animal

1802

Thomas Girtin View of the City with the Louvre &c., taken from Pont Marie

Thomas Girtin, 1775–1802, British

View of the City with the Louvre &c., taken from Pont Marie

1802

Thomas Girtin View of the Gate of St. Denis taken from the Suburbs

Thomas Girtin, 1775–1802, British

View of the Gate of St. Denis taken from the Suburbs

1802

Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Thomas Girtin, 1775–1802, British

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Thomas Girtin, 1775–1802, British

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Thomas Girtin, 1775–1802, British

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

Thomas Girtin The Waterworks at Marli; and St. Germain en Laye seen in the distance

Thomas Girtin, 1775–1802, British

The Waterworks at Marli; and St. Germain en Laye seen in the distance

1802

Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Thomas Girtin, 1775–1802, British

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Thomas Girtin, 1775–1802, British

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

1802

William Daniell Thomas Hardwick

Print made by William Daniell, 1769–1837, British

Thomas Hardwick

between 1802 and 1814

William Daniell Edmund Garvey, R.A.

Print made by William Daniell, 1769–1837, British

Edmund Garvey, R.A

between 1802 and 1814

Thomas Girtin Sandsend, Yorkshire

Thomas Girtin, 1775–1802, British

Sandsend, Yorkshire

1802

Anker Smith Samuel Johnson

Anker Smith, 1759–1819, British

Samuel Johnson

1802

Samuel Howitt Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check

Samuel Howitt, 1756–1822, British

Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check

1802

Samuel Howitt Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry

Samuel Howitt, 1756–1822, British

Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry

1802

Samuel Howitt Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home

Samuel Howitt, 1756–1822, British

Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home

1802

Robert, Frankland, baronet Caricature of Beau Nash

Robert, Frankland, baronet, 1784–1849, British

Caricature of Beau Nash

1802

John Henderson Basel, Bridge Center, Quayside, with Figures and Shipping Right, with Cathedral Rising behind Buildings

John Henderson, 1764–1843, British

Basel, Bridge Center, Quayside, with Figures and Shipping Right, with Cathedral Rising behind Buildings

ca. 1807

Robert Hills Study of Bracken

Robert Hills, 1769–1844, British

Study of Bracken

1802

Robert Hills Woodland Study

Robert Hills, 1769–1844, British

Woodland Study

1802