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Johann Heinrich Ramberg Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
Johann Heinrich Ramberg, 1763–1840, German, active in Britain (1781–88)
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
William Blake Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
William Blake The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
Peter Simon Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
Robert Thew King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Print made by Robert Thew, 1758–1802, British
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
Francesco Bartolozzi June
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
June
1789
Francesco Bartolozzi July
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
July
1789
Francesco Bartolozzi Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
Francesco Bartolozzi Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
William Nutter Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
William Nutter, 1754–1802, British
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
Peter Simon Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
Peter Simon, 1750–1810
Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
1789
James Gillray Shakespeare Sacrificed; or, The Offering to Avarice
Print made by James Gillray, 1756–1815, British
Shakespeare Sacrificed; or, The Offering to Avarice
1789
Peter Simon The Interview of Tom Jones and Sophia, After the Reconciliation.
Peter Simon, 1750–1810
The Interview of Tom Jones and Sophia, After the Reconciliation
1789