The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
1202
William Blake, 1757–1827, British
Pl. 15: `The Conjugal Union of Cupid'
1796
1203
William Blake, 1757–1827, British
Pl. 16: `Cupid & Psyche'
1796
1204
William Blake, 1757–1827, British
Pl. 18: `Iron Age'
1796
1205
William Blake, 1757–1827, British
Pl. 12: `Psyche Disobeys.'
1796
1206
William Blake, 1757–1827, British
Pl. 19: `Aristophanes Clouds. Scene I'
1796
1207
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
1826
1208
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
1209
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
1210
William Blake, 1757–1827, British
Pl. 19: `Aristophanes Clouds. Scene I'
1796
1211
William Blake, 1757–1827, British
Pl. 23: `Anacreon Ode LII'
1796
1212
William Blake, 1757–1827, British
Pl. 13: `Psyche Repents.'
1796
1213
William Blake, 1757–1827, British
Pl. 14: `Venus Counsels Cupid'
1796
1214
William Blake, 1757–1827, British
Pl. 15: `The Conjugal Union of Cupid'
1796
1215
William Blake, 1757–1827, British
Pl. 16: `Cupid & Psyche'
1796
1216
William Blake, 1757–1827, British
Pl. 23: `Anacreon Ode LII'
1796
1217
William Blake, 1757–1827, British
Each creature, Thenot, to his task is born
1821, reprinted 1977
1218
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
1219
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
1220
William Blake, 1757–1827, British
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
1221
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
1222
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
1223
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
1224
William Blake, 1757–1827, British
My sheep quite spent through travel and ill fare
1821, reprinted 1977
1225
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
1226
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
1227
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
1228
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
1229
Print made by William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
1230
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
1231
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
1232
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
1233
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
1234
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
1235
William Blake, 1757–1827, British
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826
1236
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
1237
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
1238
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
1239
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
1240
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
1241
William Blake, 1757–1827, British
And now behold the sun's departing ray
1821, reprinted 1977
1242
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
1243
William Blake, 1757–1827, British
Pl. 12: 'Psyche Disobeys'
1796
1244
William Blake, 1757–1827, British
Pl. 13: `Psyche Repents'
1796
1245
William Blake, 1757–1827, British
Pl. 14: `Venus Councels Cupid'
1796
1246
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
1247
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
1248
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
1249
William Blake, 1757–1827, British
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
1250
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
1251
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
1252
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
1253
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
1254
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
1255
Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
1256
Sir Frank Short, 1857–1945, British
The Southdown Bus approaching the Buckle Inn
1936
1257
Ethelbert White, 1891–1972, British
Ricco
1258
Print made by Schelte A. Bolswert, 1586–1659, Dutch
Iustus Lipsius
ca. 1635
1259
Print made by Schelte A. Bolswert, 1586–1659, Dutch
Margareta Princeps Lotharingia
ca. 1635
1260
Sir Frank Short, 1857–1945, British
Torcello
1931
1261
Print made by William Jacobsz Delff, 1580–1638, Dutch
Michael Mirevelt
ca. 1635
1262
Ethelbert White, 1891–1972, British
Crucifixion
1263
Print made by Schelte A. Bolswert, 1586–1659, Dutch
Artus Wolfart
ca. 1635
1264
Lawrence Josset, 1910–1995
The Drummond Family
1960
1265
Print made by William Hondius, c.1597–c.1660
Franciscus Franck Iunior
ca. 1635
1266
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Ioannes T'Serclaes
ca. 1635
1267
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Ioannes T'Serclaes
ca. 1635
1268
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Paulus Halmalius
ca. 1635
1269
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Paulus Halmalius
ca. 1635
1270
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Erycius Puteanus
ca. 1635
1271
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Cornelius Poelenbourch
ca. 1635
1272
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Erycius Puteanus
ca. 1635
1273
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Iacobus Iordaens
ca. 1635
1274
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Iacobus Iordaens
ca. 1635
1275
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Ioannes Snellincx
ca. 1635
1276
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Ioannes Snellincx
ca. 1635
1277
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Genovefa d'Urphe
ca. 1635
1278
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Genovefa d'Urphe
ca. 1635
1279
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Diodorus Tuldenus
ca. 1635
1280
Print made by Pieter de Jode II, ca. 1606–1674, Flemish
Albuert Dux
ca. 1635
1281
Print made by Pieter de Jode II, ca. 1606–1674, Flemish