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Date 1797

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William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'

William Blake, 1757–1827, British

Plate 33 (page 72): 'And vapid; sense and reason shew the door'

1797

William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

William Blake, 1757–1827, British

"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

1797

William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

William Blake, 1757–1827, British

Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

1797

William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

William Blake, 1757–1827, British

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

1797

William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

William Blake, 1757–1827, British

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

1797

William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

William Blake, 1757–1827, British

Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

1797

William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'

William Blake, 1757–1827, British

Plate 37 (page 86): 'His hand the good man fastens on the skies'

1797

William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

William Blake, 1757–1827, British

Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

1797

William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

William Blake, 1757–1827, British

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

1797

William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

William Blake, 1757–1827, British

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

1797

William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

William Blake, 1757–1827, British

Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

1797

William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

William Blake, 1757–1827, British

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

1797

William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'

William Blake, 1757–1827, British

Plate 22 (page 40): ' Angels should paint it, angels ever there'

1797

William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

William Blake, 1757–1827, British

Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

1797

William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

William Blake, 1757–1827, British

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

1797

William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

William Blake, 1757–1827, British

Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

1797

William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

William Blake, 1757–1827, British

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

1797

William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'

William Blake, 1757–1827, British

Plate 21 (page 37): 'Love, and love only, is the loan for love'

1797

William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

William Blake, 1757–1827, British

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

1797

William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

William Blake, 1757–1827, British

Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

1797

William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

William Blake, 1757–1827, British

Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

1797

William Blake Plate 13 (page 23): 'We censure nature for a span too short'

Engravings by William Blake, 1757–1827, British

Plate 13 (page 23): 'We censure nature for a span too short'

1797

William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'

William Blake, 1757–1827, British

Plate 15 (page 25): 'Behold him, when past by; what then is seen'

1797

William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

William Blake, 1757–1827, British

Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

1797

William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

William Blake, 1757–1827, British

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

1797

William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

William Blake, 1757–1827, British

Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

1797

William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'

William Blake, 1757–1827, British

Plate 41 (page 92): 'When faith is virtue, reason makes it so'

1797

William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

William Blake, 1757–1827, British

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

1797

William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'

William Blake, 1757–1827, British

Plate 3 (page 4): 'What, though my soul fantastick measures trod'

1797

William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'

William Blake, 1757–1827, British

Plate 7 (page 12): 'Its favours here are trials, not rewards'

1797

William Blake Plate 9 (page 15):' The longest night though longer far, would fail'

Engravings by William Blake, 1757–1827, British

Plate 9 (page 15):' The longest night though longer far, would fail'

1797

William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

William Blake, 1757–1827, British

Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

1797

William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'

William Blake, 1757–1827, British

Plate 12 (page 19): 'Emblem of that which shall awake the dead'

1797

William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

William Blake, 1757–1827, British

Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

1797

William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

William Blake, 1757–1827, British

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

1797

William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

William Blake, 1757–1827, British

Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

1797

William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'

William Blake, 1757–1827, British

Plate 6 (page 10): 'Disease invades the chastest temperence'

1797

William Blake Plate 8 (page 13): 'The present moment terminates our sight'

William Blake, 1757–1827, British

Plate 8 (page 13): 'The present moment terminates our sight'

1797

unknown artist Transept of St. Paul's from the North Entrance

unknown artist

Transept of St. Paul's from the North Entrance

1797

James Peller Malcolm Richmond Church, Surry, Western Outer Suburb

James Peller Malcolm, 1767–1815, American

Richmond Church, Surry, Western Outer Suburb

1797

unknown artist Shoreditch Church, North West

unknown artist, (P., J.)

