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Date 1745

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James McArdell Thomas Pelham-Holles, 1st Duke of Newcastle upon Tyne and 1st Duke of Newcastle under Lyme
James McArdell, ca. 1729–1765, Irish
Thomas Pelham-Holles, 1st Duke of Newcastle upon Tyne and 1st Duke of Newcastle under Lyme
undated
George Vertue Edward Harley, 2nd Earl of Oxford and Earl of Mortimer
George Vertue, 1684–1756, British
Edward Harley, 2nd Earl of Oxford and Earl of Mortimer
1745
Augustin Heckel The Bridge, Walton on Thames
Augustin Heckel, 1690–1770, German
The Bridge, Walton on Thames
ca. 1750
unknown artist The Conservatory at Wentworth Woodhouse, Yorkshire
unknown artist, eighteenth century
The Conservatory at Wentworth Woodhouse, Yorkshire
undated
unknown artist Tea Room at Wentworth Woodhouse, Yorkshire
unknown artist, eighteenth century
Tea Room at Wentworth Woodhouse, Yorkshire
undated
unknown artist Hoober Stand at Wentworth Woodhouse, Yorkshire
unknown artist, eighteenth century
Hoober Stand at Wentworth Woodhouse, Yorkshire
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Frontispiece for Town and Country Magazine, for Vol. III for 1771, No. 1
Isaac Taylor, 1730–1807, British
Frontispiece for Town and Country Magazine, for Vol. III for 1771, No. 1
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Scene from the play, "The Careless Husband"
Isaac Taylor, 1730–1807, British
Scene from the play, "The Careless Husband"
undated
Isaac Taylor Town and Country Magazine, Frontispiece for Vol. X for 1778
Isaac Taylor, 1730–1807, British
Town and Country Magazine, Frontispiece for Vol. X for 1778
undated
Isaac Taylor Unidentified Periodical/Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical/Play Illustration
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Frontispiece for Town and Country Magazine, for Vol. II, No. 1
Isaac Taylor, 1730–1807, British
Frontispiece for Town and Country Magazine, for Vol. II, No. 1
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Town and Country Magazine - Frontispiece for Vol. IV, 1772
Isaac Taylor, 1730–1807, British
Town and Country Magazine - Frontispiece for Vol. IV, 1772
undated
Isaac Taylor Frontispiece Vol. VII, No. I for 1775 from Town and Country Magazine
Isaac Taylor, 1730–1807, British
Frontispiece Vol. VII, No. I for 1775 from Town and Country Magazine
undated
Isaac Taylor Unidentified Periodical/Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical/Play Illustration
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
Pierre Charles Canot Morning
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Morning
1745
Pierre Charles Canot Night and a Ship on Fire
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Night and a Ship on Fire
1745
Pierre Charles Canot Noon
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Noon
1745
Pierre Charles Canot Moonlight
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
Pierre Charles Canot Sun Under a Cloud
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Sun Under a Cloud
1745
Pierre Charles Canot A Strong Gale or Squall
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Strong Gale or Squall
1745
Pierre Charles Canot Shipwreck
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Shipwreck
1745
Pierre Charles Canot A Ship in Distress
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Ship in Distress
1745
Pierre Charles Canot Evening
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Evening
1745
George Vertue King William the Conquerer
George Vertue, 1684–1756, British
King William the Conquerer
1745
unknown artist Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
Jean B. C. Chatelain A Perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a seat of Sr. Jeremy Sambrooke Bart.
