Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
2
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
3
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
4
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
5
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
6
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
7
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
8
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
9
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
10
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
11
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
12
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
13
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
14
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
15
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
16
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
17
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
18
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
19
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
20
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
21
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
22
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
23
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
24
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
25
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
26
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
27
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
28
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
29
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
30
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
31
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
32
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
33
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
34
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
36
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
37
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
38
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
39
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
40
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
41
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
42
Print made by John Sell Cotman, 1782–1842, British
A Bridge
undated
43
Print made by John Sell Cotman, 1782–1842, British
Castle Above a Rocky Gorge
undated
44
Print made by John Sell Cotman, 1782–1842, British
Harlech Castle
undated
45
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
1797
46
Print made by James Walker, 1748–1808, British
Ely
1797
47
Print made by James Walker, 1748–1808, British
Westminster Bridge
1797
48
William Henry Brooke, 1772–1860, Irish
Herstmonceux Castle from the South
undated
49
Print made by James Walker, 1748–1808, British
Flint, from Park-Gate
1797
50
Print made by James Walker, 1748–1808, British
Hampton Court, Herefordshire
1797
51
Print made by James Walker, 1748–1808, British
Elgin Cathedral, Morayshire
1797
52
Print made by James Walker, 1748–1808, British
Carlisle
1797
53
Print made by Bartholomew Howlett, 1767–1827, British
Grantham Church
1797
54
Print made by John Harris the elder, 1767–1832, British
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
55
Print made by John Harris the elder, 1767–1832, British
Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
56
Thomas Gaugain, 1748–1812, French
Turnips and Carrots
1797
57
William Ward, 1766–1826, British
The Daughters of Sir Thomas Frankland Bart
1797
58
Print made by Samuel William Reynolds, 1773–1835, British
Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth
1797
59
Print made by Thomas Gaugain, 1748–1812, French
Turnips & Carrots ho
1797
60
Print made by unknown artist, (Delgorgue)
Portrait de Van-Dyck
undated
61
Edward Harding, 1755–1840, British
Sir John Medina
1797
62
Print made by unknown artist
William Cavendish, first Duke of Newcastle-upon-Tyne
1797
63
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Princess Charlotte Augusta
1797
64
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Jacob's Vision, Genesis 28, v. II
1797
65
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Abraham Entertaining Three Angels, Genesis 18, v. 1
1797
66
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Birth of Pyrrhus
1797
67
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Princess Charlotte Augusta
1797
68
Print made by James Walker, 1748–1808, British
Westminster Bridge
1797
69
Print made by James Walker, 1748–1808, British
Hampton Court, Herefordshire
1797
70
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Their Royal Highnesses, The Prince & Princess Of Wales
1797
71
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Flight Into Egypt
1797
72
Print made by Thomas Gaugain, 1748–1812, French
Turnips & Carrots ho
1797
73
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
74
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
75
Print made by Francis Haward, 1759–1797, British
Cymon and Iphigenia
1797
76
Print made by Charles Knight, 1743–c.1826, British
Lady Hamilton as a Bacchante
1797
77
Richard Earlom, 1743–1822, British
Vice Admiral Colpoys
1797
78
Print made by William Nelson Gardiner, 1766–1814, Irish
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
79
Benjamin Smith, 1775–1833, British
"Tempest", Act I, Scene I
1797
80
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
81
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
82
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
83
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
84
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
85
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
86
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
87
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
88
Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
89
Print made by Thomas Gaugain, 1748–1812, French
Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
90
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Right Honorable Lady Jane Dundas
ca. 1802
91
Print made by Charles Wilkin, 1750–1814, British
The Right Honourable Charlotte Viscountess St. Asaph
1797
92
Print made by William Ward, 1766–1826, British
The Daughters of Sir Thomas Frankland
1797
93
Print made by Charles Wilkin, 1750–1814, British
The Right Honourable Lady Charlotte Duncombe
1797
94
Robert Dunkarton, 1744–1811, British
The Soldier's Widow; or Schoolboys' Collection
ca. 1802
95
William Evans, active 1797–1856, British
Sir Henry Charles Englefield, 7th Baronet
undated
96
George Siegmund Facius, 1750–1804
John Smith, D.D.F.S.A
1797
97
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)