Shoreditch Church, North West

1797

James Peller Malcolm Wyer Hall, Edmonton, Outer Suburb - North

after James Peller Malcolm, 1767–1815, American

Wyer Hall, Edmonton, Outer Suburb - North

1797

James Peller Malcolm Mr. Alderman Curtis's Southgate Outer Suburb - North

James Peller Malcolm, 1767–1815, American

Mr. Alderman Curtis's Southgate Outer Suburb - North

1797

John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North

John Thomas Smith, 1766–1833, British

In Green Street, Enfield Highway, Outer Suburb North

1797

John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North

John Thomas Smith, 1766–1833, British

In Green Street, Enfield Highway, Outer Suburb North

1797

John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North

John Thomas Smith, 1766–1833, British

In Green Street, Enfield Highway, Outer Suburb North

1797

unknown artist St. Peter le Poor, Broad Street

unknown artist

St. Peter le Poor, Broad Street

1797

unknown artist St. Peter le Poor, Broad Street

unknown artist

St. Peter le Poor, Broad Street

1797

Thomas Prattent Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield

Thomas Prattent, active 1780–1810, British

Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield

1797

James Peller Malcolm Brook House, Hackney

James Peller Malcolm, 1767–1815, American

Brook House, Hackney

1797

John Thomas Smith Near Deptford, Kent

John Thomas Smith, 1766–1833, British

Near Deptford, Kent

1797

unknown artist Kings Yard, Deptford

unknown artist

Kings Yard, Deptford

1797

John Thomas Smith In Bury Street, Edmonton, Outer Suburb - North

John Thomas Smith, 1766–1833, British

In Bury Street, Edmonton, Outer Suburb - North

1797

John Thomas Smith Near Palmer's Green, Edmonton, Outer Suburb - North

John Thomas Smith, 1766–1833, British

Near Palmer's Green, Edmonton, Outer Suburb - North

1797

John Thomas Smith On Scotland's Green, Ponder's - End, Outer Suburb - North

John Thomas Smith, 1766–1833, British

On Scotland's Green, Ponder's - End, Outer Suburb - North

1797

John Thomas Smith Near Edmonton Church, Outer Suburb - North

John Thomas Smith, 1766–1833, British

Near Edmonton Church, Outer Suburb - North

1797

John Thomas Smith In Bury Street, Edmonton Outer Suburb - North

John Thomas Smith, 1766–1833, British

In Bury Street, Edmonton Outer Suburb - North

1797

John Thomas Smith Near Ball's Cross, Enfield, Outer Suburb - North

John Thomas Smith, 1766–1833, British

Near Ball's Cross, Enfield, Outer Suburb - North

1797

Thomas Rowlandson Set of Six Views in London, (Turn Pike series)

Thomas Rowlandson, 1756–1827, British

Set of Six Views in London, (Turn Pike series)

1797

unknown artist Set a Thief to Catch a Thief

unknown artist, ( Giles Grinagain ) nineteenth century

Set a Thief to Catch a Thief

ca. 1802

Richard Newton The Ins and Outs or the Jesuits treatment of his friends

Richard Newton, 1777–1798, British

The Ins and Outs or the Jesuits treatment of his friends

1797

unknown artist Macklin's Gallery of Modern Paintings

unknown artist

Macklin's Gallery of Modern Paintings

1797

unknown artist Landscape

unknown artist

Landscape

1797

unknown artist Typus, Parcchia Divi Marini vulgi St. Martin's Outwich

unknown artist

Typus, Parcchia Divi Marini vulgi St. Martin's Outwich

1797

Francesco Bartolozzi Princess Charlotte Augusta

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Princess Charlotte Augusta

1797

Francesco Bartolozzi Jacob's Vision, Genesis 28, v. II

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Jacob's Vision, Genesis 28, v. II

1797

Francesco Bartolozzi Abraham Entertaining Three Angels, Genesis 18, v. 1

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Abraham Entertaining Three Angels, Genesis 18, v. 1

1797

Francesco Bartolozzi The Birth of Pyrrhus

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Birth of Pyrrhus

1797

William Knight View of London from Highgate

William Knight, active 1807–1845

View of London from Highgate

1797

unknown artist Old Houses in Duke Street West Smithfield

unknown artist, ( Barret )