Jean B. C. Chatelain, 1710–1771, French
A Perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a seat of Sr. Jeremy Sambrooke Bart
ca. 1750
Simon François Ravenet Marriage A-La-Mode, Plate V: The Death of the Earl
Simon François Ravenet, 1706–1774, French, active in Britain
Marriage A-La-Mode, Plate V: The Death of the Earl
1745
Gerard Jean Baptiste Scotin Marriage A-La-Mode, Plate VI: The Death of the Countess
Gerard Jean Baptiste Scotin, 1671–1716
Marriage A-La-Mode, Plate VI: The Death of the Countess
1745
Luke Sullivan A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)
Luke Sullivan, 1705–1771, British
A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)
1745
Bernard Baron Marriage A-La-Mode, Plate II: The Breakfast Scene
Bernard Baron, 1696–1762, French
Marriage A-La-Mode, Plate II: The Breakfast Scene
1745
Simon François Ravenet Marriage A-La-Mode, Plate IV: The Toilet Scene
Simon François Ravenet, 1706–1774, French, active in Britain
Marriage A-La-Mode, Plate IV: The Toilet Scene
1745
Gerard Jean Baptiste Scotin Marriage A-La-Mode, Plate I: The Contract
Gerard Jean Baptiste Scotin, 1671–1716
Marriage A-La-Mode, Plate I: The Contract
1745
Bernard Baron Marriage A-La-Mode, Plate III: The Scene with the Quack
Bernard Baron, 1696–1762, French
Marriage A-La-Mode, Plate III: The Scene with the Quack
1745
Giovanni Battista Borra Mausolio d'Haliatte in Faccia a Sardes
Giovanni Battista Borra, 1713–1770, Italian
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order at Geramo
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order at Geramo
ca. 1750
Giovanni Battista Borra A Doorway from Geramo
Giovanni Battista Borra, 1713–1770, Italian
A Doorway from Geramo
ca. 1750
Callender Voluntier
Print made by Callender, active mid–18th century
Voluntier
1745
Giovanni Battista Borra Plan, View and Second Plan of Ruins at Sardis
Giovanni Battista Borra, 1713–1770, Italian
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
Giovanni Battista Borra Plan of the Temple of Artemis at Ephesus
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Temple of Artemis at Ephesus
ca. 1750
Giovanni Battista Borra Reconstruction of the Second Theatre at Laodicea
Giovanni Battista Borra, 1713–1770, Italian
Reconstruction of the Second Theatre at Laodicea
ca. 1750
Giovanni Battista Borra Pianura dell'Hermo in Faccia a Sardes
Giovanni Battista Borra, 1713–1770, Italian
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
Giovanni Battista Borra Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
Giovanni Battista Borra View of the Theater and Plan of the Ionic Temple at Sardis
Giovanni Battista Borra, 1713–1770, Italian
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
Giovanni Battista Borra Castello di Smirna
Giovanni Battista Borra, 1713–1770, Italian
Castello di Smirna
ca. 1750
Giovanni Battista Borra Members of a Ionic Temple in Ruins at Priene (now Turunclar)
Giovanni Battista Borra, 1713–1770, Italian
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
Giovanni Battista Borra Members of an Ionic Temple at Teos
Giovanni Battista Borra, 1713–1770, Italian
Members of an Ionic Temple at Teos
ca. 1750
Giovanni Battista Borra View of the Valley of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770, Italian
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Door in the Corinthian Order from Aphrodisias (now Geyve)
Giovanni Battista Borra, 1713–1770, Italian
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
Giovanni Battista Borra Topographical Map of Halicarnassus at its Harbor
Giovanni Battista Borra, 1713–1770, Italian
Topographical Map of Halicarnassus at its Harbor
ca. 1750
Giovanni Battista Borra Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
Giovanni Battista Borra, 1713–1770, Italian
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
Giovanni Battista Borra Remains of an Ionic Temple of Bacchus at Aphrodisias
Giovanni Battista Borra, 1713–1770, Italian
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
Giovanni Battista Borra Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
Giovanni Battista Borra, 1713–1770, Italian
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
Giovanni Battista Borra Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
Giovanni Battista Borra, 1713–1770, Italian
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
Giovanni Battista Borra Situazione Di Ceramo
Giovanni Battista Borra, 1713–1770, Italian
Situazione Di Ceramo
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order from a Temple at Cnidus
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
Giovanni Battista Borra Cnidus: Plan of the Harbor and Map of Sites
