Date: 1792 / Classification: Prints - YCBA Collections Search Search Results

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Date 1792

Classification Prints

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake The Complaint and The Consolation: or Night Thoughts

William Blake, 1757–1827, British

The Complaint and The Consolation: or Night Thoughts

ca. 1797

William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

ca. 1797

William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

ca. 1797

William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

ca. 1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

ca. 1797

William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

ca. 1797

William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

ca. 1797

John Browne Moon-Light

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

John Browne After Sun-Set

Print made by John Browne, 1741–1801, British

After Sun-Set

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

John Browne Moon-Light

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

John Browne Morning

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

Joseph Farington Windsor Bridge

Print made by Joseph Farington, 1747–1821, British

Windsor Bridge

1792

Francis Jukes View of the Forth, Including the Queen's Ferry

Francis Jukes, 1747–1812, British

View of the Forth, Including the Queen's Ferry

1792

Joseph Constantine Stadler The Farm House

Joseph Constantine Stadler, active 1780–1812, British

The Farm House

1792

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817, Swiss

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817, Swiss

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817, Swiss

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"

Robert Dodd, 1748–1816, British

"The Indian Emperor" or "The Conquest of Mexico"

1792

unknown artist Westminster Bridge

unknown artist

Westminster Bridge

1792

Thomas Morris Partial View of the West Front of St. Pauls

Thomas Morris, born 1771, British

Partial View of the West Front of St. Pauls

1792

unknown artist The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex

unknown artist

The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex

1792

unknown artist The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East

unknown artist

The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East

1792

unknown artist Grosvenor House at Walthamstow, Essex, Outer Suburb - East

unknown artist

Grosvenor House at Walthamstow, Essex, Outer Suburb - East

1792

William Ellis Islington Church

William Ellis, 1747–1810, British

Islington Church

1792

William Walker Greenwich Hospital

William Walker, 1791–1867, British

Greenwich Hospital

1792

unknown artist Monument in St. Botolph's Bishopsgate

unknown artist, eighteenth century

Monument in St. Botolph's Bishopsgate

1792

unknown artist The Parish Church of St. Botolph without Aldgate

unknown artist, eighteenth century-nineteenth century

The Parish Church of St. Botolph without Aldgate

1792

William Ellis Islington

William Ellis, 1747–1810, British

Islington

1792

unknown artist View on Westminster Bridge

unknown artist

View on Westminster Bridge

1792

John James Chalon Portrait of a Man with Hat

Print made by John James Chalon, 1778–1854, French, active in Britain

Portrait of a Man with Hat

1792

W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

Print made by W. Pyott, active late 18th century

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

1792

Robert Dodd Action off Cape St. Vicent, 14 February 1797

Robert Dodd, 1748–1816, British

Action off Cape St. Vicent, 14 February 1797

ca. 1797

George Morland Shooting [a pair]: 2. Evening

Print made by George Morland, 1763–1804, British

Shooting [a pair]: 2. Evening

1792

Francesco Bartolozzi Mrs. Lenox

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Lenox

1792

Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket for the Brandenbourg House Masquerade

ca. 1797

Charles Townley Dr. Samuel Johnson

Charles Townley, 1746–c.1800

Dr. Samuel Johnson

1792

Isaac Cruikshank Resignation the Greatest of all Virtues

Isaac Cruikshank, ?, 1764–1811, British

Resignation the Greatest of all Virtues

1792

Isaac Cruikshank The Maid of Bath or Mac in her Teens

Isaac Cruikshank, 1764–1811, British

The Maid of Bath or Mac in her Teens

1792

Charles Loraine Smith 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...

Charles Loraine Smith, 1751–1835, British

1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ..

1792

Isaac Cruikshank A Necessary War or Quixotism Revived, or The Knight of the Little House

Isaac Cruikshank, 1764–1811, British

A Necessary War or Quixotism Revived, or The Knight of the Little House

1792

William Ward The Sportsman's Return

William Ward, 1766–1826, British

The Sportsman's Return

1792 (re-issue of 1791)

Charles Williams Anticipation - Ways & Means - or - Buonaparte Really Taken!!

Print made by Charles Williams, active 1796–1830, British

Anticipation - Ways & Means - or - Buonaparte Really Taken!!

1792

James Gillray The Physick; - or - The News of Shooting the King of Sweden

James Gillray, 1756–1815, British

The Physick; - or - The News of Shooting the King of Sweden

1792

James Gillray Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot

James Gillray, 1756–1815, British

Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot

1792

James Gillray Wha Wants Me?

James Gillray, 1756–1815, British

Wha Wants Me?

1792

J. Thornthwaite William Hodges, Esq. R. A., Landscape Painter to the Prince of Wales

J. Thornthwaite, 1740–active 1776

William Hodges, Esq. R. A., Landscape Painter to the Prince of Wales

1792

John Chapman Angelica Kauffmann

Print made by John Chapman, active ca. 1792–1823, British

Angelica Kauffmann

undated

James Gillray Wha Wants Me?

James Gillray, 1756–1815, British

Wha Wants Me?

1792

Isaac Cruikshank Resignation the Greatest of all Virtues

Isaac Cruikshank, 1764–1811, British

Resignation the Greatest of all Virtues

1792

James Gillray Tom Paine's Nightly Pest

James Gillray, 1756–1815, British

Tom Paine's Nightly Pest

1792

Robert Thew King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

Print made by Robert Thew, 1758–1802, British

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

William Ridley Sir Joshua Reynolds

William Ridley, 1764–1838, British

Sir Joshua Reynolds

1792

Charles Loraine Smith 2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]

Charles Loraine Smith, 1751–1835, British

2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]

1792

Charles Loraine Smith 3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball

Charles Loraine Smith, 1751–1835, British

3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball

1792

Charles Loraine Smith 4. Lecture / Philosophical remarks upon the Nature & effects of Amputation

Charles Loraine Smith, 1751–1835, British

4. Lecture / Philosophical remarks upon the Nature & effects of Amputation

1792

Charles Townley Samuel Johnson

Charles Townley, 1746–c.1800

Samuel Johnson

1792

Thomas Trotter Dr. Samuel Johnson

Thomas Trotter, ca. 1750–1803, British

Dr. Samuel Johnson

1792

George Morland Shooting [a pair]: 1. Morning

Print made by George Morland, 1763–1804, British

Shooting [a pair]: 1. Morning

1792

John Thomas Smith The Savoy in 1650

Print made by John Thomas Smith, 1766–1833, British

The Savoy in 1650

1792

Richard Newton The World As It Goes

Print made by Richard Newton, 1777–1798, British

The World As It Goes

1792

unknown artist The Appearance of Part of the Parliament House Dublin when in Flames

Print made by unknown artist

The Appearance of Part of the Parliament House Dublin when in Flames

1792

John Jones John the Second Surrendering to Denis de Morbec

Print made by John Jones, ca. 1745–1797, British

John the Second Surrendering to Denis de Morbec

1792

John Jones Queen Philippa Interceding for the Brave citizens of Calais

Print made by John Jones, ca. 1745–1797, British

Queen Philippa Interceding for the Brave citizens of Calais

1792

John Condé Collection of Prints by Notable Dilettanti

Print made by John Condé, 1765–1794, French, active in Britain

Collection of Prints by Notable Dilettanti

1792

unknown artist London Wall

unknown artist

London Wall

1792

unknown artist An Old House which is now standing on Little Tower Hill

unknown artist

An Old House which is now standing on Little Tower Hill

1792