Date: 1791 - YCBA Collections Search Search Results

William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

William Hincks, 1752–1797

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

1791

William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

William Hincks, 1752–1797

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

1791

William Hincks, 1752–1797

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

1791

William Hincks, 1752–1797

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

1791

William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

William Hincks, 1752–1797

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

1791

William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

William Hincks, 1752–1797

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..

1791

William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

William Hincks, 1752–1797

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

1791

William Hincks, 1752–1797

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

1791

William Hincks Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

William Hincks, 1752–1797

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it

1791

William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

William Hincks, 1752–1797

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

1791

Thomas Girtin, 1775–1802, British

Rievaulx Abbey, Yorkshire

ca. 1796

Thomas Girtin, 1775–1802, British

A Village in a Wood

ca. 1796

George Siegmund Facius, 1750–1804

George III

1791

Print made by John Condé, 1765–1794, French, active in Britain

T. Banks, Sculptor, R. A

1791

John Smart, 1741–1811, British

Portrait of Lt. John Dighton

1791

Samuel Hieronymus Grimm, 1733–1794, Swiss

Haverfordwest, Pembrokeshire

1791

John White Abbott, 1763–1851, British

The Mouth of the Cavern at Castleton in the Peak of Derby

1791

Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)

Study of a Seated Woman

1791

unknown artist, Monro School

Near Chiavenna

ca. 1796

Monro School

Buildings Overlooking Water, near Naples

ca. 1796

Charles Rosenberg, active 1790–1820

Mr. H. Angelo's Fencing Academy

1791

unknown artist

Lollard's Prison

1791

Thomas Rowlandson, 1756–1827, British

A Dutch Packet in a Rising Breeze

1791

unknown artist

Memorial in St. Mary's, Lambeth

1791

unknown artist

Pedlar and his Dog, St. Mary's, Lambeth

1791

Isaac Cruikshank, 1764–1811, British

Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)

1791

Isaac Cruikshank, 1764–1811, British

A Stroke at the Plenipo or Mary's Mistake

1791

Isaac Cruikshank, 1764–1811, British

A Disunion or the Family Compact Disturbed

1791

Isaac Cruikshank, 1764–1811, British

Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)

1791

Robert Dighton, 1752–1814, British

Pheasant Shooting

before 1801

James Gillray, 1756–1815, British

Patience on a Monument

1791

James Gillray, 1756–1815, British

The Coming-on of the Monsoons; - or - The Retreat from Seringapatam

1791

James Gillray, 1756–1815, British

Lubber's Hole - alias - The Crack'd Jordan

1791

James Gillray, 1756–1815, British

The Siege of Blenheim - or - The New System of Gunning Discoverd -

1791

James Gillray, 1756–1815, British

The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan

1791

unknown artist, Monro School

In the Via Mala, Between Coire and Splugen

ca. 1796

Print made by John Carter, 1748–1817, British

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

1791

James Gillray, 1756–1815, British

Les Trois Magots

1791

James Gillray, 1756–1815, British

French Democrats surprizing the Royal Runaways

1791

James Gillray, 1756–1815, British

The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -

1791

Thomas Rowlandson, 1756–1827, British

Limbourg, Belgium

between 1791 and 1792

James Moore, 1762–1799, British

Hadleigh Castle, Essex, England

1791

James Moore, 1762–1799, British

Chapel of the Holy Ghost, Basingstoke, England

1791

James Moore, 1762–1799, British

Stonehenge

1791

James Moore, 1762–1799, British

Cerne Abbey

1791

James Moore, 1762–1799, British

Okehampton Bridge

1791

James Moore, 1762–1799, British

Eagle Tower of Caernarfon Castle, Wales

1791

James Moore, 1762–1799, British

Ludlow Castle, Shropshire

1791

James Moore, 1762–1799, British

Ludlow Castle, Shropshire

1791

James Moore, 1762–1799, British

Montgomery Castle, Powys, Mid-Wales

1791

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Print made by Jean B. Michel, active 1803

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

1791

Robert Strange, 1721–1792, British

Sir Robert Strange

1791

Print made by A. M. Ireland, active before 1801

Ex Libris of George Lambert

1791

Thomas Girtin, 1775–1802, British

Warkworth Castle, Northumberland

ca. 1796

Thomas Girtin, 1775–1802, British

Dustanborough Castle from a Distance

ca. 1796

Thomas Girtin, 1775–1802, British

Distant View of Jedburgh

ca. 1796

Monro School

On the Banks of the Lago di Como

ca. 1796

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Trade Card for Thomas Sandby, Jr

1791