Old Houses in Duke Street West Smithfield

1797

unknown artist Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus

unknown artist, ( Dagaty )

Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus

1797

Francesco Bartolozzi Princess Charlotte Augusta

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Princess Charlotte Augusta

1797

Francesco Bartolozzi The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise

1797

William Sadler John Ralston

William Sadler, c. 1782–1839, Irish

John Ralston

undated

George Murray View of Somerset House

George Murray, died 1822

View of Somerset House

1797

Philip Audinet West View of Temple Bar

Philip Audinet, 1766–1837, British

West View of Temple Bar

1797

Philip Audinet View of the Tower

Philip Audinet, 1766–1837, British

View of the Tower

1797

Francesco Bartolozzi Their Royal Highnesses, The Prince & Princess Of Wales

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Their Royal Highnesses, The Prince & Princess Of Wales

1797

Francesco Bartolozzi Flight Into Egypt

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Flight Into Egypt

1797

Henry Hoppner Meyer Wilkie

Henry Hoppner Meyer, ca. 1782–1847, British

Wilkie

undated

unknown artist Entrance of Piccadilly or Hyde Park Corner Turnpike

unknown artist, ( Edouard Dagaty )

Entrance of Piccadilly or Hyde Park Corner Turnpike

1797

John Thomas Smith Near Jack Straw's Castle, Hampstead Heath

John Thomas Smith, 1766–1833, British

Near Jack Straw's Castle, Hampstead Heath

1797

unknown artist Arcade of the North Front of the Royal Exchange

unknown artist

Arcade of the North Front of the Royal Exchange

1797

John Thomas Smith Near Battle Bridge, Middlesex

John Thomas Smith, 1766–1833, British

Near Battle Bridge, Middlesex

1797

Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Luís Pinto De Sousa Coutinho, Visconde De Balsemão

1797

Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Luís Pinto De Sousa Coutinho, Visconde De Balsemão

1797

Thomas Gaugain Turnips and Carrots Ho

Thomas Gaugain, 1748–1812, French

Turnips and Carrots Ho

1797

Thomas Prattent North View of the New Buildings at the Bank of England (page 20, volume 1)

Print made by Thomas Prattent, active 1780–1810, British

North View of the New Buildings at the Bank of England (page 20, volume 1)

1797

Francesco Bartolozzi The Apotheosis of A Beautiful Female

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Apotheosis of A Beautiful Female

1797

John Ogborne the Elder The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)

John Ogborne the Elder, 1755–1795, British

The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)

1797

Christian Josi Peace

Christian Josi, ca. 1765–1828, Dutch

Peace

ca. 1802

Christian Josi The Peasant's Repast

Christian Josi, ca. 1765–1828, Dutch

The Peasant's Repast

1797

unknown artist Plumstead, Kent

unknown artist

Plumstead, Kent

1797

unknown artist Westminster Hall/ The First Day of Term/ A Satirical Poem

unknown artist, ( Charles Mosely )

Westminster Hall/ The First Day of Term/ A Satirical Poem

1797

William Angus Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury

William Angus, 1752–1821, British

Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury

1797

unknown artist Melbourne House, White-Hall

unknown artist

Melbourne House, White-Hall

1797

Thomas Medland Temple of Friendship

Thomas Medland, 1755–1823, British

Temple of Friendship

1797

Francesco Bartolozzi The Birth of Pyrrhus

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Birth of Pyrrhus

1797

Constable, John, 1776-1837. Letter to John Thomas Smith.

Constable, John, 1776-1837

Letter to John Thomas Smith

1797, between January 16 and March 23

Reynolds, Joshua, Sir, 1723-1792. The works of Sir Joshua Reynolds ... :

Reynolds, Joshua, Sir, 1723-1792

The works of Sir Joshua Reynolds ...

1797