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Date 1783
Remove constraint Date: 1783Period 18th century
Remove constraint Period: 18th centuryImage Use Free to Use
Remove constraint Image Use: Free to UseSearch Results
1
- Mr. Hospey (?)Walker
- 1783
- Not on view
2
- Soldier with Country Women Selling Ribbons, near a Military Camp
- 1788
- Not on view
3
- Mausoleum at Outatori near Trichinopoly
- ca. 1788
- Not on view
4
- Patrick Heatly
- between 1783 and 1787
- Not on view
5
- Warren Hastings
- 1783-1784
- Not on view
6
- The Salmon Leap, Leixlip
- 1783
- Not on view
7
- George Biggin
- 1783
- Not on view
8
- View of the Campi Flegrei from the Camaldolese Convent near Naples
- 1783
- Not on view
9
- The Bathing Place at Ramsgate
- ca. 1788
- Not on view
10
- Vesuvius from Posillipo
- ca. 1788
- Not on view
11
- Coastal Landscape with a Shepherd and His Flock
- between 1783 and 1784
- Not on view
12
- Lady Clanricarde, Portrait of a Lady
- 1783
13
- "There is No Natural Religion", London, by William Blake
- ca. 1788
14
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
15
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
16
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
17
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
18
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
19
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
20
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
21
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
22
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
23
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
24
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
25
- "A Select Collection of English Songs," London, 1783
- 1783
26
- A Select Collection of English Songs
- 1783
27
- A Select Collection of English Songs
- 1783
28
- A Select Collection of English Songs
- 1783
29
- A Select Collection of English Songs
- 1783
30
- A Select Collection of English Songs
- 1783
31
- A Select Collection of English Songs
- 1783
32
- A Select Collection of English Songs
- 1783
33
- A Select Collection of English Songs
- 1783
34
- A Select Collection of English Songs
- 1783
35
- A Select Collection of English Songs
- 1783
36
- A Select Collection of English Songs
- 1783
37
- A Select Collection of English Songs
- 1783
38
- A Select Collection of English Songs
- 1783
39
- A Select Collection of English Songs
- 1783
40
- A Select Collection of English Songs
- 1783
41
- A Select Collection of English Songs
- 1783
42
- The Society for the Encouragement of the Arts (2 copies)
- after 1783
43
- The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
44
- Front, Side View, and Back Front, of a Modern fine Gentleman
- 1783
45
- Sir Harbord Harbord Bart
- 1783
46
- Mount Palatine
- 1783
47
- The Three Marys
- 1783
48
- A River by a Rocky Bank with Figures, Possibly in India
- between 1783 and 1789
49
- East Side of Mr. Hare's New House
- 1783
50
- North East View of Mr. Hare's New House
- 1783
51
- Tassisudon
- 1783
52
- The Former Winter Capital of Bhutan at Punakha Dzong
- 1783
53
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
54
- George Wolrige of Garlinneck
- undated
55
- Lucan-House
- 1783
56
- Design for an Unidentifued House in the Palladian Style
- undated
57
- King Street, Guildhall
- 1783
58
- Lismore Castle, Ireland
- 1783
59
- A Peasant of Mount Erix
- between 1783 and 1789
60
- Vatican from the road to Ponte Mola
- 1783
61
- Portrait of a Lady
- 1783
62
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
63
- Painting
- 1783
64
- A pair: 1. Symptoms of Rearing, 2. Moses
- 1783
65
- A Preacher
- undated
66
- A Poacher in Custody
- undated
67
- Waltham Abbey, Essex
- 1783
68
- An English Man-of-War Taking Possession of a Ship
- 1783
69
- Wooded Landscape with Figures
- ca. 1788
70
- View of Wingerworth Hall, Derbyshire
- 1783
71
- Manickpur on the Ganges
- ca. 1788
72
- A Young Indian
- ca. 1788
73
- View of Monghyr, Bihar
- ca. 1788
74
- Il Parco degli Astroni - The Wooded Crater Bottom with Hunt in Progress
- 1783
75
- The Three Sisters
- 1783
76
- Get Thee Behind Me, Satan
- between 1783 and 1787
77
- A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
- 1783
78
- Junction of Parties
- 1783
79
- The Meeting of the Ganges and the Jumna
- ca. 1788
80
- Twelve Illustrations of Robinson Crusoe
- 1783
81
- Twelve Illustrations of Robinson Crusoe
- 1783
82
- Twelve Illustrations of Robinson Crusoe
- 1783
83
- Twelve Illustrations of Robinson Crusoe
- 1783
84
- Twelve Illustrations of Robinson Crusoe
- 1783
85
- Twelve Illustrations of Robinson Crusoe
- 1783
86
- Twelve Illustrations of Robinson Crusoe
- 1783
87
- Ariccia
- between 1783 and 1789
88
- Twelve Illustrations of Robinson Crusoe
- 1783
89
- Twelve Illustrations of Robinson Crusoe
- 1783
90
- Twelve Illustrations of Robinson Crusoe
- 1783
91
- Twelve Illustrations of Robinson Crusoe
- 1783
92
- A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
- 1783
93
- City Malitia (sic) Marching
- ca. 1788
94
- Bonus / Mellior / Optimus
- 1783
95
- A New Administration, or the State Quacks Administering
- 1783
96
- A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
- 1783
97
- The Nabob Rumbled or a Lord Advocates Amusement
- 1783
98
- The Bread and Butter Manufactory, or the Humors of Bagnigge Wells
- 1783
99
- Mrs. Abington as Thalia
- 1783
100
- The Nabob Rumbled or A Lord Advocates Amusement
- 1783