Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
between 1745 and 1747
Not on view
3
Joseph Nickolls, active 1713–ca. 1755, British
Orleans House, Twickenham
ca. 1750
Not on view
4
Arthur Devis, 1712–1787, British
Robert Gwillym of Atherton and His Family
1745 to 1747
Not on view
5
Thomas Gainsborough, 1727–1788, British
Portrait of a Woman
ca. 1750
Not on view
6
Giovanni Battista Borra, 1713–1770, Italian
View of a Valley with Ruins at Sardis
ca. 1750
7
Giovanni Battista Borra, 1713–1770, Italian
View of the Modern City of Pergamon
ca. 1750
8
Giovanni Battista Borra, 1713–1770, Italian
Monte delle Beatitudini
ca. 1750
9
Giovanni Battista Borra, 1713–1770, Italian
Plan of Lake Tiberias
ca. 1750
10
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
11
Giovanni Battista Borra, 1713–1770, Italian
Gierusalemme
ca. 1750
12
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Laodicea
ca. 1750
13
Giovanni Battista Borra, 1713–1770, Italian
Is'Tmo di Cizico unito al Continente
ca. 1750
14
Giovanni Battista Borra, 1713–1770, Italian
View of Ruins at Tivoli
ca. 1750
15
Giovanni Battista Borra, 1713–1770, Italian
Reggio di Calabria
ca. 1750
16
Giovanni Battista Borra, 1713–1770, Italian
View of a Passage Cut into a Hillside
ca. 1750
17
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
18
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
19
Charles Gore, 1729–1807, British
Hubertusburg Château
undated
20
Charles Gore, 1729–1807, British
Florence Opposite the Cassines
undated
21
Charles Gore, 1729–1807, British
View of Dürrenstein
undated
22
Giovanni Battista Borra, 1713–1770, Italian
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
23
Rev. William Gilpin, 1724–1804, British
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
24
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
25
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with a Lake
between 1745 and 1748
26
Rev. William Gilpin, 1724–1804, British
Hilly Landscape
between 1745 and 1748
27
Rev. William Gilpin, 1724–1804, British
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
28
Rev. William Gilpin, 1724–1804, British
Landscape with Classical Building at Left
between 1745 and 1748
29
Rev. William Gilpin, 1724–1804, British
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
30
Rev. William Gilpin, 1724–1804, British
Two Figures on a Road by a Lake
between 1745 and 1748
31
Rev. William Gilpin, 1724–1804, British
Shipping Scene with Three Figures on shore
between 1745 and 1748
32
Rev. William Gilpin, 1724–1804, British
A Rocky Landscape
between 1745 and 1748
33
Rev. William Gilpin, 1724–1804, British
Landscape with a Ruined Castle on the Right
between 1745 and 1748
34
Rev. William Gilpin, 1724–1804, British
Landscape with Castle on a Hill at Left
between 1745 and 1748
35
Rev. William Gilpin, 1724–1804, British
Landscape with Road in Foreground
between 1745 and 1748
36
Rev. William Gilpin, 1724–1804, British
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
37
Rev. William Gilpin, 1724–1804, British
Landscape with a Castle and a Bridge
between 1745 and 1748
38
Rev. William Gilpin, 1724–1804, British
Landscape with Four Figures
between 1745 and 1748
39
Rev. William Gilpin, 1724–1804, British
Landscape with Three Figures on a Road
between 1745 and 1748
40
Rev. William Gilpin, 1724–1804, British
A Lake with Mountains Rising Beyond
between 1745 and 1748
41
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
42
James Deacon, c. 1728–1750, British
Rocky Landscape with Classical Buildings
undated
43
Thomas Ross, active from 1753, British
Netting Partridges
ca. 1750
44
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
45
James Adam, 1732–1794, Scottish
Landscape with River and Figures
undated
46
Rev. William Gilpin, 1724–1804, British
Landscape with Mountain in Center Distance
between 1745 and 1748
47
Rev. William Gilpin, 1724–1804, British
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
48
Rev. William Gilpin, 1724–1804, British
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
49
Rev. William Gilpin, 1724–1804, British
Landscape with Two Horsemen on a Road
between 1745 and 1748
50
Rev. William Gilpin, 1724–1804, British
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
51
Rev. William Gilpin, 1724–1804, British
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
52
Rev. William Gilpin, 1724–1804, British
Landscape with a Ruined Castle
between 1745 and 1748
53
Rev. William Gilpin, 1724–1804, British
Landscape with a Castle on a Hill at Right
between 1745 and 1748
54
Rev. William Gilpin, 1724–1804, British
Landscape with Two Figures on a Road
between 1745 and 1748
55
Alexander Cozens, 1717–1786, British
Landscape with a Lake and Distant Mountain
ca. 1750
56
Alexander Cozens, 1717–1786, British
The Glade
ca. 1750
57
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with a River
between 1745 and 1748
58
Isaac Taylor, 1730–1807, British
Unidentified Periodical/Play Illustration
undated
59
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Morning
1745
60
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
61
Giovanni Battista Borra, 1713–1770, Italian
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
62
Giovanni Battista Borra, 1713–1770, Italian
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
63
Giovanni Battista Borra, 1713–1770, Italian
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
64
Giovanni Battista Borra, 1713–1770, Italian
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
65
Giovanni Battista Borra, 1713–1770, Italian
Castello di Smirna
ca. 1750
66
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
67
Giovanni Battista Borra, 1713–1770, Italian
Topographical Map of Halicarnassus at its Harbor
ca. 1750
68
Giovanni Battista Borra, 1713–1770, Italian
Situazione Di Ceramo
ca. 1750
69
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
70
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
71
Giovanni Battista Borra, 1713–1770, Italian
Napolosa in Samaria
ca. 1750
72
Giovanni Battista Borra, 1713–1770, Italian
Veduta Occidentale del Monte Tabor
ca. 1750
73
Giovanni Battista Borra, 1713–1770, Italian
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
74
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Theater of Hierapolis (now Pamukkale)