Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
3
Luigi Balugani, 1737–1770, Italian
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
4
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Portrait of a Man
ca. 1768
5
James Bruce, 1730–1794, British
Elevation and Plan of Arch at Makther
ca. 1768
6
James Bruce, 1730–1794, British
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
7
James Bruce, 1730–1794, British
Sketches of Temple Columns
ca. 1768
8
James Bruce, 1730–1794, British
Sketch of Arches in Perspective
ca. 1768
9
James Bruce, 1730–1794, British
Felis caligata (Booted Lynx)
ca. 1768
10
James Bruce, 1730–1794, British
Madoqua (Dik-dik)
ca. 1768
11
James Bruce, 1730–1794, British
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
12
James Bruce, 1730–1794, British
Gypaetus barbatus (Bearded Vulture)
ca. 1768
13
John Carter, 1748–1817, British
Stalls in St. George's Chapel, Windsor Castle
undated
14
Samuel De Wilde, 1748–1832, British
Head of a Man with a Beard Looking to the Left
undated
15
William Marlow, 1740–1813, British
Tivoli
ca. 1768
16
Luigi Balugani, 1737–1770, Italian
2 birds "Aroust el Bahar"
ca. 1768
17
James Bruce, 1730–1794, British
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
18
James Bruce, 1730–1794, British
Jerboa
ca. 1768
19
James Bruce, 1730–1794, British
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
20
James Bruce, 1730–1794, British
Dik-dik
ca. 1768
21
James Bruce, 1730–1794, British
Vulture
ca. 1768
22
James Bruce, 1730–1794, British
Bee Cuckoo
ca. 1768
23
James Bruce, 1730–1794, British
Sagittarius serpentarius (Secretary Bird)
ca. 1768
24
James Bruce, 1730–1794, British
Entrance Gate, Zaghouan
ca. 1768
25
James Bruce, 1730–1794, British
Details of Temple Above Spring at Zaghouan
ca. 1768
26
James Bruce, 1730–1794, British
Aquaduct at Cherchel
ca. 1768
27
James Bruce, 1730–1794, British
Temple Above Spring at Zaghouan
ca. 1768
28
James Bruce, 1730–1794, British
Entrance Gate Zaghouan
ca. 1768
29
James Bruce, 1730–1794, British
Aquaduct at Cherchel
ca. 1768
30
James Bruce, 1730–1794, British
Ruins of Temples at Saltronza
ca. 1768
31
James Bruce, 1730–1794, British
Sketch of Temple Ruins
ca. 1768
32
James Bruce, 1730–1794, British
Drawing of Temple Ruins and Figures
ca. 1768
33
Luigi Balugani, 1737–1770, Italian
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
34
John Fisher, Bishop of Salisbury, 1748–1825, British
The Thames with Sion House
undated
35
Carlo Labruzzi, 1748–1817, Italian
The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome
undated
36
Carlo Labruzzi, 1748–1817, Italian
Sepulchre on the Via Nomentana in the Roman Campagna
undated
37
Carlo Labruzzi, 1748–1817, Italian
Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome
undated
38
Carlo Labruzzi, 1748–1817, Italian
The Baths of Caracalla, Rome
undated
39
Carlo Labruzzi, 1748–1817, Italian
A Panoramic View toward St. Peter's from the Palace of the Caesars
undated
40
John Cleveley the younger, 1747–1786, British
View of Jamestown, St. Helena, From the Sea with Shipping
undated
41
Thomas Malton the Younger, 1748–1804, British
Banqueting House, Whitehall
undated
42
Carlo Labruzzi, 1748–1817, Italian
On the Appian Way
undated
43
Carlo Labruzzi, 1748–1817, Italian
Ruins at Capua
undated
44
Rev. William Gilpin, 1724–1804, British
Landscape with Two Trees and Castle
1763
45
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
46
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
47
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
48
James Gwin, 1700–1769
Seconde Position du Salut
1763
49
James Gwin, 1700–1769
Troisieme Position du Salut
1763
50
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
51
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
52
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
53
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
54
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
55
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
56
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
57
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
58
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
59
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
60
James Gwin, 1700–1769
Premiere Position du Salut
1763
61
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
62
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
63
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
64
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
65
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
66
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
67
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
68
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
69
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
70
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
71
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
72
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
73
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
74
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
75
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
76
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
77
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
78
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
79
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
80
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
81
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
82
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
83
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
84
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
85
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
86
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
87
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
88
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
89
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
90
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
91
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
92
John Hood, active 1762–1771, British
The Northumberland
1763
93
unknown artist, eighteenth century
Verbascum sinaiticum Benth. (Mullein): finished drawing of flowering shoot and root
ca. 1768
94
unknown artist, eighteenth century
Solanum marginatum Linn.f. (Nightshade): finished drawing of whole plant with root
ca. 1768
95
James Gwin, 1700–1769
Desseins Originaux des Attitudes Continuée dans L'École des Armes