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Date 1750
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101
- Portrait of a Woman with Mask
- 1750s
102
- Portrait of a Man wearing a Cap
- early 1750s
103
- La jeune cabarttiere
- early 1750s
104
- Portrait of Rev. William Gilpin's Daughter
- ca. 1755
105
- Portrait of a Man with a Staff
- early 1750s
106
- Miss Anna Maria Falkner
- between 1750 and 1768
107
- John Hawkesworth
- ca.1755
108
- King Edward VI presenting the Charter for Bridewell to Sir George Barnes
- 1750
109
- Scottish Beggars Resting near a Well
- 1750
110
- Pont Newydd near Dolgelly
- undated
111
- A View of Erith, Looking Up the Thames
- 1750
112
- George Anson, 1st Baron Anson
- ca.1755
113
- Prince Charles, 2nd Duke of Richmond, Lenox and Aubigny
- 1750
114
- 'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
- 1750
115
- The North East View of Camberwell Church
- 1750
116
- South West View of Battersea Church
- 1750
117
- A View from Somerset Gardens to Westminster Bridge
- 1750
118
- The South View of Kensington
- 1750
119
- The South East View of Kensington Church
- 1750
120
- A View of Blackwall looking towards Greenwich
- 1750
121
- Plan of Lambeth Palace
- 1750
122
- A View of the New Bridge Over the Thames at Walton in Surrey
- 1750
123
- Stromboli
- 1750
![A. Linnell Mr. [Alexander] Pope](https://media.collections.yale.edu/thumbnail/ycba/ee12d0ac-63a5-4ae6-9069-57a1067c693c)
124
- Mr. [Alexander] Pope
- 1750
125
- Monster (no.5 of 10)
- 1750
126
- View of Gloucestershire Country House
- ca. 1755
127
- The South West View of Isleworth Church
- 1750
128
- Design for a Tripod and Design for Entablature of the Upper Range of Windows in the Hall
- undated
129
- Design for a Lamp
- undated
130
- Design for a Lamp
- undated
131
- Design for a Clock Case
- undated
132
- The Lignum vitae, or Guaiacum, Plate 9
- 1750
133
- The Male Popaw Tree, Papaya, Plate 14
- 1750
134
- The Bay-Berry Tree, Myrtus arborea aromatica, Plate X
- 1750
135
- The Female Popaw Tree, Papaya, Plate 15
- 1750
136
- The Tree Jessamin, Plate 17
- 1750
137
- The Pine Apple, Anana, Plate 21
- 1750
138
- The Sea-side Laurel, Plate 22
- 1750
139
- 93 Etchings of Landscape and Genre Scenes
- 1750-1752
140
- Gateway Leading into Dean's Yard
- undated
141
- Eight Engravings of Ruins. London, 1750
- 1750
142
- Henry Howard, Earl of Surrey
- 1750
143
- Hannah Snell
- 1750
144
- Mrs. Bonfoy
- ca. 1755
145
- History of England, Subscription Receipt
- 1750
146
- The Jealous Husband
- 1750
147
- The Chymist
- 1750
148
- The Mansion House, 1750
- 1750
149
- A View of the Port of Bethune, 1750
- 1750
150
- A View of the River Thames form the end of Chelsea
- 1750
151
- A View of the River Thames from Chadwick, 1750
- 1750
152
- A View of the River Thames from Chelsea, 1750
- 1750
153
- A View of Hampstead Road near Tomkin's House, 1750
- 1750
154
- A Landscape
- 1750
155
- A View of Fulham Bridge and Putney, 1750
- 1750
156
- Another View of the River Thames from Chelsea, 1750
- 1750
157
- The beauties of Stow, or, A description of the pleasant seat, and noble gardens, of the right honourable Lord Viscount Cobham
- 1750
158
- New designs for Chinese temples, triumphal arches, garden seats, palings &c. ...
- 1750-1752
159
- A plan of Rome
- 1750
160
- A survey of the city and suburbs of Bristol
- 1750
161
- A geometrical plan of the city and suburbs of Bristol
- [175-?]
162
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
163
- Irish Provincial Rococo frame
- 3rd quarter of 18th century
164
- British Neoclassical frame
- 2nd half of 18th century
165
- British, Rococo frame
- 3rd quarter of 18th century
166
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
167
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
168
- British Neoclassical frame
- 2nd half of 18th century
169
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
170
- British, Neoclassical frame
- 2nd half of 18th century
171
- British, Neoclassical frame
- 3rd quarter of 18th century
172
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
173
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
174
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
175
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
176
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
177
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
178
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
179
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
180
- British 'Carlo Maratta' frame
- 3rd quarter of 18th century
181
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
182
- British 'Carlo Maratta' frame
- 3rd quarter of 18th century
183
- British, 'Carlo Maratta' frame component frame
- 2nd half of 18th century
184
- British, Neoclassical frame
- 2nd half of 18th century
185
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
186
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
187
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
188
- British, Louis XIV style frame
- 2nd half of 18th century
189
- British, Louis XIV style frame
- mid-third 18th century
190
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
191
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
192
- British, Neoclassical frame
- 3rd quarter of 18th century
193
- British or Irish (?), Provincial variant Neoclassical frame
- 2nd half of 18th century
194
- British (?), Provincial 'Carlo Maratta' frame
- 3rd quarter of 18th century
195
- British provincial 'Carlo Maratta' frame
- 3rd quarter of 18th century
196
- British, 'Carlo Maratta' frame component
- 2nd half of 18th century
197
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
198
- British (?), Neoclassical frame
- 3rd quarter of 18th century
199
- British (?), Neoclassical frame
- 3rd quarter of 18th century
200
- British, 'Carlo Maratta' frame
- 2nd half of 18th century