Giovanni Battista Borra, 1713–1770, Italian
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
Giovanni Battista Borra View of the Valley of Sardis and View of a Ruined Bridge
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
Giovanni Battista Borra View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
Giovanni Battista Borra Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
Giovanni Battista Borra, 1713–1770, Italian
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
Giovanni Battista Borra Plan of the Bay of Tyre
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Bay of Tyre
ca. 1750
Giovanni Battista Borra Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
Giovanni Battista Borra, 1713–1770, Italian
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
Giovanni Battista Borra Napolosa in Samaria
Giovanni Battista Borra, 1713–1770, Italian
Napolosa in Samaria
ca. 1750
Giovanni Battista Borra Pianta di Rodi
Giovanni Battista Borra, 1713–1770, Italian
Pianta di Rodi
ca. 1750
Giovanni Battista Borra Veduta Occidentale del Monte Tabor
Giovanni Battista Borra, 1713–1770, Italian
Veduta Occidentale del Monte Tabor
ca. 1750
Giovanni Battista Borra Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
Giovanni Battista Borra, 1713–1770, Italian
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
Giovanni Battista Borra Sepolcro di Absalon
Giovanni Battista Borra, 1713–1770, Italian
Sepolcro di Absalon
ca. 1750
Giovanni Battista Borra View and Plan of the Grotto of Gethsemene
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Grotto of Gethsemene
ca. 1750
Giovanni Battista Borra View and Plan of the Theater of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
Giovanni Battista Borra Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Giovanni Battista Borra, 1713–1770, Italian
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
Giovanni Battista Borra Details of a Doric Order from Toreh
Giovanni Battista Borra, 1713–1770, Italian
Details of a Doric Order from Toreh
ca. 1750
Giovanni Battista Borra Samos
Giovanni Battista Borra, 1713–1770, Italian
Samos
ca. 1750
Giovanni Battista Borra View of Micale Promontorio
Giovanni Battista Borra, 1713–1770, Italian
View of Micale Promontorio
ca. 1750
Giovanni Battista Borra Frieze and Capital of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770, Italian
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Plan of the Temple of Juno at Samos and Details of a Column
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
Giovanni Battista Borra Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
Giovanni Battista Borra, 1713–1770, Italian
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
Giovanni Battista Borra Ruines à Troye
Giovanni Battista Borra, 1713–1770, Italian
Ruines à Troye
ca. 1750
Giovanni Battista Borra View of Sigacik (Ancient Teos)
Giovanni Battista Borra, 1713–1770, Italian
View of Sigacik (Ancient Teos)
ca. 1750
Giovanni Battista Borra Scutari
Giovanni Battista Borra, 1713–1770, Italian
Scutari
ca. 1750
Giovanni Battista Borra Plan of the Port of Sigacik (ancient Teos)
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
Giovanni Battista Borra View of Artaki (now Erduk)
Giovanni Battista Borra, 1713–1770, Italian
View of Artaki (now Erduk)
ca. 1750
Giovanni Battista Borra Details of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770, Italian
Details of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra View of Tivoli in the Direction of the North Wind
Giovanni Battista Borra, 1713–1770, Italian
View of Tivoli in the Direction of the North Wind
ca. 1750
Giovanni Battista Borra Is'Tmo e Penisola di Cizico
Giovanni Battista Borra, 1713–1770, Italian
Is'Tmo e Penisola di Cizico
ca. 1750
Giovanni Battista Borra View of a Long Aqueduct
Giovanni Battista Borra, 1713–1770, Italian
View of a Long Aqueduct
ca. 1750
Giovanni Battista Borra Aquedotto Angolare
Giovanni Battista Borra, 1713–1770, Italian
Aquedotto Angolare
ca. 1750
Giovanni Battista Borra View of Maglova Aqueduct
Giovanni Battista Borra, 1713–1770, Italian
View of Maglova Aqueduct
ca. 1750
Giovanni Battista Borra View of Tivoli
Giovanni Battista Borra, 1713–1770, Italian
View of Tivoli
ca. 1750
Giovanni Battista Borra Scoglio di Silla nel Faro di Mesina
Giovanni Battista Borra, 1713–1770, Italian
Scoglio di Silla nel Faro di Mesina
ca. 1750
Giovanni Battista Borra Plan and View of the Third Theater at Laodicea
Giovanni Battista Borra, 1713–1770, Italian
Plan and View of the Third Theater at Laodicea
ca. 1750
James Bretherton George Stubbs: A Sketch
Print made by James Bretherton, ca. 1730–1806, British
George Stubbs: A Sketch
undated