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Lord Harrington Leaving Mother Matthew's
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and brown ink over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/8 x 11 11/16 inches (23.2 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Inn Door (A Man escorted by two link boys to a door to the left)
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 x 13 1/8 inches (23 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Feeding the Ducklings
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harvesters Setting Out
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and brown ink over graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/16 x 14 7/8 inches (23 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hyde Park Corner
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Livery Stable
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection