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Date 1767

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Topic subjectplace ss United Kingdom

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A River Scene with Thatched Huts by a Bridge over a Weir
Creator:
James Lambert of Lewes, 1725–1788, British
Date:
1767
Medium:
Oil on canvas
Dimensions:
18 1/4 x 24 inches (46.4 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures with a Donkey and Dog Crossing a Weir
Creator:
James Lambert of Lewes, 1725–1788, British
Date:
1767
Medium:
Oil on canvas
Dimensions:
18 1/4 x 24 inches (46.4 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
Creator:
Johan Joseph Zoffany, 1733–1810, German, active in Britain (from 1760)
Date:
1767
Medium:
Oil on canvas
Dimensions:
51 1/4 x 65 inches (130.2 x 165.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hermitage
Creator:
unknown artist, eighteenth century
Date:
ca. 1772
Medium:
Oil on canvas
Dimensions:
32 1/2 x 51 3/8 inches (82.6 x 130.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Thames and the Adelphi
Creator:
Attributed to William Hodges, 1744–1797, British
Date:
ca. 1772
Medium:
Oil on canvas
Dimensions:
18 1/4 x 23 3/4 inches (46.4 x 60.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Hill, the seat of D.H. Rucker
Creator:
Humphry Repton, 1752–1818, British
Date:
undated
Medium:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Margate

Margate
Creator:
attributed to Benjamin West, 1738–1820, American, active in Britain (from 1763)
Date:
1767
Medium:
Black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 x 21 3/8 inches (35.6 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Creator:
Paul Sandby, 1731–1809, British
Date:
1767
Medium:
Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beddington Place, Surrey
Creator:
Robert Nash
Date:
undated
Medium:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 x 15 15/16in. (20.3 x 40.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784, Irish
Date:
undated
Medium:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784, Irish
Date:
undated
Medium:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Queen Elizabeth Gate
Creator:
Paul Sandby, 1731–1809, British
Date:
1767
Medium:
Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beddington Place, Surrey
Creator:
Robert Nash
Date:
undated
Medium:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 x 16 1/4in. (20.3 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A London Riot
Creator:
Charles Reuben Ryley, 1752–1798, British
Date:
undated
Medium:
Pen and black ink and wash over graphite on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 13/16 × 12 inches (12.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
before 1791
Medium:
Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.
Creator:
Print made by William Angus, 1752–1821, British
Date:
undated
Medium:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 7 7/16 inches (13.7 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Grose's House at Wandsworth
Creator:
Capt. Francis Grose, 1731–1791, British
Date:
1767
Medium:
Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 10 1/8 inches (23.5 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
View near Arwington Hall, Suffolk
Creator:
Capt. Francis Grose, 1731–1791, British
Date:
1767
Medium:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/16 x 14 3/4in. (26.5 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
No cover image available
Creator:
Thomas Allen, active 1767–1772, British
Date:
undated
Medium:
Engraving
Dimensions:
Sheet: 9 3/4 x 7in. (24.8 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection