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Attributed to John Carter, 1748–1817, British

Wall Paintings

between 1793 and 1799

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXVIII

1842

Attributed to John Carter, 1748–1817, British

Enlarged Detail of Figures from Painting Shown in Previous Sketch

between 1793 and 1799

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXIX

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

George Birch, 1842–1904, British

Plan and View of Room under the Painted Chamber

1827

Charles James Richardson, 1806–1871, British

Sections of Room under Painted Chamber

1827

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

Print made by T. Kearnan, active 1821–1850, British

The House of Lords, as Restored after the Fire

1835

Attributed to William Capon, 1757–1827, British

Elevation of Buildings Fronting Westminster Hall

1822

Print made by Miss Mary Byrne, 1776–1846, British

The Houses of Lords and Commons

1815

Print made by William Deeble, active 1814–1849, British

The King's Entrance to the House of Lords, From Poets Corner

1829

Charles James Richardson, 1806–1871, British

Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

1871

Charles James Richardson, 1806–1871, British

Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

1871

Charles James Richardson, 1806–1871, British

Decoration between Windows of Parlor, No. 3 Old Palace Yard

1871

Print made by unknown artist

Chance. The London Firemen's Dog

1834

Print made by R.C. Roffe, active in London 1806–1835, British

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c

1827

Attributed to John Carter, 1748–1817, British

Seats in Henry VII Chapel, Westminster Abbey

ca. 1793

Print made by Edward Rooker, 1724–1774, British

Henry the Seventh's Chapel

undated

Attributed to John Carter, 1748–1817, British

Continuation of the Preceeding Ornaments

1793

William Capon, 1757–1827, British

Henry VII Chapel

ca. 1793

John Phillipps Emslie, 1839–1913, British

Houses Adjacent to Westminster Abbey in the Process of Demolition

1896

John Carter, 1748–1817, British

South East View of the Towers of the Abbey, &c. from College St. Westminster

1782

Attributed to John Carter, 1748–1817, British

Door-way in Wall of South Precints of Westminster Abbey

undated

Print made by John Carter, 1748–1817, British

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

1791

Attributed to John Carter, 1748–1817, British

Line of Buildings on East Side, Dean's Yard

between 1806 and 1815

Attributed to John Carter, 1748–1817, British

Continuation of Details

between 1806 and 1815

Attributed to John Carter, 1748–1817, British

Window, Dean's Yard

between 1806 and 1815

Print made by unknown artist

Plate I. Memorials of the Commissioners for Improving Westminster, 1811

1811

Attributed to John Carter, 1748–1817, British

Continuation of Detail

between 1806 and 1815

Attributed to John Carter, 1748–1817, British

Continuation of Detail

between 1806 and 1815

Thomas Rowlandson, 1756–1827, British

The London Citizen

undated

Attributed to John Carter, 1748–1817, British

Detail, Dean's Yard

between 1806 and 1815

Attributed to John Carter, 1748–1817, British

Figure study, Henry VII Chapel

ca. 1793

John Buckler FSA, 1770–1851, British

North East View of Holland House

1812

Imitator of George Baxter, 1804–1867, British

Funeral of the Late Duke of Wellington

after 1893

Imitator of George Baxter, 1804–1867, British

Funeral of the Late Duke of Wellington

after 1852

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Robert Dighton, 1752–1814, British

Foot Ball played at Market Place, Barnet

ca. 1784

Robert Dighton, 1752–1814, British

Coits Played opposite the Horns, Kennington Common

ca. 1784

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Print made by Thomas A. Woolnoth, 1785–1857, British

Plate III: Crypt under St Stephen's Chapel

ca. 1836

unknown artist, nineteenth century

Peers' Entrance

undated

unknown artist

Details of Capitals and Arches, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817, British

Paintings on the Wall by H in Plan

between 1793 and 1799

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by William Deeble, active 1814–1849, British

The Parliament House, from Old Palace Yard, Westminster

1829

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Battersea Reach

1863

Thomas Rowlandson, 1756–1827, British

Soldiers in St. James Park

undated

Thomas Bowles, ca. 1712–died 1753, British

The Church of St. Mary Le Bow in Cheapside London

Thomas Bowles, ca. 1712–died 1753, British

The Inside View of the Royal Exchange at London

Thomas Bowles, ca. 1712–died 1753, British

A View of Somerset House with St. Mary's Church in the Strand London

unknown artist

A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles

Henry Thomas Alken, 1785–1851, British

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

between 1809 and 1823

Attributed to Inigo Jones, 1573–1652, British

A Plumed Saddle-Horse

ca. 1640

John Buckler FSA, 1770–1851, British

North West view of Charlton House, Kent; The Seat of Lady Wilson

1815

John Buckler FSA, 1770–1851, British

South view of Holland House, Middlesex, the Seat of Lord Holland

1812

Imitator of George Baxter, 1804–1867, British

Funeral of the Late Duke of Wellington

after 1893

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

Thomas Rowlandson, 1756–1827, British

Vauxhall

James Malton, 1761–1803, British

A Military Encampment in Hyde Park

1785

unknown artist

The Foundling Hospital

Thomas Rowlandson, 1756–1827, British

Viewing at the Royal Academy

ca. 1815

Thomas Bowles, ca. 1712–died 1753, British

The Inside of Westminster Abby

John Maurer A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords

John Maurer, active 1713–1761

A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords

Thomas Bowles A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

Thomas Bowles, ca. 1712–died 1753, British

A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

Walter Paris, 1842–1906, British

A Cricket Match of the Royal Marine Artillery, London

1888

Nathaniel Smith, 1740–1787

Westminster Abbey and St. Paul's from Battersea Fields

undated

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by James Basire, 1730–1802, British

Plate XII: St Stephen's Chapel

1795

Attributed to John Carter, 1748–1817, British

Front and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Details of one of the Figures

ca. 1795

Print made by Charles Burton, active 1830–1840

View of the King's Entrance &c. From the South-West

1835

Charles James Richardson, 1806–1871, British

Ceiling to Boudoir House in Old Palace Yard

1871

Print made by M. Gauci, 1810–1846

The Destruction by Fire of the Houses of Parliament

after 1834

R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Print made by R.C. Roffe, active in London 1806–1835, British

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827