Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Georgius Johannes Commes, Spencer
1792
102
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lodona
1792
103
unknown artist, ( J. Kirk )
The Sun Rising
1792
104
William Ellis, 1747–1810, British
Newington Buts
1792
105
unknown artist
The Earl of Mansfield's at Caen Wood near Hampstead
1792
106
unknown artist
Lord Southampton's Lodge at Highgate, Middlesex
1792
107
unknown artist
View in Margaret Street
1792
108
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Freeing of Amoret
1792
109
William Ellis, 1747–1810, British
Islington Church
1792
110
unknown artist
Sir Charles Asgill's Villa, with a View of the Bridge at Richmond, Surrey
1792
111
unknown artist
The Savoy in 1650 (after Hollar), and As it is at Present, 1792
1792
112
unknown artist
London Wall, in the Church Yard of St. Giles', Cripplegate
1792
113
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Britannia Rewarding Music and Literature
1792
114
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Andrew Kippis
1792
115
unknown artist, eighteenth century
Thomas Graves
c.1792
116
James Fittler, 1758–1835, British
'The Gamester,' Act V, Scene IV
1792
117
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Mrs. Montagu
1792
118
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Thais
1792
119
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Miss Farren
1792
120
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Miss Farren
1792
121
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Miss Farren
1792
122
Print made by John Condé, 1765–1794, French, active in Britain
Mrs. Fitzherbert
1792
123
John Young, 1755–1825, British
Philip Affleck, Esq
1792
124
John Chapman, active ca. 1792–1823, British
Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
1792
125
William Gmelin, 1745–1821
Vue des Petites Cascatelles a Tivoli
1792
126
Print made by William Birch, 1755–1834, British
Mrs. Robinson
1792
127
George Saunders, c.1762–1839, British
Monument for Sir Joshua Reynolds
1792
128
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Funeral Card of Sir Joshua Reynolds
1792
129
John Chapman, active ca. 1792–1823, British
Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
1792
130
John Chapman, active ca. 1792–1823, British
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
131
John Chapman, active ca. 1792–1823, British
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
132
Print made by Thomas Cheesman, 1760–1834/35, British
The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
1792
133
unknown artist, ( J. Coles )
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
134
Francis Legat, 1755–1809, British
"King Lear", Act V, Scene III
1792
135
unknown artist, ( Shenner )
Falstaff Reproved by King Henry
1792
136
Peltro W. Tomkins, 1760–1840, British
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
137
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
138
Richard Earlom, 1743–1822, British
Colonel Mordaunt's Cock Match at Lucknow
1792
139
Print made by unknown artist, eighteenth century
French Privateers, Cruising in the English Channel
1792
140
unknown artist, ( Shenner )
Falstaff reproved by King Henry
1792
141
George Townly Stubbs, 1748–1815, British
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
142
Richard Earlom, 1743–1822, British
Colonel Mordaunt's Cock Match at Lucknow
1792
143
George Morland, 1763–1804, British
The Farmer's Stable
1792
144
Print made by Thomas Cheesman, 1760–1834/35, British
Marchioness of Townshend and Child
1792
145
Robert Dodd, 1748–1816, British
Action off Cape St. Vicent, 14 February 1797
ca. 1797
146
Thomas Trotter, ca. 1750–1803, British
Dr. Samuel Johnson
1792
147
John Jones, ca. 1745–1797, British
Reverend John Moore, Lord Archbishop of Canterbury
1792
148
Thomas Trotter, ca. 1750–1803, British
Jonathan Shipley, Bishop of St. Asaph
1792
149
Thomas Ryder, 1746–1810, Irish
The Murder of James First, King of Scotland
1792
150
William Ellis, 1747–1810, British
Camberwell
1792
151
unknown artist, eighteenth century
Old Charing Cross
1792
152
unknown artist, eighteenth century
Cheapside Cross
1792
153
unknown artist
A South View of Scarborough
ca. 1797
154
unknown artist
Arundel House in London 1646
1792
155
unknown artist, eighteenth century
A Gentleman's Seat on Stockwell Common, Surrey
1792
156
William Ellis, 1747–1810, British
Clapham
1792
157
William Ellis, 1747–1810, British
Clapham
1792
158
Charles Gauthier Playter, died 1809
Henry the Eighth
1792
159
unknown artist, ( J. Kirk )
The Sun Setting
1792
160
unknown artist
The Bank
1792
161
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Thais
1792
162
John Raphael Smith, 1752–1812, British
Eloisa
1792
163
John Raphael Smith, 1752–1812, British
His Royal Highness George, Prince of Wales
1792
164
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Katherine, Duchess of Suffolk
1792
165
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Katherine, Duchess of Suffolk
1792
166
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Margaret, Lady Elyot
1792
167
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Sir John More
1792
168
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Jane, Lady Lister
1792
169
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Jane, Lady Lister
1792
170
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Sir John More
1792
171
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Jane, Lady Lister
1792
172
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Meditation
1792
173
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Admiration
1792
174
unknown artist
Highbury Assembly House near Islington
1792
175
George Isham Parkyns, 1749/50–c.1820, British
The Cottage at Strawberry Hill
1792
176
unknown artist
New Palace Yard
1792
177
William Walker, 1791–1867, British
Worcester
1792
178
John Walker, active 1792–1803
Worcester
1792
179
James Gillray, 1756–1815, British
The Dagger Scene: - or - The Plot Discover'd
1792
180
James Gillray, 1756–1815, British
Vices overlook'd in the New Proclamation
1792
181
James Gillray, 1756–1815, British
Design for the New Gallery of Busts and Pictures
1792
182
James Gillray, 1756–1815, British
The Bottomless-Pitt
1792
183
James Gillray, 1756–1815, British
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
184
James Gillray, 1756–1815, British
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
185
James Gillray, 1756–1815, British
A Sphere, Projecting against a Plane ---
1792
186
James Gillray, 1756–1815, British
Wha Wants Me?
1792
187
James Gillray, 1756–1815, British
The National Assembly Petrified _________/The National Assembly Revivified
1792
188
James Gillray, 1756–1815, British
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
189
James Gillray, 1756–1815, British
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
190
James Gillray, 1756–1815, British
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
191
James Gillray, 1756–1815, British
Sin, Death, and the Devil
1792
192
James Gillray, 1756–1815, British
French Liberty - British Slavery
1792
193
James Gillray, 1756–1815, British
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
194
James Gillray, 1756–1815, British
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
195
James Gillray, 1756–1815, British
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
196
James Gillray, 1756–1815, British
Committee of Grievances and Apprehensions
1792
197
James Gillray, 1756–1815, British
The Fall of the Wolsey of the Woolsack
1792
198
Print made by John Condé, 1765–1794, French, active in Britain
Melania
1792
199
Print made by John Condé, 1765–1794, French, active in Britain
Mrs. Fitzherbert
1792
200
Isaac Cruikshank, 1764–1811, British
The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing