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Date 1765

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Subject Terms child

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Portrait of a Man and a Boy Looking at Prints
Creator:
John Hamilton Mortimer, 1740–1779, British
Date:
between 1765 and 1770
Medium:
Oil on canvas
Dimensions:
30 x 25 inches (76.2 x 63.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Street in Florence with the Duomo and Campanile in the Background
Creator:
William Marlow, 1740–1813, British
Date:
ca. 1765
Medium:
Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 18 1/4 x 22 1/2 inches (46.3 x 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Girl Holding a Garland
Creator:
attributed to John Downman, 1750–1824, British
Date:
undated
Medium:
Black and red chalk with graphite on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, beige wove paper
Dimensions:
Mount: 12 3/8 × 9 1/2 inches (31.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Peasant Family
Creator:
Print made by John Dixon, ca. 1740–1811, Irish
Date:
between 1765 and 1771
Medium:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/16 x 5 1/2 inches (18 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Engineer
Creator:
Print made by Butler Clowes, active 1768, died 1782, British
Date:
ca. 1770
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 5/16 × 10 3/8 inches (36.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Engineer
Creator:
Print made by Butler Clowes, active 1768, died 1782, British
Date:
ca. 1770
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 7/8 × 10 1/16 inches (35.2 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund