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1. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Complaint and The Consolation: or Night Thoughts

The Complaint and The Consolation: or Night Thoughts
Creator:
William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Hand-colored line engraving
Dimensions:
Spine: 16 3/4in. (42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Page 27, "O treacherous conscience!"

Young's Night Thoughts, Page 27, "O treacherous conscience!"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Moon-Light

Moon-Light
Creator:
Print made by John Browne, 1741–1801, British
Date:
ca. 1797
Medium:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. After Sun-Set

After Sun-Set
Creator:
Print made by John Browne, 1741–1801, British
Date:
ca. 1797
Medium:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 16 5/8 inches (32.1 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Evening

Evening
Creator:
Print made by John Browne, 1741–1801, British
Date:
ca. 1797
Medium:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Evening

Evening
Creator:
Print made by John Browne, 1741–1801, British
Date:
ca. 1797
Medium:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Moon-Light

Moon-Light
Creator:
Print made by John Browne, 1741–1801, British
Date:
ca. 1797
Medium:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Morning

Morning
Creator:
Print made by John Browne, 1741–1801, British
Date:
ca. 1797
Medium:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Windsor Bridge

Windsor Bridge
Creator:
Print made by Joseph Farington, 1747–1821, British
Date:
1792
Medium:
Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. View of the Forth, Including the Queen's Ferry

View of the Forth, Including the Queen's Ferry
Creator:
Francis Jukes, 1747–1812, British
Date:
1792
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 21 1/2 x 29 3/4in. (54.6 x 75.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Farm House

The Farm House
Creator:
Joseph Constantine Stadler, active 1780–1812, British
Date:
1792
Medium:
Engraving
Dimensions:
Sheet: 11 3/16 x 16 3/4in. (28.4 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Creator:
Christian von Mechel, 1737–1817, Swiss
Date:
1792
Medium:
Colored engraving on textured, moderately thick, cream laid paper
Dimensions:
Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Creator:
Christian von Mechel, 1737–1817, Swiss
Date:
1792
Medium:
Engraving on slightly textured, thick, cream wove paper
Dimensions:
Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Creator:
Christian von Mechel, 1737–1817, Swiss
Date:
1792
Medium:
Engraving on smooth, thick, cream wove paper
Dimensions:
Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. "The Indian Emperor" or "The Conquest of Mexico"

"The Indian Emperor" or "The Conquest of Mexico"
Creator:
Robert Dodd, 1748–1816, British
Date:
1792
Medium:
Etching and engraving
Dimensions:
Sheet: 17 11/16 x 21 1/2in. (44.9 x 54.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman

53. Westminster Bridge

Westminster Bridge
Creator:
unknown artist
Date:
1792
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 11 11/16 x 15 1/4in. (29.7 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Partial View of the West Front of St. Pauls

Partial View of the West Front of St. Pauls
Creator:
Thomas Morris, born 1771, British
Date:
1792
Medium:
Engraving
Dimensions:
Sheet: 22 1/4 x 17in. (56.5 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex

The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex
Creator:
unknown artist
Date:
1792
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East

The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East
Creator:
unknown artist
Date:
1792
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Grosvenor House at Walthamstow, Essex, Outer Suburb - East

Grosvenor House at Walthamstow, Essex, Outer Suburb - East
Creator:
unknown artist
Date:
1792
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Islington Church

Islington Church
Creator:
William Ellis, 1747–1810, British
Date:
1792
Medium:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Greenwich Hospital

Greenwich Hospital
Creator:
William Walker, 1791–1867, British
Date:
1792
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Monument in St. Botolph's Bishopsgate

Monument in St. Botolph's Bishopsgate
Creator:
unknown artist, eighteenth century
Date:
1792
Medium:
Engraving
Dimensions:
Sheet: 9 x 6 13/16in. (22.9 x 17.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Parish Church of St. Botolph without Aldgate

