Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
6
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Philosopher Giving a Lecture on the Orrery
ca. 1768
Not on view
7
Francis Smith, active 1763–1780, British
Kisler Aga, Chief of the Black Eunuchs and First Keeper of the Serraglio
between 1763 and 1779
Not on view
8
Hugh Barron, 1745–1791, British
Portrait of a Man, Probably a Self-Portrait
ca. 1768
Not on view
9
Gavin Hamilton, 1723–1798, British, active in Italy (1744–48 and 1756 on)
The Death of Lucretia
1763 to 1767
Not on view
10
Thomas Patch, 1725–1782, British
British Gentlemen at Sir Horace Mann's Home in Florence
between 1763 and 1765
Not on view
11
John Singleton Copley, 1738–1815, American, active in Britain (from 1776)
General Thomas Gage
ca. 1768
Not on view
12
William Hogarth, 1697–1764, British
The Bruiser
1763
13
William Hogarth, 1697–1764, British
John Wilkes, Esq
1763
14
Butler Clowes, active 1768, died 1782, British
The Hen Peckt Husband
ca. 1768
15
Luigi Balugani, 1737–1770, Italian
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
16
Luigi Balugani, 1737–1770, Italian
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
17
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Portrait of a Man
ca. 1768
18
James Bruce, 1730–1794, British
Elevation and Plan of Arch at Makther
ca. 1768
19
James Bruce, 1730–1794, British
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
20
James Bruce, 1730–1794, British
Sketches of Temple Columns
ca. 1768
21
James Bruce, 1730–1794, British
Sketch of Arches in Perspective
ca. 1768
22
James Bruce, 1730–1794, British
Felis caligata (Booted Lynx)
ca. 1768
23
James Bruce, 1730–1794, British
Madoqua (Dik-dik)
ca. 1768
24
James Bruce, 1730–1794, British
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
25
James Bruce, 1730–1794, British
Gypaetus barbatus (Bearded Vulture)
ca. 1768
26
William Marlow, 1740–1813, British
Tivoli
ca. 1768
27
Nathaniel Hone, 1718–1784, Irish
Portrait of a Gentleman
1763
28
Luigi Balugani, 1737–1770, Italian
2 birds "Aroust el Bahar"
ca. 1768
29
James Bruce, 1730–1794, British
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
30
James Bruce, 1730–1794, British
Jerboa
ca. 1768
31
James Bruce, 1730–1794, British
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
32
James Bruce, 1730–1794, British
Dik-dik
ca. 1768
33
James Bruce, 1730–1794, British
Vulture
ca. 1768
34
James Bruce, 1730–1794, British
Bee Cuckoo
ca. 1768
35
James Bruce, 1730–1794, British
Sagittarius serpentarius (Secretary Bird)
ca. 1768
36
James Bruce, 1730–1794, British
Entrance Gate, Zaghouan
ca. 1768
37
James Bruce, 1730–1794, British
Details of Temple Above Spring at Zaghouan
ca. 1768
38
James Bruce, 1730–1794, British
Aquaduct at Cherchel
ca. 1768
39
James Bruce, 1730–1794, British
Temple Above Spring at Zaghouan
ca. 1768
40
James Bruce, 1730–1794, British
Entrance Gate Zaghouan
ca. 1768
41
James Bruce, 1730–1794, British
Aquaduct at Cherchel
ca. 1768
42
James Bruce, 1730–1794, British
Ruins of Temples at Saltronza
ca. 1768
43
James Bruce, 1730–1794, British
Sketch of Temple Ruins
ca. 1768
44
James Bruce, 1730–1794, British
Drawing of Temple Ruins and Figures
ca. 1768
45
Luigi Balugani, 1737–1770, Italian
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
46
Print made by William Woollett, 1735–1785, British
George the Third King of Great Britain &c &c &c
1763-1764
47
John Cleveley the younger, 1747–1786, British
View of Jamestown, St. Helena, From the Sea with Shipping
undated
48
unknown artist
Sedans used by the Japanese Ladies of Quality
ca. 1768
49
unknown artist
The Mogul and his Lady in a Swing / The Mogul on Horseback
ca. 1768
50
Print made by unknown artist, eighteenth century
The Wife's Fortune Told
ca. 1768
51
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket for the Benefit of Mr. Giardini
1763
52
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
View of the City of New York: A South East View of the City of New York in North America
1763
53
Print made by Coplestone Warre Bampfylde, 1719–1791, British
Collection of Prints by Notable Dilettanti
1763
54
Print made by Coplestone Warre Bampfylde, 1719–1791, British
Collection of Prints by Notable Dilettanti
1763
55
Print made by unknown artist
Position of the English and French Fleets, When the French Fleet Began the Engagement
undated
56
Print made by unknown artist
First Position of the English and French Fleets at Two in the Afternoon, the 20th of May 1756
undated
57
Print made by unknown artist
A North West Prospect of the Lord Mayor's Mansion House
undated
58
Print made by unknown artist, eighteenth century
The Husband's Fortune Told
ca. 1768
59
Antoine de Marcenay de Ghuy, 1724–1811, French
A la Memoire de l'Illustre Vandike, Peintre de la Nature
1763
60
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Camillus Rescuing Rome From Brennus
1763
61
George Vertue, 1684–1756, British
The Savoy Hospital in the Strand the Chapel of the Hospital
1763
62
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Narcissus
1763
63
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Atalanta and Hippomanes
1763
64
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Diana, The Huntress
1763
65
Edward Fisher, 1722–1785, British
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
66
Richard Gough, 1735–1809, British
Roman Tower in Hound's Ditch, 28 April 1763
1763
67
Rev. William Gilpin, 1724–1804, British
Landscape with Two Trees and Castle
1763
68
Paul Sandby, 1731–1809, British
Capriccio with Edinburgh Castle and Arthur's Seat
before 1773
69
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
70
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
71
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
72
James Gwin, 1700–1769
Seconde Position du Salut
1763
73
James Gwin, 1700–1769
Troisieme Position du Salut
1763
74
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
75
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
76
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
77
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
78
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
79
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
80
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
81
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
82
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
83
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
84
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
85
James Gwin, 1700–1769
Premiere Position du Salut
1763
86
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
87
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
88
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
89
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
90
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
91
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
92
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
93
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
94
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
95
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
96
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
97
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
98
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
99
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
100
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde