Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
between 1745 and 1747
Not on view
2
Joseph Nickolls, active 1713–ca. 1755, British
Orleans House, Twickenham
ca. 1750
Not on view
3
Arthur Devis, 1712–1787, British
Robert Gwillym of Atherton and His Family
1745 to 1747
Not on view
4
Thomas Gainsborough, 1727–1788, British
Portrait of a Woman
ca. 1750
Not on view
5
Giovanni Battista Borra, 1713–1770, Italian
View of the Modern City of Pergamon
ca. 1750
6
Giovanni Battista Borra, 1713–1770, Italian
Monte delle Beatitudini
ca. 1750
7
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
8
Giovanni Battista Borra, 1713–1770, Italian
Gierusalemme
ca. 1750
9
Giovanni Battista Borra, 1713–1770, Italian
Is'Tmo di Cizico unito al Continente
ca. 1750
10
Giovanni Battista Borra, 1713–1770, Italian
Unfinished View of the Palatine in Rome
ca. 1750
11
Giovanni Battista Borra, 1713–1770, Italian
View of Ruins at Tivoli
ca. 1750
12
Giovanni Battista Borra, 1713–1770, Italian
Reggio di Calabria
ca. 1750
13
Giovanni Battista Borra, 1713–1770, Italian
View of a Passage Cut into a Hillside
ca. 1750
14
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
15
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
16
Charles Gore, 1729–1807, British
Hubertusburg Château
undated
17
Charles Gore, 1729–1807, British
Florence Opposite the Cassines
undated
18
Paul Sandby, 1731–1809, British
Cart Bearing a Large Tree Trunk
undated
19
Giovanni Battista Borra, 1713–1770, Italian
The Basilica at Pergamon
ca. 1750
20
Rev. William Gilpin, 1724–1804, British
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
21
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
22
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with a Lake
between 1745 and 1748
23
Rev. William Gilpin, 1724–1804, British
Hilly Landscape
between 1745 and 1748
24
Rev. William Gilpin, 1724–1804, British
Landscape with Classical Building at Left
between 1745 and 1748
25
Rev. William Gilpin, 1724–1804, British
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
26
Rev. William Gilpin, 1724–1804, British
Two Figures on a Road by a Lake
between 1745 and 1748
27
Rev. William Gilpin, 1724–1804, British
A Rocky Landscape
between 1745 and 1748
28
Rev. William Gilpin, 1724–1804, British
Landscape with a Ruined Castle on the Right
between 1745 and 1748
29
Rev. William Gilpin, 1724–1804, British
Landscape with Castle on a Hill at Left
between 1745 and 1748
30
Rev. William Gilpin, 1724–1804, British
Landscape with Road in Foreground
between 1745 and 1748
31
Rev. William Gilpin, 1724–1804, British
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
32
Rev. William Gilpin, 1724–1804, British
Landscape with a Castle and a Bridge
between 1745 and 1748
33
Rev. William Gilpin, 1724–1804, British
Landscape with Four Figures
between 1745 and 1748
34
Rev. William Gilpin, 1724–1804, British
Landscape with Three Figures on a Road
between 1745 and 1748
35
Rev. William Gilpin, 1724–1804, British
A Lake with Mountains Rising Beyond
between 1745 and 1748
36
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
37
Thomas Gainsborough, 1727–1788, British
A Milkmaid Climbing a Stile
ca. 1750
38
Thomas Ross, active from 1753, British
Netting Partridges
ca. 1750
39
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
40
James Adam, 1732–1794, Scottish
Landscape with River and Figures
undated
41
Rev. William Gilpin, 1724–1804, British
Landscape with Mountain in Center Distance
between 1745 and 1748
42
Rev. William Gilpin, 1724–1804, British
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
43
Rev. William Gilpin, 1724–1804, British
Landscape with Two Horsemen on a Road
between 1745 and 1748
44
Rev. William Gilpin, 1724–1804, British
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
45
Rev. William Gilpin, 1724–1804, British
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
46
Rev. William Gilpin, 1724–1804, British
Landscape with a Ruined Castle
between 1745 and 1748
47
Rev. William Gilpin, 1724–1804, British
Landscape with a Castle on a Hill at Right
between 1745 and 1748
48
Rev. William Gilpin, 1724–1804, British
Landscape with Two Figures on a Road
between 1745 and 1748
49
Alexander Cozens, 1717–1786, British
Landscape with a Lake and Distant Mountain
ca. 1750
50
Alexander Cozens, 1717–1786, British
The Glade
ca. 1750
51
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with a River
between 1745 and 1748
52
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
53
Isaac Taylor, 1730–1807, British
Unidentified Periodical/Play Illustration
undated
54
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
55
Isaac Taylor, 1730–1807, British
Unidentified Periodical/Play Illustration
undated
56
Giovanni Battista Borra, 1713–1770, Italian
Reconstruction of the Second Theatre at Laodicea
ca. 1750
57
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
58
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
59
Giovanni Battista Borra, 1713–1770, Italian
Napolosa in Samaria
ca. 1750
60
Giovanni Battista Borra, 1713–1770, Italian
Veduta Occidentale del Monte Tabor
ca. 1750
61
Giovanni Battista Borra, 1713–1770, Italian
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea