Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
4
unknown artist, ( Lewis )
Returning from a Review...Paris
1802
5
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Peasants Going to Market
1802
6
Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
O Evening thou Bringest All
1802
7
Thomas Girtin, 1775–1802, British
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
8
Print made by James Basire the younger, 1769–1822, British
Inside View of the East End of Merton College Chapel
1802
9
Print made by S. Porter, active 1802
Durham Cathedral
1802
10
Thomas Girtin, 1775–1802, British
View of the Pantheon, Paris
1802
11
Pierre-Joseph Redouté, 1759–1840, French of Flemish birth
Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816
between 1802 and 1816
12
Joseph Constantine Stadler, active 1780–1812, British
Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801
1802
13
Print made by George Chinnery, 1774–1852, British
Henry Tresham, Esq, R.A
1802
14
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
15
Print made by Thomas Rowlandson, 1756–1827, British
The Monstrous Craw; or a New Discovered Animal
1802
16
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
17
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
18
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
19
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
20
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
21
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
22
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
23
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
24
Print made by William Daniell, 1769–1837, British
Thomas Hardwick
between 1802 and 1814
25
Print made by William Daniell, 1769–1837, British
Edmund Garvey, R.A
between 1802 and 1814
26
Anker Smith, 1759–1819, British
Samuel Johnson
1802
27
Samuel Howitt, 1756–1822, British
Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check
1802
28
Samuel Howitt, 1756–1822, British
Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry
1802
29
Samuel Howitt, 1756–1822, British
Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home
1802
30
James Gillray, 1756–1815, British
Tales of wonder
1802
31
James Gillray, 1756–1815, British
"all Bond Street trembled as he strode"
1802
32
Charles Williams, active 1796–1830, British
Close Shaveing or the will our own way
1802
33
unknown artist
Old Times Returned
1802
34
Charles Williams, active 1796–1830, British
English Patriots Bowing at the Shrine of Despotism
1802
35
Charles Williams, active 1796–1830, British
Two Pair of Candidates Proposed to the Independant Electors of Middlesex
1802
36
Charles Williams, active 1796–1830, British
Close Shaveing, or The Will Our Own Way
1802
37
Charles Williams, active 1796–1830, British
The Norwich Bull-Bait
1802
38
unknown artist
A View of the East-India House, Leadenhall Street, London
1802
39
unknown artist, ( J. Taylor )
The Remarkable Dirty Warehouse in Leadenhall Street
1802
40
Joseph Constantine Stadler, active 1780–1812, British
Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801
1802
41
Joseph Constantine Stadler, active 1780–1812, British
Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801
1802
42
Charles Williams, active 1796–1830, British
Theatrical Doctors recovering Clara's Notes!
1802
43
Print made by Samuel William Reynolds, 1773–1835, British
James Northcote
1802
44
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
45
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
46
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
47
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
48
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
49
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
50
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
51
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
52
Thomas Girtin, 1775–1802, British
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
53
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
54
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
55
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
56
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
57
unknown artist, ( Giles Grinagain ) nineteenth century
Hodge Outwitted
1802
58
unknown artist, ( Giles Grinagain ) nineteenth century
How to Obtain a Request
1802
59
Print made by William Daniell, 1769–1837, British
Nathaniel Marchant, R.A
between 1802 and 1814
60
Print made by William Daniell, 1769–1837, British
Henry Howard
between 1802 and 1814
61
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
62
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
63
Charles Williams, active 1796–1830, British
Theatrical Doctors Recovering Clara's Notes
1802
64
Charles Williams, active 1796–1830, British
The Little Green Man or the Bath Bugabo, or the Widows Terror
1802
65
Charles Williams, active 1796–1830, British
Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton
1802
66
Charles Williams, active 1796–1830, British
A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting
1802
67
Charles Williams, active 1796–1830, British
Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor
1802
68
Charles Williams, active 1796–1830, British
John Bull Viewing Billy's Preparations for His Birthday
1802
69
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
70
Print made by Edward Harding, 1755–1840, British
Thomas Holles, Duke of Newcastle
1802
71
Print made by Edward Harding, 1755–1840, British
Thomas Holles, Duke of Newcastle
1802
72
Print made by William Finden, 1787–1852, British
Attacking Stag
undated
73
Print made by W. Pickett, active 1792–1820, British
View in the Carse of Gowrie
1802
74
Print made by Thomas Medland, 1755–1823, British
Ruins of Castle-Gloom
1802
75
Print made by Francis Jukes, 1747–1812, British
Loch-vana-choir
1802
76
Print made by W. Pickett, active 1792–1820, British
Wemyss Castle
1802
77
Print made by Samuel Alken, 1756–1815, British
The Windings of the Forth
1802
78
Print made by Samuel Alken, 1756–1815, British
Inverkeithing Bay
1802
79
Print made by W. Pickett, active 1792–1820, British
Hill of Binion from the Lake
1802
80
Published by Longman, active 1804–1914, British
Loch-Lubnaig, West End
1802
81
Print made by Thomas Medland, 1755–1823, British
Loch-Kaitrin, East End
1802
82
Print made by Thomas Medland, 1755–1823, British
Kinloch Rannoch
1802
83
Print made by Thomas Medland, 1755–1823, British
Loch-Lubnaig, East End
1802
84
Print made by Thomas Medland, 1755–1823, British
Windings of the Tay, Looking toward the Mountains of Athol
1802
85
Print made by Thomas Medland, 1755–1823, British
Pass of Killicrankie
1802
86
Print made by Thomas Medland, 1755–1823, British
View from the Heights of Dunkeld
1802
87
Print made by Thomas Medland, 1755–1823, British
Loch Tay Looking toward Killin
1802
88
Print made by Thomas Medland, 1755–1823, British
Down Castle, Craigforth and Stirling in the Distance
1802
89
Print made by Samuel Alken, 1756–1815, British
Taymouth
1802
90
Print made by Francis Jukes, 1747–1812, British
Loch-tay, from Killin
1802
91
Print made by Samuel Alken, 1756–1815, British
Cori-nan-Urischin
1802
92
Print made by Francis Jukes, 1747–1812, British
Benledi
1802
93
Print made by W. Pickett, active 1792–1820, British
Loch-leven
1802
94
Print made by W. Pickett, active 1792–1820, British
Loch-erin-head
1802
95
Print made by Thomas Medland, 1755–1823, British
Fall of the Brahan
1802
96
Print made by W. Pickett, active 1792–1820, British
St. Andrews from the East
1802
97
Print made by Francis Jukes, 1747–1812, British
View on the Water of Lieth
1802
98
James Godby, 1767–1849, British
The Drinking Well in Hyde Park
1802
99
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Distinguishing Characteristic of Masonry
1802
100
unknown artist
Proclamation of Peace at the Royal Exchange, London, April 29th, 1802