Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
A Game of Quadrille
ca. 1740
Not on view
7
unknown artist, eighteenth century
The Practical Joke
ca. 1740
Not on view
8
Pieter Jan van Reysschoot, 1702–1772, Flemish, active in Britain (1736–44)
Lovers in a landscape
ca. 1740
Not on view
9
Marcellus Laroon the Younger, 1679–1772, British
A Dinner Conversation
between 1735 and 1740
Not on view
10
unknown artist
Study of a Girl's Head
ca. 1740
Not on view
11
George Knapton, 1698–1778, British
Portrait of a Woman
between 1735 and 1745
Not on view
12
Unknown artist
Studies of Heads
ca. 1740
Not on view
13
Thomas Bardwell, 1704–1767, British
Portrait of a Gentleman
ca. 1740
Not on view
14
Thomas Bardwell, 1704–1767, British
Portrait of a Lady
ca. 1740
Not on view
15
Charles Brooking, 1723–1759, British
A Two-Decker on Fire at Night off a Fort
ca. 1740
Not on view
16
Peter Gaspar Scheemakers, 1691–1781, Flemish, active in Britain (from ca. 1720)
Alexander Pope
ca. 1740
Not on view
17
William Hogarth, 1697–1764, British
A Rake's Progress, Plate I: He Takes Possession
1735
18
William Hogarth, 1697–1764, British
A Rake's Progress, Plate II: His Levee
1735
19
William Hogarth, 1697–1764, British
A Rake's Progress, Plate III: He Revels
1735
20
William Hogarth, 1697–1764, British
A Rake's Progress, Plate IV: Goes to Court
1735
21
Print made by William Hogarth, 1697–1764, British
A Rake's Progress, Plate V: He Marries
1735
22
Print made by William Hogarth, 1697–1764, British
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
23
William Hogarth, 1697–1764, British
A Rake's Progress, Plate VI: He Gambles
1735
24
William Hogarth, 1697–1764, British
A Rake's Progress, Plate VIII: In Bedlam
1735
25
John Boydell, 1720–1804, British
East Prospect of Elizabeth Castle in Jersy
undated
26
Thomas Smith of Derby, ca. 1720–1767, British
Town and Lake of Lugano
undated
27
Francis Hayman, 1707/8–1776, British
Flying the Kite
ca. 1740
28
Thomas Smith of Derby, ca. 1720–1767, British
Convent of Vallombrosa
undated
29
unknown artist, eighteenth century
Study of a Seated Woman Holding a Fan
ca. 1740
30
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Study of a Seated Lady
ca. 1740
31
Jacob van Schley, 1715–1779, Dutch
The Monument of King Henry III, in Westminster Abbey
1735
32
William Henry Toms, ca. 1700–ca. 1750, British
The East Prospect of the Church of St. Leonard, Shoreditch
1735
33
William Henry Toms, ca. 1700–ca. 1750, British
Bow Church
ca. 1740
34
John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Sir Godfrey Kneller
1735
35
Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Philippe Mercier
1735
36
Samuel Buck, 1696–1779, British
The South-East View of Rochester Castle
1735
37
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Drawing for a Frontispiece: "The Toast"
1735
38
Giovanni Piranesi, 1720–1778, Italian
Giardino Colonna nel clivo del Quirinale
undated
39
Giovanni Piranesi, 1720–1778, Italian
Palazzo Pontificio sul Quirinale
undated
40
Print made by Arthur Pond, ca. 1705–1758, British
Profile of an Unidentified Man
1735
41
Arthur Pond, ca. 1705–1758, British
Philosopher Seated under a Tree
1735
42
Arthur Pond, ca. 1705–1758, British
Man Seated on a Rock
1735
43
Print made by George Knapton, 1698–1778, British
The Tomb of Cecilia Metella
1735
44
Jacobus Houbraken, 1698–1780, Dutch
Thomas Howard, Duke of Norfolk
1735
45
Print made by unknown artist
Edward Montague Lord Kimbolton
ca. 1740
46
Marcellus Laroon the Younger, 1679–1772, British
Night Walkers Brought before a Justice of the Peace
ca. 1740
47
Print made by Jacobus Houbraken, 1698–1780, Dutch
Thomas Howard, Duke of Norfolk
1735
48
Print made by Jacobus Houbraken, 1698–1780, Dutch
Sidney Godolphin, first Earl of Godolphin
ca. 1740
49
Arthur Pond, ca. 1705–1758, British
The Virgin and Child Seated with St Joseph
1735
50
Arthur Pond, ca. 1705–1758, British
Untitled: Virgin Mary with angel and child
1735
51
Print made by Arthur Pond, ca. 1705–1758, British
Mucius Scaevola Burning his Hand
1735
52
Print made by Arthur Pond, ca. 1705–1758, British
The Adoration of the Magi
1735
53
Print made by Arthur Pond, ca. 1705–1758, British
Cavalry Advancing to the Charge
1735
54
George Knapton, 1698–1778, British
Untitled: Desert Scene
1735
55
Arthur Pond, ca. 1705–1758, British
Untitled: Nativity scene
1735
56
George Knapton, 1698–1778, British
Untitled: Landscape with deer
1735
57
George Knapton, 1698–1778, British
Untitled: Landscape
1735
58
unknown artist
Handbill advertising Highgate Races
1735
59
Print made by Jean B. C. Chatelain, 1710–1771, French
A Prospect of the Royal House at Richmond
ca. 1740
60
Nathaniel Buck, active 1727–1753
The North East View of Eltham Palace in the County of Kent
1735
61
Print made by G de Köning, active ca. 1740, British
A Greek Lady - Une Dame Greque
ca. 1740
62
Giuseppe Marchi, (copy after), ca. 1735–1808, Italian
Miss Hester Frances Cholmondeley
undated
63
Print made by George Vertue, 1684–1756, British
Sir Matthew Hale
1735
64
James Wilson, c.1735–c.1786
Mrs. Frances Abington (née Barton)
undated
65
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
66
Print made by James Wilson, c.1735–c.1786
The Fair Nun Unmasked
undated
67
Samuel Buck, 1696–1779, British
The South-west View of Battle Abbey in the County of Sussex
1735
68
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
69
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735
70
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
1735
71
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]
1735
72
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
73
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
74
unknown artist
Francis Atterbury, Bishop of Rochester & Dean of Westminster
1735-1751
75
George Vertue, 1684–1756, British
Philip II King of Spain
1735
76
William Henry Toms, ca. 1700–ca. 1750, British
Christ's Hospital
ca. 1740
77
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
78
William Henry Toms, ca. 1700–ca. 1750, British
The Monument
ca. 1740
79
unknown artist, eighteenth century
A.S.E. Prospect of St. Leonard Shorditch in Middlesex
1735
80
unknown artist, eighteenth century
A.S.W. Prospect of St. Leonard Shoreditch in Middlesex
1735
81
unknown artist, eighteenth century
An East Prospect of St. Leonard Shoreditch in Middlesex
1735
82
Alexander van Haecken, 1701–1758, Flemish
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
83
Engelbrecht, Martin, 1684-1756
Album of Rococo ornamental designs of gardens, flora and fauna, games and pastimes, costume, chinoiserie, hermits and grottoes, occupations, cities and villages, saints and martyrs, and biblical scenes
circa 1735-1750
84
Tomlinson, Kellom
The art of dancing explained by reading and figures