The Parish Church of St. Botolph without Aldgate
Creator:
unknown artist, eighteenth century-nineteenth century
Date:
1792
Medium:
Engraving
Dimensions:
Sheet: 15 5/8 x 9 1/16in. (39.7 x 23cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Islington

Islington
Creator:
William Ellis, 1747–1810, British
Date:
1792
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. View on Westminster Bridge

View on Westminster Bridge
Creator:
unknown artist
Date:
1792
Medium:
Aquatint, hand-colored
Dimensions:
Sheet: 11 7/8 x 15 1/4in. (30.2 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Portrait of a Man with Hat

Portrait of a Man with Hat
Creator:
Print made by John James Chalon, 1778–1854, French, active in Britain
Date:
1792
Medium:
Etching on medium, slightly textured, gray laid paper
Dimensions:
Sheet: 5 9/16 × 4 15/16 inches (14.2 × 12.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey

65. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Creator:
Print made by W. Pyott, active late 18th century
Date:
1792
Medium:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

66. Action off Cape St. Vicent, 14 February 1797

Action off Cape St. Vicent, 14 February 1797
Creator:
Robert Dodd, 1748–1816, British
Date:
ca. 1797
Dimensions:
Sheet: 19 1/2 x 29in. (49.5 x 73.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Shooting [a pair]: 2. Evening

Shooting [a pair]: 2. Evening
Creator:
Print made by George Morland, 1763–1804, British
Date:
1792
Medium:
Aquatint, hand-colored, title in wash border
Dimensions:
Sheet: 17 7/8 x 22 3/8in. (45.4 x 56.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Mrs. Lenox

Mrs. Lenox
Creator:
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1792
Medium:
Stipple engraving
Dimensions:
Sheet: 7 3/8 x 5 1/8in. (18.7 x 13cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

69. Ticket for the Brandenbourg House Masquerade

Ticket for the Brandenbourg House Masquerade
Creator:
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
ca. 1797
Medium:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 x 6 3/8 inches (12.4 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Dr. Samuel Johnson

Dr. Samuel Johnson
Creator:
Charles Townley, 1746–c.1800
Date:
1792
Medium:
Mezzotint
Dimensions:
Sheet: 17 x 13in. (43.2 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

71. Resignation the Greatest of all Virtues

Resignation the Greatest of all Virtues
Creator:
Isaac Cruikshank, ?, 1764–1811, British
Date:
1792
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The Maid of Bath or Mac in her Teens

The Maid of Bath or Mac in her Teens
Creator:
Isaac Cruikshank, 1764–1811, British
Date:
1792
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...

1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...
Creator:
Charles Loraine Smith, 1751–1835, British
Date:
1792
Medium:
Hand colored engraving
Dimensions:
Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. A Necessary War or Quixotism Revived, or The Knight of the Little House

A Necessary War or Quixotism Revived, or The Knight of the Little House
Creator:
Isaac Cruikshank, 1764–1811, British
Date:
1792
Medium:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Sportsman's Return

The Sportsman's Return
Creator:
William Ward, 1766–1826, British
Date:
1792 (re-issue of 1791)
Medium:
Mezzotint, printed in color and hand colored
Dimensions:
Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Anticipation - Ways & Means - or - Buonaparte Really Taken!!

Anticipation - Ways & Means - or - Buonaparte Really Taken!!
Creator:
Print made by Charles Williams, active 1796–1830, British
Date:
1792
Medium:
Etching, hand-colored
Dimensions:
Sheet: 10 5/8 x 15in. (27 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. The Physick; - or - The News of Shooting the King of Sweden

The Physick; - or - The News of Shooting the King of Sweden
Creator:
James Gillray, 1756–1815, British
Date:
1792
Medium:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot

Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
Creator:
James Gillray, 1756–1815, British
Date:
1792
Medium:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Wha Wants Me?

