Date: 1800 - YCBA Collections Search Search Results

Attributed to John Constable, 1776–1837, British

Miniature: Portrait of Abram Constable, brother of the artist

early 19th century

Not on view

George Stubbs, 1724–1806, British

Freeman, the Earl of Clarendon's gamekeeper, with a dying doe and hound

1800

Not on view

William Blake, 1757–1827, British

The Horse

ca. 1805

Not on view

Richard Banks Harraden, 1778–1862, British

Procession of Boats on the River Cam below Clare College, Cambridge

early 19th century

Not on view

Thomas Stothard, 1755–1834, British

An Unfinished Study of Venus and Adonis

between 1800 and 1820

Not on view

Philip Reinagle, 1749–1833, British

The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

1800

Not on view

John Inigo Richards, 1730/31?–1810, British

A River Landscape, possibly a View from the West End of Rochester Bridge

ca. 1805

Not on view

James Ward, 1769–1859, British

Studies of Jacky Turner and the Reverend Charles Hope's Gardener

between 1800 and 1815

Not on view

unknown artist

Teyoninhokarawen (Major John Norton)

ca. 1805

Not on view

Samuel De Wilde, 1748–1832, British

Gentleman in the Grounds of his House

between 1800 and 1810

Not on view

Adam Silo, ca. 1674–1772, Dutch

Dutch Shipping off the Low Countries

18th century

Not on view

unknown artist, nineteenth century

A Country House in a River Landscape, Previously Identified as Oatlands

ca. 1805

Not on view

William Redmore Bigg, 1755–1828, British

The Severe Steward, or Unfortunate Tenant

between 1800 and 1801

Not on view

Unknown artist, nineteenth century

A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left

ca. 1805

Not on view

Unknown artist, nineteenth century

Two Hares: On a Hillside

ca. 1805

Not on view

Sir David Wilkie The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall

Sir David Wilkie, 1785–1841, British

The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall

undated

Not on view

Unknown artist, nineteenth century

Greyhound: Facing Left, with a Dead Hare at His Feet

ca. 1805

Not on view

Benjamin Marshall, 1768–1835, British

Studies of Riders in the Hunting Field

ca. 1805

Not on view

Thomas Girtin, 1775–1802, British

Guisborough Priory

between 1800 and 1802

Not on view

Unknown artist, nineteenth century

Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left

ca. 1805

Not on view

Sir George Howland Beaumont seventh Baronet, 1753–1827, British

Landscape with Figures in the Foreground

between 1800 and 1810

Not on view

Charles Martin Powell Warships Lying Offshore, the Commanding Admiral Being Rowed out to Join the Flagship, Her Sails Illuminated by a Break in the Clouds

Charles Martin Powell, 1775 –1824, British

Warships Lying Offshore, the Commanding Admiral Being Rowed out to Join the Flagship, Her Sails Illuminated by a Break in the Clouds

early 19th century

Not on view

Julius Caesar Ibbetson, 1759–1817, British

Langdale Pikes from Lowood

between 1800 and 1806

Not on view

John Crome, 1768–1821, British

A Barge with a Wounded Soldier

early 19th century

Not on view

Unknown artist, twentieth century

Coast with Cliffs and Boats

early 19th century

Not on view

Attributed to Peter DeWint, 1784–1849, British

Windsor Castle

early 19th century

Not on view

unknown artist, nineteenth century

Landscape with Trees, Building in left middle distance

early 19th century

Not on view

unknown artist, nineteenth century

Man on a White Horse

early 19th century

Not on view

Daniel Turner, active 1782–1805, British

A View of London Bridge

early 19th century

Not on view

Daniel Turner, active 1782–1805, British

A View of Westminster Bridge

early 19th century

Not on view

James Ward, 1769–1859, British

The Reapers

1800

Not on view

James Ward, 1769–1859, British

Gloucestershire Old Spot

between 1800 and 1805

Not on view

Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)

Tekemessa and Eurysakes

between 1800 and 1810

Not on view

Edmund Bristow, 1787–1876, British

The Rat Trap

early to mid-nineteenth century

Not on view

James Ward, 1769–1859, British

Landscape near Swansea, South Wales

ca. 1805

Not on view

unknown artist, nineteenth century

Landscape with Trees on a Slope

early 19th century

Not on view

Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)

A Groom Mounted on a Chestnut Hunter, He Holds a Bay Hunter by the Reins

early 19th century

Not on view

unknown artist, nineteenth century

Augustus

early 19th century

Not on view

Staffordshire pottery

Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting

19th-mid-19th century

Not on view

Staffordshire pottery

Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting

19th to mid-19th century

Not on view

Derby porcelain factory, founded 1756, British

Dr. Syntax: Seated on a Bucket Sketching a Landscape

undated

Not on view

John Constable, 1776–1837, British

Wooded Slope with a Receding Road

ca. 1805

John Constable, 1776–1837, British

Landscape at East Bergholt

ca. 1805

John Constable, 1776–1837, British

Trees in a Meadow

ca. 1805

Attributed to Joseph Mallord William Turner, 1775–1851, British

Whitchurch, Devonshire

1800

William Blake, 1757–1827, British

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

Print made by William Blake, 1757–1827, British

Rev. John Caspar Lavater (1787-1801)

1800

William Blake, 1757–1827, British

Mary Magdalen at the Sepulchre

ca. 1805

William Blake, 1757–1827, British

Sealing the Stone and Setting a Watch

1800 to 1803

Print made by William Blake, 1757–1827, British

Thomas Hayley (1780-1800)

1800

William Blake, 1757–1827, British

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

William Blake, 1757–1827, British

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

Print made by William Blake, 1757–1827, British

Thomas Hayley (1780-1800)

1800

Print made by unknown artist, ( J. N. B. )

Horse

undated

Print made by unknown artist, ( J. N. B. )

Farm Animals

undated

Print made by unknown artist, ( J. N. B. )

Bulls Fighting

undated

Print made by unknown artist, ( J. N. B. )

Head of a Horse

undated

Thomas Malton, 1726–1801, British

Lincoln Cathedral

1800

Print made by unknown artist, ( J. N. B. )

Dogs Chasing a Hare

undated

Print made by unknown artist, ( J. N. B. )

Horse

undated

Print made by unknown artist, ( J. N. B. )

Lioness

undated

Print made by unknown artist, ( J. N. B. )

Deer with a Dog (Fragment of a Sporting Print)

undated

Print made by unknown artist, ( J. N. B. )

Sleeping Bull

undated

Print made by unknown artist, ( J. N. B. )

Head of a Horse

undated

Print made by unknown artist, ( J. N. B. )

Farm Animals

undated

Print made by unknown artist, ( J. N. B. )

Mare and Foal

undated

Thomas Sutherland, ca. 1785–1838, British

Nottingham Market Place

undated

unknown artist

Coastal Scene

undated

Cornelius Varley, 1781–1873, British

John Flaxman whilst Lecturing at the Royal Academy

after 1800

Sir David Wilkie, 1785–1841, British

Fife

undated