Wha Wants Me?
Creator:
James Gillray, 1756–1815, British
Date:
1792
Medium:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. William Hodges, Esq. R. A., Landscape Painter to the Prince of Wales

William Hodges, Esq. R. A., Landscape Painter to the Prince of Wales
Creator:
J. Thornthwaite, 1740–active 1776
Date:
1792
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Angelica Kauffmann

Angelica Kauffmann
Creator:
Print made by John Chapman, active ca. 1792–1823, British
Date:
undated
Medium:
Stipple engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 3 1/8 inches (12 × 8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Wha Wants Me?

Wha Wants Me?
Creator:
James Gillray, 1756–1815, British
Date:
1792
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Resignation the Greatest of all Virtues

Resignation the Greatest of all Virtues
Creator:
Isaac Cruikshank, 1764–1811, British
Date:
1792
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Tom Paine's Nightly Pest

Tom Paine's Nightly Pest
Creator:
James Gillray, 1756–1815, British
Date:
1792
Medium:
Etching
Dimensions:
Image: 11 1/2 x 14 5/16 inches (29.2 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Creator:
Print made by Robert Thew, 1758–1802, British
Date:
1792
Medium:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Sir Joshua Reynolds

Sir Joshua Reynolds
Creator:
William Ridley, 1764–1838, British
Date:
1792
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. 2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]

2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
Creator:
Charles Loraine Smith, 1751–1835, British
Date:
1792
Medium:
Hand colored engraving
Dimensions:
Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. 3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball

3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
Creator:
Charles Loraine Smith, 1751–1835, British
Date:
1792
Medium:
Hand colored engraving
Dimensions:
Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. 4. Lecture / Philosophical remarks upon the Nature & effects of Amputation

4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
Creator:
Charles Loraine Smith, 1751–1835, British
Date:
1792
Medium:
Hand colored engraving
Dimensions:
Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Samuel Johnson

Samuel Johnson
Creator:
Charles Townley, 1746–c.1800
Date:
1792
Medium:
Mezzotint
Dimensions:
Sheet: 19 1/2 x 13in. (49.5 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

91. Dr. Samuel Johnson

Dr. Samuel Johnson
Creator:
Thomas Trotter, ca. 1750–1803, British
Date:
1792
Medium:
Engraving
Dimensions:
Sheet: 7 1/2 x 5 1/4in. (19.1 x 13.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

92. Shooting [a pair]: 1. Morning

Shooting [a pair]: 1. Morning
Creator:
Print made by George Morland, 1763–1804, British
Date:
1792
Medium:
Aquatint, hand-colored, title in wash border
Dimensions:
Sheet: 17 7/8 x 22 3/8in. (45.4 x 56.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. The Savoy in 1650

The Savoy in 1650
Creator:
Print made by John Thomas Smith, 1766–1833, British
Date:
1792
Medium:
Line engraving on medium, slightly textured, cream wove paper with chine-collé
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

94. The World As It Goes

The World As It Goes
Creator:
Print made by Richard Newton, 1777–1798, British
Date:
1792
Medium:
Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Frame: 26 1/2 × 63 × 1 inches (67.3 × 160 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of William S. Konecky

95. The Appearance of Part of the Parliament House Dublin when in Flames

The Appearance of Part of the Parliament House Dublin when in Flames
Creator:
Print made by unknown artist
Date:
1792
Medium:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

96. John the Second Surrendering to Denis de Morbec

John the Second Surrendering to Denis de Morbec
Creator:
Print made by John Jones, ca. 1745–1797, British
Date:
1792
Medium:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

97. Queen Philippa Interceding for the Brave citizens of Calais

Queen Philippa Interceding for the Brave citizens of Calais
Creator:
Print made by John Jones, ca. 1745–1797, British
Date:
1792
Medium:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

98. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by John Condé, 1765–1794, French, active in Britain
Date:
1792
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. London Wall

London Wall
Creator:
unknown artist
Date:
1792
Medium:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. An Old House which is now standing on Little Tower Hill

An Old House which is now standing on Little Tower Hill
Creator:
unknown artist
Date:
1792
Medium:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection